|The quirky, talented artist John Hendrix created this collage for St. Louis Design Week. I thought it was a great thought and a cool image with which to close out the year.|
|Forget the bogeyman. Krampus carries “delinquent” children to Hell.|
He is the terrifying opposite of St. Nicholas‘ sweetness and light. He, too, carries a sack–but his is NOT full of toys and candy. He uses it to capture naughty children and carry them off to Hell.
The magazine The Atlantic recently posted an online slideshow of images of costumed “Krampus” figures that are a feature of Yuletide festivities in Alpine parts of Europe. I chose several to share with you here, but for more explanations and images I urge you to see the whole show.
|The lighting effects of torches and bonfires in the night add to Krampus figures’ menacing appearance.|
|How many future years of therapy do you think this guy has inspired?|
|Wouldn’t want to meet this one in a dark alley, either!|
Scary as they may seem in the right light, I bet the guys who design and wear these costumes have a load of fun doing it.
|You can’t tell me this guy didn’t build his “devil go-kart” in his garage and chortle over how cool it looks in the dark!|
I have friends who delight in putting on elaborate productions to “haunt” their yards or porches for Halloween. They have kindred spirits in the Alps, I’m sure.
|Krampus chariot rides! What a rush!|
|Lighting and ambiance give the wonderful costumes their full power.|
The photos I liked best in the slide show were the ones that gave a glimpse of behind-the-scenes.
|This is my favorite photo of the whole slide show. Inside the fur, under the horns–the spirit of St. Nicholas lingers in the hearts of ordinary guys putting on a helluva show.|
To all my readers: Yuletide blessings, and . . . watch out for old Krampus! 🙂
IMAGE CREDITS: Many thanks to The Atlantic for publishing these images! What a different view they give of the Yuletide season!
Especially with the help of one particular Polish admirer and astonishing polymath named Slawomir Zubrzycki. He took a look at this drawing and made a whole lot more sense of it than I can:
|Meet Da Vinci’s invention, the “viola organista,” as drawn in his sketchbook.|
Here is a video from the AFP News Agency that gives you both a glimpse of the instrument in action, and a taste of its sound:
Give yourself a moment to sit back, maximize your screen for a good view, and listen to this amazing new sound, extrapolated from the pages of one of Leonardo’s sketchbooks.
Here’s another video, showing Zubrzycki at the keyboard, performing about ten and a half minutes worth of music for a concert audience in Krakow, Poland. This video was recorded Oct. 18, 2013 at the International Royal Cracow Piano Festival:
I wanted a closer look at this instrument, and I thought you might, too:
|Mr. Zubrzycki and his amazing construction: no muted hues for Mr. Z!|
|Here’s one view “under the hood” of the Viola Organista.|
|And a bit more detailed close-up. I still don’t know how it works.|
I’d like to thank the NPR blog, Deceptive Cadence from NPR Classical, for turning me on to this instrument’s existence. There also is an interesting article on the background of this instrument on the Musical Assumptions blog by Elaine Fine.
IMAGE CREDITS: Many thanks to Wikipedia, for Da Vinci’s sketchbook image of the viola organista, shown at the top of this post. Many thanks also to the AFP News Agency and YouTube for the first video, and to Slawomir Zubrzycki and YouTube for the second, longer video. The three photos of Zubrzycki at the keyboard and the “under the hood” views are from Tygodnik Powszechny and Tomaz Wiech/AFP, via Laughing Squid (You may enjoy the accompanying articles, too!).
Nicole Emanuel does not think small. What is more, she follows through on her big ideas. Nicole is the founder and Executive Director of the InterUrban ArtHouse in Overland Park, KS, an ambitious and growing organization in the Kansas City metro area.
|Interesting visuals are everywhere you turn.|
On December 11, 2013, the InterUrban ArtHouse opened its doors in a new, beautiful space that offers a place for a range of programs and events, studio spaces for artists, and even a small retail area for the sale of artwork.
The space is available for rental, but the organization also sponsors several regular events here, too.
I dropped in during the afternoon of the open house and took some pictures. They offer a glimpse of the new space. But you really should come take a look in person, if you’re in the KC metro area!
|A flexible open area in the middle of the ArtHouse space offers many possibilities.|
|Here’s the nook by the Blackberry Castle Productions studio.|
|Assistant Director Nick Carswell greeted open house guests from the reception desk, aided by a volunteer.|
|The conference room seems kind of bare, compared to the rest of the space, but it’s functional.|
|Blackberry Castle’s Reggie Banks, Sr. stands between the reception desk and the small retail area.|
IMAGE CREDITS: The InterUrban ArtHouse logo is from the organization’s website. All the other photos were taken by Jan S. Gephardt, with the ArtHouse staff’s permission. Please use only with attribution and a link back.
|Profile image for Les Lethal’s Larryville Blue on Facebook.|
We lesser mortals who are creative also can be good at more than one thing. I’m a decent artist, I tried to be a good teacher (performance art), and I am working on becoming a published fiction writer.
In the course of doing research for my novel-in-progress, I have come across yet another multi-talented creative person, whom I’d like to introduce here.
Les Lethal is his cartoonist name, but in his “other life” he’s a Denver police officer. I hope his policing is as clear-eyed as his cartooning, because if so he’s an outstanding cop, too.
What I appreciate most are the telling details. The sound authenticity of the caricatures comes through for me in the comments from Les’s audience, 7,287 of whom have “Liked” his Facebook page.
One of Les’s recurring themes is his collections of character-caricatures, offering comical views of various categories of law enforcement officers. The first one I encountered was his Officers Career Progression.
|The book I Love a Cop, written as a resource for law enforcement families, outlines a very similar progression of phases in a typical career, only they tell it “straight.” Humorous it may be, but this cartoon also seems to be dead-on accurate.|
Knowledgeable comment-writers have remarked on the progression in Career Progression from the belt full of gadgets on the Rookie to the less-cluttered duty belts of the older officers (who have figured out what tools to keep, and which get in their way); the thigh-holster and protein shake carried by the “Rooster,” and many other touches.
Whether your medium is words or pictures, the details are crucial, for a good portrait!
Les also has done a series of The Characters of Law Enforcement. Once again, based on comments, the more you know about these specialties and the individuals who work in them, the more amusing these caricatures seem to be.
Here, with his permission, are The Characters of Law Enforcement, Parts One, Two, and Three:
|Here is Part One. No one and nothing is sacred in Larryville, it seems.|
|Part Two adds to the collection. Several seem to be responses to comments made on the first image. (For those who need a clue, a “BwaB” is “a Bitch with a Badge.”)|
|Part Three probably isn’t the end of the series, but it’s the latest one so far. Again, some of these appear to be inspired or informed by comments on earlier images.|
IMAGE CREDITS: All images in this post are copyright 2013 by Les Lethal, and may be used ONLY with his express permission (Thanks, Les!) Please do not re-post or publish any of them without contacting Les and obtaining his permission first!