Nurturing creativity with art, animals, and science fiction

Category: Art Page 1 of 24

This square image has a variegated background with a tan-edged, variegated rectangle on a layer floating above the background layer. Three square images from the blog post are arranged on the diagonal across the middle. They overlap each other – but not enough that we can’t see what they are. Design by Jan S. Gephardt.

A Mixed Bag in April

I had a mixed bag in April, when it comes to posts on The Weird Blog . . . and also when it comes to just about everything else, too. My ongoing book review work continues. However, I prefer to blog about books and share their reviews in themed groups of three to five. I didn’t have neatly themed groups of much of anything in April.

Book review topics were only one category of “hodgepodge” in April. I’m also transitioning out of the intense burst of art direction projects (see more below, for those). And because beta reader comments have now come in for Bone of Contention I made another kind of transition, back into working on the polishing round of revisions.

Transitions of that sort are a recipe for “mixed bag.” So are random variables, and we had one enormous new “random variable” in our household this month. In my last novel, A Bone to Pick, my fictional characters Charlie, Hildie, and Rex discovered that random variables can sometimes pack a nasty punch. Our new household random variable wasn’t what I’d call nasty – but he did prove to be extremely time- and energy-consuming.

New husky puppy Moon Gephardt in action: Clockwise from upper left, walking on the wall, chewing on and tossing a toy, and Moon takes a good sniff of Yoshi, while Yoshi sends an imploring look toward the camera. All photos © 2024 by Jan S. Gephardt.
See Credits below.

Meet Moon, Our Random Variable

Moon, our new dog, contributed more than his share to that mixed bag in April. Every new household member arrives bringing challenges. When my son adopted a year-old husky at the end of March, we thought we knew what we were getting into, because we’d had a lot of dogs in our lives. But I gained a whole new appreciation for the “puppy sequence” in the movie Togo after a few weeks of living with Moon. Like Togo, Moon is a Siberian husky.

In true husky fashion, he is intelligent, creative, charming, loving, persistent, and athletic. He’s a wonderful dog. And he’s been giving me an awesome experience to take notes for future books when XK9 puppies come on the scene. He’s also lighting-fast, extremely strong, bullheaded, and needs constant watching.

We have a senior cat, a middle-aged cat, and a middle-aged, somewhat smaller dog. They range from hanging out amicably when Moon’s feeling mellow, to being irritated by Moon, and sometimes to actively being in danger from him. That’s not because he’s mean. It’s simply because he’s so much bigger, stronger, and faster – and he’s a puppy, so he doesn’t know his own strength.

Even when my husband is on the scene, keeping Moon well supervised, especially around our other pets, is challenging. When my husband left for an 8-day trip to help a friend in Mississippi, the “Moon management” effort during the final week of April shifted from “challenging” to seriously exhausting. Let’s just say my productivity took a nosedive.

This montage shows the four illustrations from the blog post “A Proper Balance of Politics and Business,” published on The Weird Blog April 10, 2024. All montages by Jan S. Gephardt. See the original blog post for details from individual illustrations.
See Credits below.

Striking “A Proper Balance of Politics and Business”

As noted above, my Weird Blog post topics presented a mixed bag in April. The first post, A Proper Balance of Politics and Business, explored a question that perplexes many businesses, both large and small: just ask Nike or Bud Light about that! Even we Weird Sisters ourselves differ on what works best for our mutual corporate (as Weird Sisters Publishing) and separate professional balances.

My sister G. S. Norwood generally prefers to eschew any overt political comment. It’s a caution well-learned and deeply entrenched after a professional lifetime of interactions in the business community of Dallas, TX. Politics isn’t a major factor in her written fiction work, either, so it seems quite appropriate to walk a line of neutrality in her professional persona.

In my own work, I find it very difficult – indeed, counter-productive – to attempt to erase general political assumptions and concepts from the worldbuilding of science fiction. The artistic choices one makes in my genre are shot through with political understandings. I think politics in science fiction is kind of baked in. That holds, whether one is commenting pointedly or not. Consider the implied comment of many dystopian visions. Or the assumptions made in a post-apocalyptic setting. Or the ways that political and corporate balances of power are portrayed in any given science fictional story-universe.

This montage includes one of Chaz Kemp’s variations on the “Windhover” space ship in the center. Behind “Windy,” clockwise from upper left are Lucy A. Synk’s “Quadra,” “Thisseling and Rajor Zee,” “Mosseen,” Jose-Luis Segura’s “Mac and Yo-Yo in their workshop,” and Lucy A. Synk’s “Kril, Daytime, with Moons.” The words say, “Astronomicals © 2019-2024 by Lucy A. Synk,” “Windhover ship ©2022 by Chaz Kemp,” and “© 2021 by Jose-Luis Segura,” on the “Mac and Yo-Yo” picture. Montage by Jan S. Gephardt.
See Credits below.

The Windhover Tetralogy as Illustrated Books

From politics to the beauty and potential of illustrated books? Yes, The Weird Blog’s topics were quite the mixed bag in April! Our second post of the month explored the new way that I’m planning to present the “vintage 1980s” science fiction of my late brother-in-law, Warren C. Norwood.

My objective was to give the new reissue editions of his first, four-book series a better evocation of Warren’s wide and wildly inventive imagined worlds. To achieve that, I’ve engaged the talents of three different illustrators, Lucy A. Synk, Chaz Kemp, and Jose-Luis Segura.

We’re tackling this rather extensive, involved project in two bursts of production work. The first one, which started in December and has run through the spring, is beginning to wind down. Other production considerations kick in during the summer, specifically finishing up the Bone of Contention rollout. Then we plan to crank it back up and finish the work this fall and winter, with book release dates in 2025.

For more details, and for more looks at work we’ve finished so far, check theIllustrated Bookspostitself. And I bet by now you see my point about how all the assorted projects and random variables created such a mixed bag in April.

About the Author

Author Jan S. Gephardt Is shifting from the mixed bag in April to focus more fully once again on her own XK9 Series of science fiction novels and shorter fiction in May and through the summer. Subscribers to her monthly newsletter currently have access to more original short fiction set in the XK9s’ universe than is currently available for sale. Her newest title, Bone of Contention, is set to be published September 24, 2024. It completes the XK9 “Bones” Trilogy, although the series will continue.

IMAGE CREDITS

All photos in the “Moon Montage” are © 2024 by Jan S. Gephardt, who also designed the montage. The second montage shows the four illustrations from the blog post “A Proper Balance of Politics and Business,” published on The Weird Blog April 10, 2024. All montages were designed by Jan S. Gephardt. See the original blog post for details about sources within the individual illustrations.

The third montage includes one of Chaz Kemp’s variations on the “Windhover” space ship in the center. Behind “Windy,” clockwise from upper left are Lucy A. Synk’s “Quadra,” “Thisseling and Rajor Zee,” “Mosseen,” Jose-Luis Segura’s “Mac and Yo-Yo in their workshop,” and Lucy A. Synk’s “Kril, Daytime, with Moons.” The words say, “Astronomicals © 2019-2024 by Lucy A. Synk,” “Windhover ship ©2022 by Chaz Kemp,” and “© 2021 by Jose-Luis Segura,” on the “Mac and Yo-Yo” picture. Montage by Jan S. Gephardt.

Four composite images from the post show eight “New Year Dragon” works of art, four each by featured fantasy artists Theresa Mather, Rachael Mayo, David Lee Pancake, and Randal Spangler, plus a total of eight book covers – four coloring books for adults by Rachael Mayo and four children’s books by Randal Spangler, all with a dragon theme.

My New Year Dragon Project

In February I devoted two blog posts and 16 different social media posts to a “New Year Dragon Project” display of dragon-themed artwork. When I discovered that this Chinese New Year’s animal was the Dragon, I immediately thought about all the amazing artists I know, who paint or sculpt – and indeed, specialize – in dragons. But for the sake of my sanity I settled on only four, whom I know well enough to anticipate they’d be willing to work with me on this project.

New Year Dragon Ladies

I decided to focus the first blog post of the Project on my two New Year Dragon Ladies I asked each to share four pieces and permission to reproduce them on social media and this blog post. All artwork is © by the artist, as noted on the imagery.

This is a square image with the eight artworks featured in this article arranged around a middle where it says, “NEW YEAR DRAGONS by Theresa Mather and Rachael Mayo.” Clockwise from top center the artworks are: “ “Chasing Wisdom,” “Celestial Dance,” “Heart of the Storm,” and “The Astronomer,” all by Mather. “Opal Paradigm, “Emerald Unity,” “Deep Rising 11,” and “Dragon Dance 6,” by Mayo.
Here’s the artwork celebrated in my “New Year Dragon Ladies” post. All artwork is © Theresa Mather or © Rachael Mayo, as noted on the individual compositions.

Practically the very first person I thought of for my New Year Dragon Project was Theresa Mather. I have rarely gone into a science fiction convention art show in the last two decades without a chance to see her latest work.

It also wasn’t hard to decide that Rachael Mayo would be my other featured New Year Dragon Lady. She may classify herself as an amateur at sf art shows, but she is an amateur in the most honorable sense of the word, a master who does the work for the love of it more than to make a living. She knows her craft through and through.

New Year Dragon Gentlemen

I conceived the two posts of the New Year Dragon Project to be a sort of “progressive art show.” The New Year Dragon Gentlemen post provided the second half. The “rest of the story,” if you will.

These posts were considerably longer on art than on words, but when the pictures are worth a thousand each, there should be little more to say. I hope you’ll enjoy these gorgeous pieces!

This is a square image with the eight artworks featured in Jan’s blog post arranged around a middle where it says, “NEW YEAR DRAGONS by David Lee Pancake and Randal Spangler.” Clockwise from upper left, the artworks are: “Eldar’s Secret,” by Spangler; “S’mine” and “Scrapper,” by Pancake; “The Literate Dragon,” by Spangler; “Solstice,” by Pancake; “A Gathering of Dragons” and “Devouring a Good Book,” by Spangler; and “Stormwind,” by Pancake.
Here’s the artwork celebrated in my “New Year Dragon Gentlemen” post. All artwork is © David Lee Pancake or © Randal Spangler, as noted on the individual compositions.

I’ve enjoyed David Lee Pancake’s wonderful resin sculptures for more than a decade. I love his artistry, his originality (check out his Vent Dragons for one notable example!), and his willingness to “go there.” I’m pleased for a chance to bring some of his work more attention. I hope you’ll be intrigued, and explore his website more fully.

And there was never any universe in which Randal Spangler would not have been one of my choices for New Year Dragon Gentlemen. He’s one of my husband’s closest friends. And over the years he and I have not only been friends but also business partners on several ventures. He’s the next-best-thing to family. Give yourself a little while to peruse his extensive galleries, and I think you’ll find his completely different, far more playful take on dragons has an enduring appeal.

This square design shows the covers of Randal Spangler’s four books (current count in Feb. 2024) on a variegated background. Clockwise from upper left: “Counting With the Draglings,” the newest title; “The Draglings Coloring Book,” “The Draglings Bedtime Story,” and “D is for Draglings.” All artwork is © by Randal Spangler. Covers are courtesy of Spangler’s website and (in the case of the coloring book) Amazon.
Please reference the links in the text below for purchasing information.

Books by New Year Dragon Project Artists

We normally don’t think of artists as also being authors (yes, that’s me talking, the exception that illustrates the rule). Two of our New Year Dragon Project artists also push against that expectation, although in less “text-dense” ways.

As I note in the linked blog posts, both Rachael Mayo and Randal Spangler also have books to their name. Rachel has created four coloring books for adults, working with Kaleidoscopia. Randy has a coloring book, but also a growing line of children’s books. He just produced a third children’s title, which is now available through his website.

This square image shows the covers of Rachael Mayo’s four dragon and fantasy art coloring books, each featuring 52 images and designed to be used by people of all ages. They are: Top row L-R, “Dragon Adventure” and “Dragon Adventure 2.” Second row, L-R, “Dragon Adventures 3, Dragons and Friends,” and “Dragon Adventures 4, Fantasy Drawings to Color.” All were published by Kaleidoscopia Coloring books, and all are available on Amazon. All artwork © Rachael Mayo.
Rachael’s four (to date: 2/28/24) coloring books are full of her wonderful art. Follow the links from her Amazon Author Page to find links to more information of purchase.

What did you think of the New Year Dragon Project?

These two posts were considerably longer on art than on words. But when the pictures are worth a thousand each, there should be little more to say. I hope you enjoy these gorgeous pieces!

And please leave me comments.

Do you like this “progressive art show” idea? Would you like to see more artists profiled on my blog posts in this way, perhaps as a “curated just for Artdog Adventures” kind of group show?

About the Author

I’m Jan S. Gephardt, and I’ve been writing this blog since 2009. Since I don’t want to let it die of neglect, even though I’m now too busy to write lots of individual posts. I still plan to come around as often as I can to post new things and keep readers up-to-date with recent posts we’ve run on The Weird Blog for Weird Sisters Publishing. It’s not a perfect solution, but it’s the best I can do for now.

I’m also a novelist, as well as being a paper sculptor. I’m currently in final edits on Bone of Contention, the third novel in my XK9 “Bones” Trilogy. The series centers on a pack of uplifted police dogs who live and solve crimes on a space station in a star system far, far away. It is scheduled for publication September 24, 2024.

IMAGE CREDITS

Many thanks to Theresa Mather, Rachael Mayo, David Lee Pancake, and Randal Spangler, who provided all the artwork used in this digest post, the two longer “Weird Blog” posts, and the social media posts that were coordinated with this project. All of the artwork in this post is © by the artist listed in each copyright notice. See links in the text above for the book cover sources.

The original of image was mostly gray on gray. In the center is the following square design: Next to the imagery of the Weird Sisters Publishing logo seen at an angle through shards of glass, the words say: “The Weird Blog, and all of the Weird Sisters Publishing website, is the casualty of a prolonged website crash this week. We have been struggling to get it back into service.” We updated it later, once the site was fixed. Now it says that, but there’s a new, bright yellow area where it says “WE’RE BACK!”

Weird Blog Woes

By Jan S. Gephardt

When I first wrote this post, I was dealing with Weird Blog Woes. The Weird Sisters Website (including The Weird Blog) had been knocked offline by a persistent software glitch and increasingly-long “repropagation” issues. Cutting to the chase: It was broken. We were (trying to) fix it.

UPDATE! It’s now FIXED! 

But while it was still broken, it was blog day. So, while reserving time to work on fixing the Weird Blog Woes, we thought perhaps you’d enjoy reading three great “fan favorite” posts of the past by G. S. Norwood—plus a BONUS!—via a website you actually might be able to access!

We hope to be back in the next two weeks with a new post on The Weird Blog! But in the meantime, please check these out—and don’t forget there’s a BONUS at the end!

The original of image was mostly gray on gray. In the center is the following square design: Next to the imagery of the Weird Sisters Publishing logo seen at an angle through shards of glass, the words say: “The Weird Blog, and all of the Weird Sisters Publishing website, is the casualty of a prolonged website crash this week. We have been struggling to get it back into service.” We updated it later, once the site was fixed. Now it says that, but there’s a new, bright yellow area where it says “WE’RE BACK!”
Design by Jan S. Gephardt.

Three Great Posts By G. S. Norwood–Plus a Bonus!

Let’s start our quest to fight off the Weird Blog woes with this wonderful post by G. S. Norwood, author of the “Deep Ellum Stories.” They’re normally available through our website. G. has a full-time job with The Dallas Winds, but she’s also an entertaining blogger.

At left, G. with her new kitten in October 2019. At right, comfortable adult Gift in G’s lap.
At left, Photo by Marcy Weiske Jordan. At right, G. with Gift on her lap. Both from G. S. Norwood’s private collection.

The Universe Gives Me a Cat

By G. S. Norwood

Sometimes the Universe gives me a cat.

I write urban fantasy, so I’m fairly open to the idea of magical energies at play in our mundane world. Still, I had no intention of adopting a cat in October of 2019. When my oldest cat, Scrap, died that July, I was comfortable with the idea of being reduced to a two-cat household. “If the Universe gives me a cat, I’ll have another cat. But I’m not going to go out looking,” I told myself. It became my mantra. Read more here.

Those Weird Blog woes are fading, right? Who doesn’t love a great cat story? Now let’s move on to another mood-lifter: Wildflowers!

Three scenic views of the stone buildings, water features, and native plantings of the Lady Bird Johnson Wildflower Center.
The buildings and plantings of the Lady Bird Johnson Wildflower Center reflect and honor the local native Texas climate. (See credits below).

Lady Bird and the Wildflowers

By G. S. Norwood

It’s March in Texas, and that means wildflowers—specifically bluebonnets. For the next two weeks, roadsides and fields will be covered with our beloved state flower, a hardy lupine that loves rocky soil and early spring sunshine.

Fields of bluebonnets cover the hills of the Texas Hill Country, often peppered with clumps of Indian Paintbrush. People take pictures of themselves, their sweethearts, their babies, and their pets in bluebonnet pastures. Senior citizens who take up painting as a post-retirement hobby love to paint bluebonnet-filled landscapes.

Why are there so many bluebonnets along Texas roadsides? Read more here.

Have you shaken off the Weird Blog woes by now? Perhaps you’d like some reading ideas “for the road (or the Wildflower Trail?). After all, this is posting in the summer, and summer is the quintessential season for “beach reads” and literary vacations. With that in mind, we hope you enjoy the following.

A hot, hazy Dallas skyline
Dallas has air pollution problems (Dallas Magazine/Getty Images).

My Summer Getaway

By G. S. Norwood

Well. I finally did it. I made it safely through months of writing major grant proposals. Organized three far-from run-of-the-mill concerts. Took on some new job responsibilities, on top of the two full-time jobs I’m doing already. And I survived. Now, my friends and readers, it’s time for my summer getaway.

I’m looking for a place that will allow me to relax. Spend some quality time looking at outstanding scenery. And be much, much cooler than Dallas, both in temperature and in vibe. Read more here.

You’ve made it to the BONUS! One of the very best ways we know to escape Weird Blog woes—or any others—is a trip to Deep Ellum, Texas. Specifically, the magical and amazing Deep Ellum Texas of G. S. Norwood’s Ms. Eddy Weekes, as featured in her Deep Ellum Stories. Here’s your introduction: a free read! Enjoy Chapter One of the first “Deep Ellum Story,” Deep Ellum Pawn.

On a gold-colored background, next to a 3D visualization of the cover on an e-rreader, the words say:
“A solid-gold fiddle, with one Hell of a string attached . . . 
“’I played with the Dallas Symphony.’
“’Uh-huh. And you were pretty good. Then some guy challenged you to a fiddling contest, which you won, and he gave you his fiddle as the prize.’ I rested my hand on the duct tape that covered the violin case. ‘This fiddle, which is made of solid gold.
“Heat, and a faint vibration, rose up from the case as if the instrument inside was alive.
“’It has no resonance. The strings screech like damned souls. And ever since you got it, you’ve had horrible nightmares about giant, slavering bloodhounds with eyes red as fire, tracking you down to carry your soul to Hell.’
“My gaze held his as the color leached from his face.
“Download for free, to read Chapter One of G. S. Norwood’s Deep Ellum Pawn. 
“Book cover art ©2019 by Chaz Kemp.”
Download your copy here! Or read it now online! Cover art © 2019 by Chaz Kemp.

The Golden Fiddle

By G. S. Norwood

The guy on the other side of the counter was antsy, shifting from foot to foot, sniffing, taking quick swipes at his streaming nose with the cuff of his faded beige flannel shirt. His eyes, half-hidden by greasy blond bangs, darted from side to side, as if he was afraid Hell Hounds would appear at any moment, hot on his trail.

He probably was. And God knows, the Hounds wouldn’t have any trouble following his scent. He reeked of sweat, adrenaline, and old urine.

I looked from him to the battered violin case he’d dropped on the counter and shoved toward me. I was pretty sure what I’d find inside . . .

Download Chapter One for FREE here. Or read it now online.

IMAGE CREDITS

Many thanks to G. S. Norwood herself, for the photos of her and Gift, her cat. For the Lady Bird Johnson Wildflower Center photos, The Lady Bird Johnson Wildflower Center provided their logo, as well as the photo of their stone entry building, which Jan found via Tour Texas, and the picture of the predominantly yellow plantings, which came via CBS Austin. Texas Highways provided the photo of the Center’s “Garden of Yes” designed for full-bodied fun by families with small children.

We’re indebted to Dallas Magazine and Getty Images for the view of a sweltering Dallas, TX skyline. And the “Download Chapter One of Deep Ellum Pawn” Banner was designed by Jan S. Gephardt. Cover art for the story is © 2019 by Chaz Kemp.

Weird Sisters Publishing: We have tales to tell. This picture shows covers for The XK9 Series, Deep Ellum Stories, and The Windhover Tetralogy.

Artdog Adventures is Going Weird!

Artdog Adventures Blog is moving! This blog will now merge with The Weird Blog on the Weird Sisters Publishing website. Please mosey on over there, to read my (and my sister’s) latest thoughts on books, art, publishing, and more!

Thank you for being a devoted follower. I hope this change doesn’t cause you too much inconvenience, and I look forward to seeing you in the future on The Weird Blog!

Weird Sisters Publishing: We have tales to tell. This picture shows covers for The XK9 Series, Deep Ellum Stories, and The Windhover Tetralogy.
At Weird Sisters Publishing we have a growing list of tales to tell.

Changes can be Good

This move allows us to optimize our blogs for better, more seamless content delivery without sacrificing so much of my writing time! Artdog Adventures has been a project of my heart since I started it in 2009. Moving away from the name–and from my own author website is difficult.

But I’ve taken on a lot of other jobs since I started the first versions of Artdog Adventures on Blogspot. I now have an author newsletter and a growing list of published and in-progress novels.

I’m also still making fine art fantasy paper sculpture–although I must admit I’m not making as much of it as I used to! But believe it or not, I’m working on a couple of new series that I hope will see the light of day pretty soon.

So please follow the Artdog’s ongoing Adventures over to The Weird Blog! There’s plenty more to come!

This year’s image is a book with bright bubbles and fairy dust rising from its glowing pages. The words say, “ConQuesT 54 June 2 @12:00 p.m. – June 4 @6:00 p.m.”

Going to ConQuesT

By Jan S. Gephardt

I’ve been going to ConQuesT or about as long as I’ve been going to science fiction conventions. I think of it as my “home con.” It’s sponsored by KaCSFFS (we pronounce it “KAX-fuss”), the Kansas City Science Fiction and Fantasy Society. I was “discovered” by Robin Wayne Bailey and his wife Diana J. Bailey, when I showed my artwork at a relatively short-lived convention at a local community college. That was back in 1982.

KaCSFFS friends introduced me to fandom, provided transportation and shared rooms at other conventions, and opened a new world of wonder and delight to me. I’ve always been grateful for their tutelage and their friendship. I’ve served several times as an officer of the club, most recently a stint from 2010-2017 as Communications Director. I also was the ConQuesT Art Show Director for three inglorious years (2011-2013), until the far more capable Mikah McCullough took over.

So going to ConQuesT is like coming home for me. These days, I’m much more of a program participant than I am concom, but the love hasn’t changed.

Photos of Jan at ConQuesT in Kansas City (in 1985 and 2012), plus at Archon 43 (2019).
Here’s a walk through the decades that I’ve been going to sf cons – and it’s telling that two of the three are from past ConQuesTs. (See credits and panelist identifications below).

Things I’m Looking Forward To

One thing I always look forward to is being on panels. I’m writing this post too early to know exactly what panels I’ll be on. I filled out the Panelist Questionnaire a while back, so I feel a fair amount of certainty that they’ll come up with something for me to do this year!

I’ve asked for an opportunity to do a reading, and expressed my openness to a number of other options. So I guess we’ll see.

Going to ConQuesT as a panelist in recent years has become even more pleasant for me than ever, because we have half-hour breaks between panels. This allows for follow-up conversations, getting from place to place, impromptu autograph-signings, and bathroom breaks. I wish more conventions would add this lovely feature.

I also look forward to seeing old friends at ConQuesT: some from Kansas City, and others “regulars” from other parts of the region. Many times con-runners will work the whole weekend at their own convention, then go to the next one nearby to relax and just be fans hanging out with fans.

And of course I’m looking forward to the Dealers Room and the Art Show!

This year’s image is a book with bright bubbles and fairy dust rising from its glowing pages. The words say, “ConQuesT 54 June 2 @12:00 p.m. – June 4 @6:00 p.m.”
For the first time that I can remember, ConQuesT will not be on Memorial Day Weekend. The convention also has moved to a new hotel. (Image courtesy of ConQuesT 54 website).

Our Dealers Table

Last year, some of my Kansas City friends invited me to join them at their ConQuesT dealer’s table. I’d been contemplating the possibility, but daunted by my persistent night-owl tendencies. No way was I likely to prosper running my own dealer’s table all alone if it meant being alert before 9 a.m. and attempting to make money selling only three titles! But they invited me to Try Something New and join them.

If you’ve followed this blog recently, you probably know that was a fateful first step. I subsequently shared tables at SoonerCon and Archon. This year, my son Tyrell E. Gephardt and I have roped our Household Morning Person, my husband Pascal, into joining us for this convention season. He’ll be the person who primarily runs the Weird Sisters Publishing dealers table.

We also are coming to ConQuesT with considerably more books than just the three “XK9 Book” titles I had with me last year. This year, we not only have the Weird Sisters book Deep Ellum Duet by my sister and co-publisher, G. S. Norwood.

We also have a wonderful range of other excellent books by some of our Kansas City Author Friends. They include books by the two friends who invited me to share their table last year, M. C. Chambers and Karin Rita Gastreich. They also include fellow “Mad Authors Party” friends Lynette M. Burrows and Dora Furlong. And how could we not bring books by our longtime friend Randal Spangler? All in all, it’s a great lineup!

The words say, “Look for Weird Sisters Publishing and Kansas City Writer Friends in the Dealers Room at the Convention!” The imagery includes covers for books by WSP authors Jan S. Gephardt and G.S. Norwood, as well as Kansas City-based writers Lynette M. Burrows, M.C. Chambers, Dora Furlong, Karin Rita Gastreich, and Randal Spangler.
This is the announcement I created about the table, primarily for social media.

The Art Show

For most of my history at science fiction conventions, I’ve primarily been known for my artwork. No one knew me as an author – even though I’ve always been both a writer and an artist. But it takes a LOT longer to finish a book than a piece of artwork. I actually had something to show, as an artist, that would back up my claims that I was one!

And it’s not as if art was ever a minor part of my life. I majored in visual art (printmaking and graphic design) as an undergrad. During both of my teaching careers, I was hired as an art teacher who also could teach publications. After a decade of commercial graphic design work and my “second art-teaching career,” my paper sculpture eventually opened doors to national juried fine art shows around the country.

I’m still doing paper sculpture, although the projects are fewer and farther between now than they have been in a long time. Most of my artwork these days is (once again) graphic design. And as an added bonus, I get to be the Art Director for Weird Sisters Publishing! But the art show still means a lot to me – as I discovered recently at DemiCon. Last year’s ConQuesT Art Show was another marvelous one, under Mikah’s skilled direction. I anticipate this year’s will be, too.

This is a montage of some of my recent paper sculpture. The artworks are: Top Row, L-R: “Common Cliff Dragon – Male,” “Gemflower Outburst,” and “Love in the Storm.” On the next row, L-R: “Overcoming Complications,”  pair from the “Guardians” series in yellow top mats, “Protector” and “Defender;” and “White Clematis with Dragons.” The lower pair of “Guardians,” in green top mats, are “Fierce” and “Brave.” All artwork is © by Jan S. Gephardt.
Here are samples most of my paper sculpture I’m showing this year. All artwork is © by Jan S. Gephardt.

Going to ConQuesT 54

All in all, I’m looking forward to going to ConQuesT this year. I’ve had decades of fun history there. The new Dealers Table project and Pascal’s attendance add adventure to the prospect. And I hope to see a lot of old friends, plus maybe meet some new ones. All of those things add to my anticipation.

Will you be there, too? If you are, I hope you’ll watch for my panels, check out the Art Show, and stop by my Dealer’s Table. Mention that you read this post, and I’ll make sure you get your choice of our badge ribbons!

And if you’re not going to ConQuesT – I know some readers live far away from Kansas City and it’s not practical – I hope you’ll enjoy my next post. I plan to share photos and write about the convention.

IMAGE CREDITS

I don’t think I was ever sure who took the “historical documents” that show me at ConQuesT in 1985 and 2012, but I can identify my fellow panelists. In the 1985 photo they are L-R: Dell Harris, Ken Keller, me, and the late Roland Schmidt, my former co-teacher and a fantasy watercolorist. BTW, that’s my calligraphy on the name cards, back before desktop printing made them easy to print.

And in the 2012 photo that’s me on the left. Tracy S. Morris sits in the middle with her book Bride of Tranquility. At the right is fellow Kansas City writer, artist, and longtime sf fan Sherri Dean. I owe Tyrell Gephardt thanks for photo of me, masked up behind my then-current collection of signs, books, and S.W.A.G. at Archon 43 (2019).

Many thanks to the ConQuesT 54 website, for their header image. The designs for the social-media image about our Weird Sisters Publishing dealers table and the sampler of my paper sculpture are my work. My paper sculpture is, of course, my original multimedia artwork, all © by Jan S. Gephardt.

The cover art for my book The Other Side of Fear is ©2020 by Lucy A. Synk. Cover art for What’s Bred in the Bone is © 2019 and for A Bone to Pick is ©2020 by Jody A. Lee. The art for G. S. Norwood’s Deep Ellum Duet cover is © 2022 by Chaz Kemp. Many thanks to our Kansas City Author Friends, and in a couple of cases to Amazon, for their cover images. See embedded links above.

This photo by Pascal Gephardt shows the Weird Sisters Publishing Dealers Table at DemiCon 34. Tyrell Gephardt stands behind the table. On the left-hand side, from top to bottom of the display, are copies of Dora Furlong’s “One of Our Own,” then Lynette M. Burrows’ “My Soul to Keep,” “If I Should Die,” and “Fellowship.” On the table level are Jan S. Gephardt’s “The Other Side of Fear,” “What’s Bred in the Bone,” and “A Bone to Pick.” In the middle of the table, we attached badge ribbons to bookmarks and business cards with information about the books the quotes come from. To get a badge ribbon, table visitors also had to take the attached information. On the right side of the table, from top to bottom, are Randal Spangler’s hardbound, fully illustrated children’s books, “D is for Draglings™” and “The Draglings™’ Bedtime Story.” On the next level are “The Draglings™ Coloring Book” and the three volumes of Karin Rita Gastreich’s “Silver Web Trilogy,” “Eolyn,” “Sword of Shadows,” and “Daughter of Aithne.” On the table level are G. S. Norwood’s “Deep Ellum Duet” and M. C. Chambers’ “Midsummer Storm” and “Shapers’ Veil.” Tablecloth design is “Nebula 2,”

My last DemiCon?

By Jan S. Gephardt

DemiCon 34 may have been my last DemiCon. I have a lot of great history with DemiCon as an institution, and as an eagerly-anticipated annual event. I’ve blogged about it in this space for the last several years, as veteran readers of this blog may recall.

It was the convention that primarily inspired my 2019 post “Why I go to SF Conventions.” For a profile of DemiCon at its recent best, take a look at my 2018 post, “My DemiCon 29 Experience.” I had a wonderful time there.

Even the Pandemic didn’t kill my love for DemiCon. Their patient, helpful Joe Struss helped me create “My First Original Video” for Virtual DemiCon in 2020. And they looked as if they were coming back strong in 2022, as reflected in my post “The Best and Worst Time.”

But DemiCon 34 may have been my last DemiCon. At least for a while.

This is a predominantly dark gray image, featuring a drawing of an astronaut with wings against a dark sky with a yellow crescent moon. The words say “Starbase DemiCon: A New World. Des Moines Holiday Inn Northwest, 4800 Merle Hay Rd.
Image courtesy of the DemiCon Facebook Page.

A Series of Unfortunate Events

I figured we were off to another great start last fall, when I received an invitation to attend with a guest as a professional guest (this means the membership fee is waived because I’ll be “paying for it” by appearing on panels. It’s a normal-enough procedure, and I’m always happy to agree). I responded quickly to say quite truthfully that I was looking forward to it.

After that, however, crickets. (Okay, it was winter. But still). Finally in March I figured I’d better find out if they’d forgotten me. As it turned out, they kind of had. There’d been a reshuffling of the con committee in some way. My invitation and acceptance had gotten lost in that shuffle. But Amanda in Programming said of course I’d be welcome, and she’d find ways to fit me onto panels. No author reading, though.

Um, okay. Well, things could still work out. It didn’t have to be my last DemiCon. But unfortunate events and disappointments gradually accumulated.

This is a montage of some of the paper sculpture that Jan would have brought to DemiCon 34 if she’d found the Art Show information. The artworks are: Top Row, L-R: “Common Cliff Dragon – Male,” “Gemflower Outburst,” and “Love in the Storm.” On the next row, L-R: “Overcoming Complications,”  pair from the “Guardians” series in yellow top mats, “Protector” and “Defender;” and “White Clematis with Dragons.” The lower pair of “Guardians,” in green top mats, are “Fierce” and “Brave.” All artwork is © Jan S. Gephardt.
Woulda, Coulda, but missed it! Here’s some of the paper sculpture I would like to have shown at DemiCon this year. All artwork is © Jan S. Gephardt.

Art Show?

I couldn’t find Art Show information online. Turns out it was on their website and they did (let the record show) have an Art Show. It was listed under “Venue” in dim type at the bottom of their index page. I found “Dealers Room” on that drop-down menu, but somehow my eyes kept skipping over “Art Show” (second down after “Anime Room”).

I guess I was always in too much of a hurry to search the fine print. And, perhaps because of the concom shakeup, I also never received a contact from the Art Show Director. Usually I get a cheery email a few months out, asking if I’ll be showing art again this year. That really would have saved me, this year.

So, I didn’t bring any art (thought, “what’s the point?” and we were tight on space). Then, to my dismay, I discovered there was an Art Show after all. I tried not to be too upset, but I never could quite bring myself to go inside and see what was there. I suppose it should be no big deal in the grand scheme. But I was crushed.

Granted, a mistake I made shouldn’t be used as a justification to make this my last DemiCon. But it was one more, particularly searing disappointment on the growing pile of them.

This photo by Pascal Gephardt shows the Weird Sisters Publishing Dealers Table at DemiCon 34. Tyrell Gephardt stands behind the table. On the left-hand side, from top to bottom of the display, are copies of Dora Furlong’s “One of Our Own,” then Lynette M. Burrows’ “My Soul to Keep,” “If I Should Die,” and “Fellowship.” On the table level are Jan S. Gephardt’s “The Other Side of Fear,” “What’s Bred in the Bone,” and “A Bone to Pick.” In the middle of the table, we attached badge ribbons to bookmarks and business cards with information about the books the quotes come from. To get a badge ribbon, table visitors also had to take the attached information. On the right side of the table, from top to bottom, are Randal Spangler’s hardbound, fully illustrated children’s books, “D is for Draglings™” and “The Draglings™’ Bedtime Story.” On the next level are “The Draglings™ Coloring Book” and the three volumes of Karin Rita Gastreich’s “Silver Web Trilogy,” “Eolyn,” “Sword of Shadows,” and “Daughter of Aithne.” On the table level are G. S. Norwood’s “Deep Ellum Duet” and M. C. Chambers’ “Midsummer Storm” and “Shapers’ Veil.” Tablecloth design is “Nebula 2,” ©2021 by Chaz Kemp.
Our son Tyrell Gephardt represents at the Weird Sisters Publishing Dealers Table on Friday 5/5/23. This shot gives a good view of about half of the Dealers Room, as well as the books we offered. Photo by Pascal Gephardt. Nebula 2 tablecloth design ©2021 by Chaz Kemp.

A Very Tight Squeeze

The Big Convention Experiment for this year is a quest to answer the question: Can Weird Sisters Publishing present a profitable Dealers Table at sf conventions? Didn’t have to be super-lucrative, but at least breaking even would be nice. We tried to vary our offerings (and increase the odds of selling things) by including the work of selected Kansas City Author Friends Dora Furlong, Lynette M. Burrows, Randal Spangler, Karin Rita Gastreich, and M. C. Chambers, as well as my books and my sister G. S. Norwood’s Deep Ellum Duet. Happily, we did sell something from almost everyone. But did we break even? No.

Our first challenge was squeezing ourselves into the space. To say the Dealers Room was “cozy” . . . well, check out the photo above. There wasn’t room for our banner. In fact, it’s a good thing I’ve lost about 30 lbs. over the course of the past year (thank you, NOOM!), or I wouldn’t have been able to squeeze through to work the table.

Unfortunately, the aisle space was almost as constricted as the space behind the table. ADA compliance? Ouch! Not so much. The aisles were consistently congested each time I came in, but that doesn’t mean there was room for a lot of traffic. Yes, it was a small con. But as a semi-frequent visitor to the dealers rooms of many conventions, I can tell you I personally would have looked at the congestion and thought, “Nope.” Was that the experience that made me question whether this would be my last DemiCon? Well, no. Not by itself.

A helpful audience member took this photo before the “A.I. Meets SF” panel on Friday night. Left to right, panelists are Steven Southard, Jan S. Gephardt, and David Pedersen.
Taken before the “A.I. Meets SF” Panel on 5/5/23. L-R: Steven Southard, Jan S. Gephardt, and David J. Pedersen. Jan teamed up with one or the other of these men for all but one of her subsequent panels. Photo by Helpful Audience Member Number One, who remained anonymous.

The Best Bright Spot: My Panels

For me, the highlight of this convention was the panels. This is often true. For one, I love to talk about our genre(s), writing, art, and related topics. For another, I generally love working with the other panelists. Most are interesting, knowledgeable, and intelligent people, and would be so in any setting. A well-moderated, intelligent discussion with such people is a delight I relish.

Most of my panels teamed me up with either Steven Southard or David J. Pedersen. The “A.I. Meets SF” panel on Friday 5/5/23 included all three of us. I had a lovely time working with both of them. They’re bright, thoughtful men. I’d met and been on panels with David before, but a major high point of DemiCon 34 was meeting Steven. Our panel discussions were lots of fun, and we had large, intelligent, well-informed audiences. It was a mix of elements practically guaranteed to be both stimulating and fun.

I was on five panels. By the time we got to the final one on Sunday afternoon (where I joined Author Guest Rachel Aukes to discuss “Who Will We Meet in Space?”), I think everyone was exhausted. The audience barely outnumbered Rachel and me, and they seemed little disposed to talk much. But that somewhat “flat note” certainly wouldn’t have been enough, on its own, to make me ask, “Is this my last DemiCon?”

The first bedroom the “night persons” in the Gephardt contingent occupied had two inviting-looking beds with a built-in nightstand and wall sconces between them, with what looked like floor-to-ceiling glass doors and a small balcony facing west. In the photo, some of our luggage is stacked beside and between the beds.
Two queen beds and big, sunny windows provided a deceptively-inviting view. Photo by Jan S. Gephardt.

My Last DemiCon?

In my first book, What’s Bred in the Bone, there’s a chapter titled, “A Combined Weight of Awfulness.” I wouldn’t ascribe “awfulness” to my DemiCon 34 experience (with one exception). But disappointment after disappointment built up through the weekend. The convention committee seemed disorganized. There weren’t many panels that looked interesting to me, outside of the ones I was on. Readings by friends were mostly scheduled against my own panels, so I couldn’t attend them. I didn’t get many other networking opportunities.

But our discovery in one of our rooms would’ve sent us home immediately if we’d been there strictly as fans. A rash of distinctive red bumps rose on several sensitive square inches of my son’s skin. Then he found a rather distinctive little brown bug in his bed. And when you find one, you know there must be more. De-con efforts have continued since we got home, to make sure none infiltrated our luggage.

We had a dealer’s table. I’d made promises to be on panels. We’d bought a program book ad. So we accepted a change of rooms and stayed. But combined with all the other issues and disappointments, this was definitely the nadir of all my convention-going experiences in the more than three decades I’ve been going to conventions all over the country. So DemiCon 34 is likely to have been my last DemiCon. At least for a good long while.

IMAGE CREDITS

Many thanks to The DemiCon 34 Facebook Page for their Convention header. The artwork displayed in my “woulda” montage is © Jan S. Gephardt. Many thanks to Pascal for the Dealer’s Table photo and to Helpful Audience Member Number One, for the photo of the “A.I. Meets SF” panelists. I took that room pic myself.

This is a predominantly dark gray image, featuring a drawing of an astronaut with wings against a dark sky with a yellow crescent moon. The words say “Starbase DemiCon: A New World. Des Moines Holiday Inn Northwest, 4800 Merle Hay Rd.

Demicon 34

By Jan S. Gephardt

It’s that time of year again: getting ready for “con” season, and specifically for DemiCon 34. Repeated blizzard events over several recent years have discouraged us from attending Capricon in February. This means DemiCon, an annual, early-May convention in Des Moines, Iowa, has become our “new normal” first science fiction convention of the summer season.

But for DemiCon 34, things will be a bit different from our usual. Some of the changes were planned, others not. Here’s hoping I’m in much better health and voice than I was last year! I’m also hoping that we have our typically pleasant DemiCon experience on the whole.

This is a predominantly dark gray image, featuring a drawing of an astronaut with wings against a dark sky with a yellow crescent moon. The words say “Starbase DemiCon: A New World. Des Moines Holiday Inn Northwest, 4800 Merle Hay Rd.
Courtesy of the DemiCon Facebook Page.

A Couple of DemiCon 34 Disappointments

Let’s get these out of the way, so I can go on to the much-more-fun stuff. Due to a snafu in communications, I won’t be doing a reading at DemiCon 34. Readings are one of my favorite forms of “giving out free samples,” so I’ll miss it! To partially compensate for that, you might enjoy My First Original Video, which was filmed for 2020’s Virtual DemiCon (DemiCon 31, “Contaminated”).

In that video my son Tyrell Gephardt filmed me reading the first chapter of The Other Side of Fear aloud. That’s the prequel novella to my XK9 “Bones” Trilogy, which was released that year. It was as close as we could get to a live reading during the early months of the Covid-19 Pandemic. Perhaps you’d also like to read the “free sample” first chapter from one of my novels, What’s Bred in the Bone (XK9 “Bones” Trilogy  Book One) or A Bone to Pick (Book Two). Just follow the links to their Weird Sisters pages, where you’ll find them offered.

My other DemiCon 34 disappointment? There doesn’t seem to be an Art Show. I have a long history of bringing my paper sculpture to sf cons, and I’ve enjoyed showing (and selling) my artwork at DemiCon for many years. I also love hanging out with the artists who gather in greater numbers at conventions where they can show and sell their work!

This is a montage of some of the paper sculpture that Jan would have brought to DemiCon 34 if there had been an art show. The artworks are: Top Row, L-R: “Common Cliff Dragon – Male,” “Gemflower Outburst,” and “Love in the Storm.” On the next row, L-R: “Overcoming Complications,”  pair from the “Guardians” series in yellow top mats, “Protector” and “Defender;” and “White Clematis with Dragons.” The lower pair of “Guardians,” in green top mats, are “Fierce” and “Brave.”
Here’s some of the paper sculpture I would like to have shown at DemiCon this year. All artwork is © by Jan S. Gephardt.

Panels Planned!

But another one of the things I love to do at sf cons will definitely be happening at DemiCon 34: panels! I have started pulling together notes for the five panels on which I’m scheduled! The first, AI Meets SF, is scheduled for Friday, May 5 at 6:00 p.m. I’ve been on a number of panels that discussed science fictional stories about artificial intelligence. But this will be my first discussion primarily about the potential for AI to write science fiction.

On Saturday I’m set for two more, a back-to-back pair. Thank goodness, they’re in the same room! Starting at 2 p.m., the first addresses a topic very near to my heart, The Role of Science Fiction and Fantasy in Predicting and Shaping the Future. That one’s pretty self-explanatory, I think. The other also promises to be a meaty topic: Pandemics Through History and Their Effects on Literature.

Sunday wraps up with two more. And again, they’re scheduled back-to-back. The first starts at noon, which will be a stretch for me, especially on Sunday of the convention! The rooms are next door to each other, so that should help me make it to the second one on time. At noon we’ll discuss Gadgets in SF. This is where we’ll talk about ways writers can incorporate speculative tech into their stories without grinding the story to a halt while they deliver a data-dump to explain how it works. Then, at 1:00 p.m., we’ll discuss life forms we might encounter on the Final Frontier in Who Will We Meet in Space? Should be fun!

Photos of Jan at ConQuesT in Kansas City (in 1985 and 2012), plus at Archon 43 (2019).
Here’s a walk through the decades that Jan’s been going to sf cons. (See credits and panelist identifications below).

Our Biggest News for DemiCon 34

For the Gephardt household, the most important change at DemiCon 34will be our official presence in the Dealers Room. Not only will we have a Weird Sisters Publishing dealers table with all four of our books. We’ll also have a new member of the Gephardt clan at the con: my husband Pascal. My son Ty and I have traveled to sf cons for many years, while Pascal has always had obligations elsewhere.

But here’s the thing. Pascal is the lark among us night owls – the family’s Designated Morning Person. A lot of the Dealers Room schedule happens before 1:00 p.m., which means that someone has to be awake then to run it! Add to that the fact that he’s got years of experience traveling to art shows and Renaissance festivals with our friend Randal Spangler, and he was doomed to be drafted for this role!

Of course we’ll bring our own books: Mine are, as noted above, The Other Side of Fear, What’s Bred in the Bone, and A Bone to Pick. We’ll also have copies of my sister G. S. Norwood’s book Deep Ellum Duet, which includes both of her “Deep Ellum” novelettes, Deep Ellum Pawn and Deep Ellum Blues. But wait! There’s more! Speaking of Randy, he’s among the “Kansas City Writer Friends” whose books we’ll be offering at our table. It’s a way to expand our range of offerings and give our friends access to a new market (not to mention we earn a commission while we’re at it).

Weird Sisters Publishing Presents Books by Jan S. Gephardt and G. S. Norwood, plus Books by Kansas City Writer Friends Lynette M. Burrows, M. C. Chambers, Dora Furlong, Karin Rita Gastreich, Randal Spangler.
All cover images are courtesy of the authors, their publishers, or Amazon.

Our Kansas City Writer Friends

The covers of books by our “Kansas City Writer Friends” in the illustration above represent books that we’ll offer at our table. By Lynette M. Burrows, we’ll bring dystopian alternate history sf novels from the Fellowship Dystopian Series. They are Fellowship, My Soul to Keep, and If I Should Die. By M. C. Chambers, we’ll have fantasy books Midsummer Storm (romance novelette) and Shapers’ Veil (novel). By Dora Furlong, a science fiction novella titled One of Our Own.

In addition we’ll have the Silver Web Trilogy fantasy novels by Karin Rita Gastreich. They are Eolyn, Sword of Shadows, and Daughter of Aithne. And, as noted above, from Randal Spangler we’ll have hardcover, full-color children’s books D is for Draglings written with Lauren K. Duncan, and The Draglings Bedtime Story. Not shown in the illustration (because I couldn’t make it fit), we’ll also offer The Draglings Coloring Book.

All in all, things definitely will be different at DemiCon 34. But then, change is the most constant thing about our lives. I’d love to see you at the convention. If you can’t make it, I plan to publish a follow-up after we get back so you’ll know how it went. And here’s hoping one thing that doesn’t change is having a fun and creative weekend at another year’s DemiCon!

IMAGE CREDITS

Many thanks to the DemiCon Facebook Page for a good pic of their header. All of the artwork in the paper sculpture sampler is mine, shown in a montage I made, from photos I took. All of it is © by Jan S. Gephardt. If you should choose to repost it, please do so with a link back and attribution, if possible.

As for the photos of me at conventions through the decades: I don’t think I was ever sure who took the “historical documents” that show me at ConQuesT in 1985 and 2012, but I can identify my fellow panelists. In the 1985 photo they are L-R: Dell Harris, Ken Keller, me, and the late Roland Schmidt, my former co-teacher and a fantasy watercolorist. Might note that’s my calligraphy on the name cards, in an era before desktop printing made them easy to print.

In the 2012 photo that’s me on the left. Tracy S. Morris sits in the middle with her book Bride of Tranquility. At the right is fellow Kansas City writer, artist, and longtime sf fan Sherri Dean. I owe Tyrell Gephardt thanks for photo of me, masked up behind my then-current collection of signs, books, and S.W.A.G. at Archon 43 (2019).

For the fourth illustration, I am indebted to the authors, their publishers, or Amazon, for the cover images of our Kansas City Writer Friends’s books (see their embedded links in the text of this post). The design is mine.

Clockwise from upper left: An arrangement of roses, hydrangeas, and tulips form a backdrop for the words “Valentine’s Day Special;” a heart-shaped box’s lid, which is printed with the words, “Happy Valentine’s Day,” is offset to show a glimpse of the chocolates inside; a jewelry marketer inserted a woman’s diamond-studded engagement and wedding ring into the petals of a red rose; and a restaurant offers a “2023 Valentine’s Dinner” special.

Valentines and Love

By Jan S. Gephardt

Valentines and love are pretty inextricably bound together in our contemporary culture. But that connection wasn’t always understood in the same way. This post is part of a series of looks at holidays that have periodically appeared on “Artdog Adventures” and “The Weird Blog.” It will go live the day after Valentine’s Day, so it seems like a good time to consider the holiday.

Contemporary practices bear little relation to the third-century saint recognized by the Roman Catholic Church. Its origin may lie in a few lines of poetry by Geoffrey Chaucer. Others link the traditions to the Roman festival of Lupercalia or the troubadours of the late Middle Ages.

Troubadours sang songs about love. But many marriages among the upper classes of that period were matches made for political advantage. Marriages usually were arranged between powerful families when the girls, and often also the boys, were small children. If love had anything to do with it, it was a side benefit, developing later.

However (and however many times) it began, the February 14 date became linked in North European cultural imaginations with a celebration of mate-finding. Observations persisted and evolved through the unfolding centuries. Valentines and love became more firmly linked as time went on.

A colored etching made in 1870 envisioned a wedding by two young teens in the later Middle Ages. The bridegroom wears a fur-trimmed red tunic with a light colored cloak. The bride wears a light gray gown with a dark yellow cloak. Three brown-robed monks attend the ceremony (one officiating), while a crowd of others looks on.
A Victorian (1870) etching of a Medieval marriage in a stone cathedral between two, very young people. (See credits below).

What Kind of Love is This?

That Valentine’s Day ideal of marital love – or at least of couples’ love –became more firmly linked in the last three centuries or so. During the Victorian era the tradition of making poems and cards for a loved one (or “vinegar Valentines” designed as put-downs) flourished.

By the time I finished high school in 1972, Valentines and (always heterosexual) love had long since been permanently linked with romance and marriage. But meanwhile the institution of marriage went through a lot of turmoil and cultural change. At my high school in a small town, “catching a husband” by getting pregnant was still a thing. Until a Planned Parenthood came to a nearby city, girls had to ask their parents to get them a prescription if they wanted to use “The Pill.” I don’t know of anyone who had the guts to ask.

The linkage of love and marriage that we were fed by popular culture when I was growing up held that once you were married, you’d found your “happily ever after.” Marriage was supposedly the magic key to “legal sex” and a happy life. But the institution was far from a straightforward thing when, for many of us, the legal line between partner and property (or at least second-class citizenship) remained blurry.

And then several waves of our parents’ marriages started coming apart at the seams after the divorce laws changed. The economy changed, too, and within a decade more and more women were commonly expected to work outside the home.

Top: “open” and “closed” views of an 1863 Civil War Valentine. The tent’s flaps open to reveal a soldier composing a love letter while envisioning his beloved. Bottom: A German card from around 1900 opens into a 3-dimensional train. Photos from the Huntington Library, Art Collections, and Botanical Gardens, via the New York Times.
As a paper sculptor, I had a grand time looking at these early 3D Valentines. (See credits below).

Valentines and Love and Spending Money

I finished college, taught for a couple of years, and then married my longtime boyfriend. By then it had become the “new reality” that a middle-class family needed two incomes to make ends meet. The income from the “wife’s job” somewhat made up for the fact that all salaries were falling ever-farther behind the cost of living.

But now we needed an ever-growing number of appliances and gadgets to help make up for not having a full-time stay-at-home person to cook, clean, and supply child care. A woman couldn’t do all of that the way her mother had, and also work full-time (the husband, help with housework? What??). Working Americans became ever more voracious consumers of nearly everything, from ready-made clothing to microwave ovens. Corollary to that evolution, Valentines Day became ever more expensive. Our contemporary focus on buying expensive gifts for our loved one has roots planted firmly in the United States (you’re welcome, World).

It’s become one of our biggest shopping days. Valentine’s Day spending in the US hit $23.9 billion (yes, that’s billion-with-a-B) in 2022. Every year we see articles on how to have a heartfelt Valentine’s Day without spending lots of money, but for many of us, Valentines and love mean spending big bucks, whether we have them or not.

Clockwise from upper left: An arrangement of roses, hydrangeas, and tulips form a backdrop for the words “Valentine’s Day Special;” a heart-shaped box’s lid, which is printed with the words, “Happy Valentine’s Day,” is offset to show a glimpse of the chocolates inside; a jewelry marketer inserted a woman’s diamond-studded engagement and wedding ring into the petals of a red rose; and a restaurant offers a “2023 Valentine’s Dinner” special.
There are so many ways to spend money on Valentine’s Day! Here are four favorites. (See credits below).

Whose Love “Counts”?

Up till now, we’ve focused on North European and American ideas about Valentines and love that are pretty exclusively heterosexual (And middle-class. And white). But there are billions of people in this world, and Northern Hemisphere, white, middle-class heterosexuals make up only a tiny fraction of them. As Valentine’s Day has become more widely celebrated through the world, it has expanded well beyond its original expressions.

Singles who feel left out and demoralized by the holiday live among us. There’s a variety of healthy ways to cope with feelings of being left out, left behind, or erased on Valentine’s Day. Among them are celebrations of familial love, deep friendship, pet love, and more.

But there’s another whole rainbow of love in this world that in my opinion deserves equal treatment, both on Valentine’s Day and throughout the year. Included in their ranks are some of the most amazing, creative, wonderful people I know – and some of the most admirable examples of long-term commitment. Yet they aren’t feeling any love at all from certain conservative legislatures in my country (or from certain governments in others). I mean, of course, the whole range of what we call the LGBTQIA+ community. When we’re talking about Valentines and love, a narrow paradigm that’s stuck in Northern Hemisphere, white, middle-class, heterosexual love falls far too short.

On a black background, three symbolic couple outlines are colored with an underlay of the colors of the Pride Flag. The couple on the left is 2 women, the one in the middle is a man and a woman, and the one on the right is 2 men. Image from tenor.com.
If we’re going to celebrate love, let’s include all the love! (See credits below).

Love is More than Valentines

When all is said and done, Valentine’s Day is only one day. It’s an annual opportunity to think about and value all the love that’s in your life. A day to reach out and express your love for others. And to receive love from them as well.

Too much focus on how much you spend, what gift(s) you were (or were not) given, or how someone made you feel rejected, is a warning that your perspective needs work. But working on your perspective is a worthy use of your time on Valentine’s Day.

Because self-reflection is a form of self-care. Dare I say it, of self-love. And until your core self is secure in the knowledge that you are a person of value who deserves love (which you are, and you do), you can’t truly love anyone else. So start with healthy self-love – then look outward.

Otherwise, any external show of Valentines and love just rings hollow.

IMAGE CREDITS

Many thanks to Wikipedia, for the 19th century visualization of the medieval wedding. A scan by Laura Valentine of the book Aunt Louisa’s Nursery Favourite yielded the engraving, created 1 January 1870.

Thanks also to my friend, the author Rob Chilson, who called my attention to the New York Times article that featured the 19th century Valentines. The article discusses a collection from the Huntington Library, Art Collections, and Botanical Gardens. It yielded the two 3D Valentine pictures.

I owe thanks to four different sources for the montage of ways to spend money on Valentine’s Day: Freshest Flowers of Haddon Heights, NJ for their “Valentine’s Day Special” graphic. Wilson Candies of Jeanette, PA, for the photo of their “Valentine’s Day” 8oz. Milk Chocolate Variety Heart Box. The Dallas Morning News for the photo from Blue Nile. It shows a Blue Nile Studio French Pavé Asscher-Cut diamond eternity ring in platinum with a Bella Vaughan for Blue Nile Grandeur Cushion Halo diamond engagement ring in platinum. And finally North Corner Haven restaurant in Lancaster, SC for their Valentine’s Dinner promo.

The “Love is Love” image is a screen-grab of an animated GIF available from Tenor. Thanks also to them!

Two photos of “Harvey” – later renamed Slater – taken at the Collin County, Texas Animal Shelter.

The Definition of “Dog”

By G. S. Norwood

I love dogs. When I was growing up, we always had at least one dog around the house. Penny, my mother’s dog during my childhood, was my earliest definition of “Dog.” She died at the ripe old age of 16. After that, the dogs were mine. Penny was followed by Burr, a collie mix, then Finnian, an Irish setter. Then Lightfoot—who went to live with Jan—and Nigel, K.D., Bashō, Liam, . . . you get the idea.

Four dogs from the family’s past – 2 from the Norwood side and 2 from the Gephardts – all have those distinctive black-and-white markings. Also included: a painting by Lucy A. Synk of Jan’s fictional XK9 mates Elle and Tuxedo, reveals that they look extraordinarily like a red border collie and a black-and-white one.
Our “once and future definition of ‘dog’” is clear to see. At top, Bashō (with cat Ella) and Liam nap in the Weatherford, Texas home of Warren and G.S. Norwood in the ‘00s. Left bottom are Wolf (Ty Gephardt’s dog) and Cole (originally Grandma Janet’s dog, but at that point the dog of Signy Gephardt). Bottom R a sweeping view of Jan S. Gephardt’s fictional Sirius River Valley on Rana Station forms the backdrop for a romp by XK9 mates Elle and Tuxedo (who bear a striking resemblance to a red border collie and a “classic” black-and-white border collie) in a painting ©2020-2022 by Lucy A. Synk. (See full credits below).

My Mother’s Dog

But Liam taught me something I just hadn’t figured out with the other dogs. Liam was a seven-year-old border collie who clearly had professional herding experience when he fetched up on my doorstep. My mother had just lost her long-time pup, and I thought she might like Liam. Penny, that dog of my childhood, had been a border collie and she was the best dog ever, according to Mom.

Penny had belonged to neighbors back when Mom was pregnant with Jan. Through the long, humid summer, in the days before air conditioning, Mom spent her afternoons in her relatively cool garage, reading and resting. Often Penny, left outdoors and not confined, came over to keep her company. Mom and Penny bonded. Then, one day, Penny disappeared. Mom learned that the neighbors, tired of a dog they never paid attention to, had dumped her out in the country.

Two weeks later Penny came back—not to the neighbors who had neglected and abused her, but to Mom. My mother promptly went next door to inform her neighbors that Penny had returned, but she was no longer their dog. Mom claimed her, as Penny claimed Mom. The two of them remained loyal to each other through two children, three moves, a crumbling marriage, and all the rest. Along the way, Jan and I grew up with a strongly imprinted archetype. In the deepest parts of our brains, “Dog” equaled a black and white border collie. I didn’t fully understand this until I saw Liam, and realized he was the definition of “Dog” for me.

Four views of G.’s black-and-white border collie Liam, two from his old age and one with a tiny black kitten.
The dog who taught G. her definition of “dog” was Liam, seen here in four different stages of his life. (All photos courtesy of author G. S. Norwood).

The Definition of “Dog”

Since that time, I have only looked at border collies. I first noticed Tam at an adoption event because he had border collie lines. He turned out to be a border collie/golden retriever mix. After Liam died, I started volunteering with a border collie rescue group.

Chess was my first foster, and first foster fail. Zoe was the dog I was really looking for—a classic black and white female like Penny—and Kata . . . Well, okay, Kata looks like a smooth-coated sable border collie if you get her in the right light. She was stranded at a high-kill rural Texas shelter and got classified as “border collie enough” so she could get out of there. The four of them became my Texas Pack.

Clockwise: Zoe, Chess, Kata and Tam in a photo montage that has appeared on this blog before.
Until recently, this was G.S. Norwood’s “Texas Pack,” described in loving detail in an earlier blog post. (See credits below).

An Opening in the Pack

Back in October, however, Tam, at age 13, lost his battle with lymphoma. His passing left a huge hole in the Texas Pack but opened up space for me to start fostering again. I wasn’t eager to get another dog, but I did check the shelters for border collies from time to time.

Which is how, in mid-November, I happened onto a photo of a sweet young border collie boy who looked like he was smart, a little wary, and more than ready to get the heck out of my local dog pound. Those big brown eyes hooked me, with his direct gaze and knowing attitude. I called my current rescue group’s coordinator. She said it was okay if I wanted to evaluate him, but she warned that she didn’t think we had any fosters available.

Three photos of Tam on a “rainbow river” background image.
G.’s dog Tam recently crossed the proverbial “Rainbow Bridge,” but she got some great photos of him while she had him. Here are three of the best. (See credits below).

Harvey Needs Help

I went to the shelter anyway. Once I saw the overcrowded conditions, I knew this dog—shelter named Harvey—needed rescue. It seemed everyone in my county had decided to surrender their pandemic pups in time to have a dog-free home for the holidays. I like my local shelter. The folks there do a good job of keeping it clean, treating the animals well, and moving them through without euthanizing healthy animals to create more space. But they were bursting at the seams, and crating dogs in the hallways. They needed some help to clear the shelter before Christmas.

The shelter worker was happy to show me to Harvey’s kennel. He seemed to be a calm, friendly dog. I asked to meet him in a private space and was led to an outdoor exercise pen. When the shelter worker brought Harvey out, she warned that he hadn’t been out all day, and was a little slow to warm up. As if he knew why I was there, Harvey came directly to where I sat and put his head in my lap for a friendly meet-and-cuddle before he trotted off to do his business like a house-trained guy who had been holding it for a while.

I knew right then I was not leaving this dog behind. I called the rescue coordinator again and offered to foster him through the holidays, until she could find a long-term place for him.

Two photos of “Harvey” – later renamed Slater – taken at the Collin County, Texas Animal Shelter.
These two animal shelter photos piqued G.’s interest in learning more about “Harvey.” (Photos via G. S. Norwood from Collin County (TX) Animal Services).

Harvey Goes Home

How could she refuse an offer like that? Harvey left the shelter with me—then spent fifteen minutes refusing to load into my car. Apparently getting into cars meant strange, bad things were about to happen.

Once home I discovered that the recently-neutered Harvey still had the urge to do a lot of territorial marking. Which spurred the long-neutered, completely house-trained Chess to mark his territory right back. Great. But we made it through Thanksgiving week, which included a lot of outrage from the cats and an emergency trip to my vet to treat the upper respiratory infection Harvey had picked up at the shelter.

It also included a name change. Rescue groups handle a lot of dogs, but we try not to repeat names, so we always know which dog we’re talking about. They can’t all be Zoe, Molly, or Max. This guy couldn’t be Harvey, either, since the group had already had a Harvey. And a Shiloh. And a Dylan. I dug out my name book and he became Slater.

A large photo of Slater in his “forever home” back yard is surrounded by smaller photos of his canine and feline housemates Kata, Ella, Gift, Chess, and Zoe, underlain by a fabric pattern of cartoon grey squirrels and the words “Squirrel Patrol.”
Slater (center) now lives in a new domain with canine housemates (L-R) Kata, Zoe, and Chess, as well as felines (L-R) Ella and Gift. Ever vigilant, he enjoys his new “Squirrel Patrol” duties. (See credits below).

Slater Meets the World

And eventually—probably inevitably—he became Slater Norwood. The cats are still adjusting, but the rest of the pack has agreed to tolerate this new guy. Slater is slowly coming out of his shelter shock and learning the ropes of his new life: pottying happens outdoors, it’s okay to cuddle on the bed, but he can’t chase the cats. Ever.

He is discovering squirrels. He is learning his new name, and that he really should come when I call him. Things are starting to make sense to him. One thing he definitely knows is that I am a kind person who will reassure him if he gets confused and love him even when he transgresses.

Border collies are smart about things like that. That’s one reason why they are my definition of “Dog.” As Jan so wisely observed, our mother would have loved him.

IMAGE CREDITS

Many thanks to G. S. Norwood and Jan S. Gephardt, who provided nearly all of the photos for this post. The montages are all Jan S. Gephardt’s fault.

We would like to thank Lucy A. Synk for her wonderful painting ©2020-2022 of XK9s Elle and Tuxedo at play on a meadow high above Rana Station’s Sirius River Valley (characters from Jan S. Gephardt’s XK9 novels). Our gratitude goes to Evgenii Lashchenov and 123rf as well, for the “Multicolored-Magical-Rainbow-River” digital illustration that provides a backdrop for the “Memorial to Tam.”

We deeply appreciate Collin County Animal Services for the two photos of Slater when he was known as “Harvey” and was up for adoption. And we’re very grateful to Jessica Prout of Little Arrow Design via Spoonflower, for the cute “Squirrel Patrol” fabric pattern for the “Slater in His Domain” montage. Prout’s design is available in fat quarters or yardage on Spoonflower.

“The shortest day—the longest darkness—takes place in a cold season when everything lies fallow. In the earliest ages, it was a time of privation, often of hunger, of death. A sort of nadir for the year.” – From “Berwyn’s Solstice Story,” in “A Bone to Pick” ©2021 by Jan S. Gephardt. The words appear against a black background. At lower left, a single red candle burns in a darkened environment sprinkled with small red holiday lights among a drift of sparkly red confetti.

Berwyn’s Solstice Story

By Jan S. Gephardt

I hope you’ll enjoy something a little different for today’s blog post, Berwyn’s Solstice Story. This post goes live on the exact day of the Winter Solstice in the Northern Hemisphere where this blog, Artdog Studio, and Weird Sisters Publishing are based. So it seemed an appropriate time to share it.

This excerpt comes near the end of A Bone to Pick, the second novel of my science fiction mystery XK9 “Bones” Trilogy. It is ©2021-22 by Jan S. Gephardt (aka: Me), so please don’t borrow it without attribution or claim it as your own work! Fair warning: I have edited it slightly from the book version in a few places. I did it to make a few references clearer and take out a couple of spoilers for anyone who hasn’t read the book yet.

The viewpoint character is the Trilogy’s protagonist, Rex Dieter-Nell. He is an XK9, an uplifted (human-level intelligence) police dog. He, his Pack of nine other XK9s, and their human (detective) partners live on a large space station in another star system from ours, several hundred years in the future. It’s their job to track down the mass murderers who blew up a ship that had been docked in their jurisdiction’s part of the Rana Station space docks.

XK9 Pack portrait “Head Shot” illustrations for Razor, Shady, and Rex – the three XK9s in this story. Artwork ©2020 by Lucy A. Synk.
I don’t (yet) have appropriate portraits to share of the three humans who play a part in this scene. The three XK9s in this sequence are (L-R): Razor, Shady, and Rex. Artwork ©2020 by Lucy A. Synk.

Setting the Scene

This excerpt takes place in the specialized clinic that fulfills the Pack members’ health care needs. At this point in the story, we’ve had some wounded in action. I can’t say more without giving spoilers, but I hope you’ll enjoy Berwyn’s Solstice Story:

The retreat room was small, narrow, and pretty much maxed out, once three humans and three XK9s had squeezed themselves inside. Humans Berwyn, Shiv, and Liz all smiled a greeting, while Razor wagged his tail.

“Rex. Shady. Wow,” Berwyn said. “Would you like to observe the Solstice with us?”

“We came to wait with you,” Rex said.

“Then please join us. I was explaining to the others . . . What do you know about Solstice?”

“It is an astronomical phenomenon observable on many planets,” Rex said. “If there are seasonal variations in the length of daylight and darkness, then the longest and shortest days are solstices, and the days which are divided equally between darkness and light are equinoxes.”

Berwyn’s smile held a trace of sadness. “You sound like Cinnamon, when I first explained it to her.”

“We all attended the same planetary astronomy class,” Shady said.

“Well, let me tell you about the way my Family observes the Solstice.” He gestured toward a low table in the center of the room. Someone had placed a lighted, mostly-burned candle on it, next to a tall, new, unburned one.

Both appeared to be the same brownish-dark-gray tone to Rex. Humans probably saw them as one of the colors XK9s couldn’t distinguish, such as red or green. Between them, a small case pad ticked a silent countdown.

“The shortest day—the longest darkness—takes place in a cold season when everything lies fallow. In the earliest ages, it was a time of privation, often of hunger, of death. A sort of nadir for the year.” – From “Berwyn’s Solstice Story,” in “A Bone to Pick” ©2021 by Jan S. Gephardt. The words appear against a black background. At lower left, a single red candle burns in a darkened environment sprinkled with small red holiday lights  among a drift of sparkly red confetti.
Candle image is courtesy of Paula Onysko’s blog post “Light a Candle Ritual for Winter Solstice.” Words & design are ©2021-2022 by Jan S. Gephardt.

Berwyn’s Solstice Story

“My Family follows an ancient tradition that observed these variations on Mother Earth and found spiritual meaning in them. The shortest day—the longest darkness—takes place in a cold season there, when everything lies fallow. In the earliest ages, it was a time of privation, often of hunger, of death. A sort of nadir for the year.” Berwyn stared at the flickering candle flame for a moment. “This year, I’ve been able to very personally relate.”

“Oh, man, I hear you!” Liz’s eyes brimmed with tears. She reached over to squeeze Berwyn’s shoulder. Shiv clasped Berwyn’s hand. He did not speak, but he looked almost as haggard as Berwyn and Liz.

Rex’s throat tightened. Having almost lost his partner Charlie just a few weeks ago, he thought he understood some of what they must feel. Shady nuzzled him.

“But at the end of every ‘longest dark,’ the light begins to return,” Berwyn said. “It starts at that very moment when darkness and cold seem to conquer the world. The light comes back. The warmth begins to grow. New hope rises up, and the faith that things will get better.”

He looked at Liz, Razor and Rex. “We will heal and grow stronger.”

He met Shady’s eyes. “We will rise again to new heights.”

He turned to Shiv. “Unexpected new things may . . . may dare to take root.” The fearful hope in both men’s faces and scent factors filled Rex’s heart with empathic, joyful yearning and set Shady’s tail to thumping.

Berwyn drew in a breath. “Oh. It’s already later than I thought. In my Family, it’s our tradition to extinguish the old year’s candle at 23:50, which is .… now.” He blew out the candle.

“We extinguish the old year’s candle . . . Our tradition is to banish distractions, sit in silence, and let our minds find a centering peace.” – From “Berwyn’s Solstice Story,” in “A Bone to Pick” ©2021 by Jan S. Gephardt. Smoke from a blown-out red candle at lower left drifts upward and to the right on a black background.
Candle photo by Vit Krajicek/123rf. Words & design are ©2021-2022 by Jan S. Gephardt.

Darkness

The Retreat room went pitch dark.

“Our tradition is to banish distractions, sit in silence, and let our minds find a centering peace.”

No one answered. Six hearts beat quietly, although at different rhythms. Six presences breathed in and out. Rex noted that more than one ran a breathing pattern of the sort he’d learned from Charlie. Liz shifted in her seat. An itch prickled along his right shoulder blade. He lifted a hind paw to scratch it, then refrained. Stilled himself. The itch burned a moment or two longer, then died.

They abided in silence.

Gradually, their breathing fell into a common rhythm. Their heartbeats slowly synchronized, too. The humans couldn’t consciously hear it, but somehow they also attuned.

A deep calmness and peace fell over Rex. A sense of oneness with his companions, and of resting after strife. He abided in the moment, content.

Soft bells chimed. They grew louder, a building carillon. They crescendoed into joyous, triumphant peals. The bells seemed to say, Darkness is banished. Light will prevail. Things will get better! Rejoice!

The sound broke over him, balm for his heart. Light and hope for his mind and spirit.

A scratch and a flare of flame. Sharp bite of burning struck his nose. Berwyn lit the new candle, then touched his case pad. The bells faded out. “Nadir has passed. The light is returning.”

On a black background, the words read: “It starts at that very moment when darkness and cold seem to conquer the world. The light comes back. The warmth begins to grow. New hope rises up, and the faith that things will get better.” – From “Berwyn’s Solstice Story,” in A Bone to Pick ©2021 by Jan S. Gephardt. At right, a tall new red taper candle burns in darkness.
The taper candle image is courtesy of Stone Candles. The words & design are ©2021-2022 by Jan S. Gephardt.

Nadir has Passed

“The light is returning,” Shiv murmured.

Berwyn straightened. “The light is returning, indeed.” He sat back with a sigh and a smile. “Thank you. Thank you, all of you. I thought I’d be doing this alone.” His dark eyes glistened with excess moisture.

Shiv shook his head. Gave Berwyn’s hand a gentle squeeze. “Not alone. Not tonight.”

“I know I needed to be here,” Liz said. “Thank you. Thank you for sharing this with us.”

Razor dipped his head. “Very much. That was amazing.”

Berwyn’s gaze swept the room. “Solstice blessings abound.”

I sincerely hope you enjoyed Berwyn’s Solstice Story. If it has sparked your interest in learning more about the series, click this link. For more about A Bone to Pick, click the link in the title.

If you’d like to read more short fiction about the XK9s and their people, you might enjoy a FREE subscription to my monthly Newsletter. Signing up for the Newsletter also scores you a FREE ebook copy of my prequel novella, The Other Side of Fear. In case you’re wondering – no, the Trilogy’s not done yet, and yes – I’m writing as fast as I can! Bone of Contention is scheduled for publication in September 2023.

Two visualizations of “A Bone to Pick” by Jan S. Gephardt: at left the ebook cover is shown on a tablet. At right “A Bone to Pick” is visualized as a fat trade paperback. Below the two pictures a line of type reads: “Cover art ©2020 by Jody A. Lee.
This story is an excerpt ©2021-2022 by Jan S. Gephardt from her novel A Bone to Pick. It’s the second book of the XK9 “Bones” Trilogy. The cover artwork is ©2020 by Jody A. Lee.

IMAGE CREDITS

I have a lot of people to thank for the images in this post. First of all to my dear friend and frequent illustration source, Lucy A. Synk, I want to lift up a hearty “thank you!” If you’d like to see more of her amazing artwork, check out her website and her Facebook page!

Likewise, I want to thank another longtime friend, Jody A. Lee, who does such a stellar job on the cover art for the “Bones” Trilogy. That’s her work on A Bone to Pick. You also might enjoy her website, Facebook page, and (while there’s still a Twitter) her Twitter feed.

The other sources are considerably more varied. I’ve credited them in the cutlines under the pictures, but here’s a rundown, for the record. Much gratitude to Paula Onysko’s blog post “Light a Candle Ritual for Winter Solstice,” for the candle photo used in the first candle picture with the opening quote from Berwyn’s Solstice Story. You also might enjoy reading Paula’s suggestions for a different kind of solstice candle ritual.

Deepest thanks to Vit Krajicek and 123rf for the evocative photo of the smoke from the blown-out candle in the second from that sequence. And I also thank Stone Candles for their photo of one of their beautiful red taper candles, used in the third candle-with-quote image. I deeply appreciate all!

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