By Jan S. Gephardt

SoonerCon 30 was a very busy SoonerCon for me. I had a chance to once again share one end of a sales table (this time in the Creators Alley). But I didn’t want to give up being on panels or in the Art Show. This was guaranteed to be a little crazymaking.

But it was so lovely to be back at SoonerCon! It’s one of my favorite conventions, as you can see if you look through my past blog posts about it. In a lot of ways it feels like an “adopted second ‘home con.’” SoonerCon has been very good to me, my artwork, and my books over the years!

So, during the Pandemic I contributed several sets of autographed XK9 books and one of my larger pieces of paper sculpture to their online auction fundraiser. I contributed to their Kickstarter, too. And I made sure I bought space for Weird Sisters Publishing in their digital and program Book advertising. In my opinion all of those efforts to support the convention are “Win-Win” efforts. When SoonerCon survives and thrives, my businesses have an excellent outlet for this and future years.

The Weird Sisters Publishing ads at SoonerCon 30 included three digital images at left, and a print ad in the program book.
Three digital ads and a print ad helped both SoonerCon and Weird Sisters Publishing. (images from Weird Sisters Publishing LLC).

A Very Busy SoonerCon Art Show

In its former home at the Reed Conference Center the SoonerCon Art Show was shoehorned into a relatively small space. Everything was cramped, and the sightlines were short. You couldn’t back up to view a whole panel without the risk of running into someone else’s art panel. Not so in their new home at the Embassy Suites by Hilton Norman Hotel & Conference Center!

This year the SoonerCon Art Show was enormous, and the artwork was of very high quality. I enjoyed wonderful displays from Artist GoH Elizabeth Leggett, plus Rachael Mayo, Lucy A. Synk, and almost everyone else I pointed out in my two ConQuesT 53 Art Show posts. Chaz Kemp, Peri Charlifu, and other notable members of the Convention Artists Guild turned out in force with large and beautiful collections.

Two photos from the SoonerCon Art Show portray Jan’s display of paper sculpture and Lucy A. Synk’s paintings and prints.
Two SoonerCon Art Show display panels show work by Jan S. Gephardt and Lucy A. Synk. (See credits below).

Other artists whose work caught my eye? Vanessa Green’s embroidery, Brooke Lydick’s quilting, and Rachel Karch’s striking mixed-media/polymer clay provided marvelous examples of striking work in unusual media. I loved the ingenuity of Joshua Cook’s imaginative metal sculptures of fantasy creatures (or are they machines?). Kelly Stoll, whom I understand to be Rachael Mayo’s sister, created exquisite fantasy miniatures on brooches and pendants. But the tour de force (and a top crowd-pleaser) of the entire, massive show were the amazing dioramas of Beth Lockhart. Lockhart also displayed beautiful painted gourds and chainmail dragons.

A Very Busy SoonerCon Panelist Schedule, too!

Before I knew I’d be holding down one end of a sales table all weekend, I had told the Programming people to “use me and abuse me.” At most conventions, my appearances on panels have been the major way I can communicate anything about myself, my artwork, and my books. I also (as I’ve mentioned a few hundred times in my blog posts) love to moderate panels, even though it’s extra work. The SoonerCon Programming people know this. They also seem to think I do a decent job of it, so I moderate a lot of my SoonerCon panels.

Two photos from my reading.
I love going to readings, but this year I only got to one: my own, along with (L-R: Selina Rosen, an unidentified audience member, Melinda LeFevers, Donna Frayser, and Tim Frayser. (See credits below).

A Very Busy Schedule, Indeed

This created the perfect recipe for a very busy SoonerCon programming schedule! On Friday I had two panels, one of which I moderated, plus an Author Reading. It was the only one I managed to attend. That night, the Art Show Reception provided a great chance to see the show and visit with lots of people. On Saturday, in addition to my Autographing session, I moderated three panels and enjoyed a late-evening Artists’ Chat. That turned out to be quite interesting and enjoyable. I hope they keep it on as a repeating feature!

On Sundays, I always ask not to be scheduled opposite Art Show check-out. Occasionally programming people ignore this, but I always appreciate it when I don’t have to throw myself on my son Ty’s mercy to avoid messing up the Art Show Staff’s teardown/load-out schedule. This time the programmers managed to both respect my Art Show commitment and schedule me for one last panel – a fun one called “Wry Wit for Writers: Humorous Fiction.” We laughed a lot, and I was pleased to be able to join the fun.

Three photos focus on the three authors’ displays on the “Bad Bards and Beyond” sales table.
L-R: Rie Sheridan Rose created a copper-pipe “Steampunk” rack to display her books, DVDs, and other materials. In the center of the table are polymer clay figures, magnets, four books and other items from Mel. White. On the other end is Jan’s display of signs and XK9 books. (See credits below).

“Bad Bards and Beyond” – Another Shared Sales Table

The final part of my recipe for a very busy SoonerCon came from the last-minute addition of the “Bad Bards and Beyond” sales table. (Our books and I are the “Beyond” part). This table was almost as successful as my table at ConQuesT 53. That’s even though all the other commitments meant I spent considerably less time working it. We may have been positioned at the end of a long hallway, but there was a lot happening “out in our neck.” Things never got dull that I saw, and traffic stayed pretty busy.

My table-mates were Mel. White (Dr. Mel. White, Ph.D., to be formal) and Rie Sheridan Rose, both from Texas. I’ve know Mel. for what seems like donkeys’ years through the conventions, and she and Ty have independently struck up a pleasant friendship. We memorably hung out a lot together at NorthAmericon ’17 in Puerto Rico. I’ve known Rie less well, but we’ve amicably bumped into each other at SoonerCon, FenCon, and probably others in the past. The three of us spent the weekend deciding we made a pretty good team and planning to meet again at FenCon . . . but then a development made it important to cancel my attendance at the September convention.

Jan traveled with Weird Sisters Publishing signs, copies of her books, and bookmarks to Archon 44 in 2021.
Here I am with my “traveling display” at Archon 44 in 2021. (Tyrell E. Gephardt).

Meet My “Bad Bards and Beyond” Table-Mates

Mel. White

Mel. White’s bio on her Amazon page (she doesn’t seem to have an author website) describes her as a “Professor, scientist, artist, author, educator, and former computer programmer [who] writes science fiction and draws webcomics.” She and the late Robert Asprin created the “Duncan and Mallory” graphic novels (there were three), first published by Starblaze Graphics, 1986-1988. Aspirin died in 2008. Mel. has written many anthologized stories over the years. With co-author John DeLaughter, she re-launched the “Duncan and Mallory” series in 2018.

She earned her Ph.D. in Information Science in 2014, and followed that with work on a degree in Egyptology. Mel. is an adjunct professor (Egyptology and Anthropology) at Dallas College Richland Campus. She also works on dinosaur bones at the Perot Museum and pursues other pursuits. A longtime and accomplished filker, her music is part of the reason we called our table “Bad Bards And Beyond,” though I’m less sure about the “bad” part.

Rie Sheridan Rose

I’m grateful that Rie has a website, where it’s been easier to find (dated) biographical information. When her bio says she’s “contributed to innumerable anthologies,” she’s not kidding! Her Amazon Author Page goes on for pages and pages. Most of the items listed are anthologies. She’s also a prolific poet, as well as a filker and lyricist (the other part of the “Bards” in the table’s name).

But she’s also up to twelve novels now, if her website’s “My Work” page is up to date. Many are fantasy works. She’s also the author of the 5-book Conn-Mann Chronicles Steampunk series, as well as other Steampunk books and stories. In the “Steampunk spirit,” she’d created a fun little book rack for her end of our table, made of copper pipes.

The “Duncan And Mallory” series in their original covers by Mel. White form part of a montage that also shows Mel’s “Syskitty” avatar, which she uses on Facebook, Rie Sheridan Rose’s author photo, and the series image for Rie’s “Conn-Mann Chronicles.”
My table-mates Mel. White and Rie Sheridan Rose have produced a number of interesting fiction projects. (See credits below).

As you can imagine, all of these elements came together to create a very busy SoonerCon 30 for yours truly. But, as SoonerCon always proves to be for me, it also was a fun, stimulating, and utterly worthwhile weekend. I’m already looking forward to next year!


Jan S. Gephardt took many of the photos in this post myself (as noted in cutlines). She designed all of the advertising and other graphics for Weird Sisters Publishing with skillful help from illustrations © by Chaz Kemp, Lucy A. Synk, and Jody A. Lee and used with authorization. The photo of Lucy’s artwork display was taken with her permission. My son Tyrell E. Gephardt took the photos of my art display in the SoonerCon Art Show. He also took the photo of me with all my books and signs at Archon 44 (2021).

The photos from my reading portray fellow authors/readers Selina Rosen, Melinda LaFevers, and Tim Frayser, along with his wife Donna Frayser and an unnamed audience member. All photos were taken with permission by their subjects.

The “Mel And Rie” Montage pulled imagery from several sources. The original three “Duncan and Mallory” covers are part of a screen-capture from Google Search. Mel’s Facebook avatar, “Syskitty,” came from her Facebook page. Rie’s author photo came from her Amazon Author Page. The “Conn-Mann Chronicles Series” graphic is courtesy of the Amazon page for that series. Many thanks to all!