Do you read science fiction as an escape? If you hoped the politics would die down after the election, and now you just want to get away from it all in a sci-fi world, I’ll try to break this gently. Politics in science fiction is pretty much baked-in.
No romance, no adventure story, no mystery, and no historical drama can completely evade society or politics, even when it’s not the focus. But most of these are based on actual events or places. If your romance is set in Tuscany, or if your historical novel takes place in Kublai Khan’s court, certain rules are already set.
But sf was kinda built for political or social comment. Science fiction can range from a simple town hall to a matrilineal nest-colony. But every sf story resides in a world that the author chose to create that way. For a reason.
Would-be escapists take heart! Politics in science fiction novels isn’t always center-stage. Some sf authors choose the “background political system” more for plot-utility.
Martha Wells’ “Murderbot” storiestake place in a system quite different from our own. What kind of place would allow such a cyborg to be made and exploited? We can believe this world would. It’s not obviously presented as a dystopia, but a writer with a different story purpose could actively portray it as one.
But maybe you’d rather take out your political frustrations in another way.
Dystopia
Maybe you’d like to see characters triumph over their politically- or socially-caused adversity. In that case, the politics in science fiction of certain kinds may be right up your alley. Perhaps counter-intuitively, some of the most inspirational science fiction unfolds in a dystopian world.
Writers use dystopian novels to critique some aspect of their current world. Suzanne Collins drew inspiration from both classical and contemporary sources for her “Hunger Games” books. Her critique focuses on social and economic inequalities, extreme versions of contemporary trends.
Utopias are harder to find in fiction—especially influential utopias. How do you present an interesting story set in a perfect world? Conflict and problems are the soul of plot. This may be the primary reason the Solarpunk movementhas been able to produce inspiring and beautiful visual art, but no “breakout” novel to date.
The background society of the Federation in the Star Trek universe has a utopian nature. But few stories in the franchise take place there. Most are set in a less-utopian corner of the Final Frontier.
When one person’s utopia becomes another’s dystopia in some way, we tend to find more stories. Aldous Huxley took that approach inBrave New World (that society’sinhabitants believed it to be a utopia).
Political and social commentary
Politics in science fiction and speculative fiction is alive and well. And has been, all the way back to the genre’s roots.
H. G. Wells’ The Time Machine commented on his contemporary social class system. He employed Darwinian concepts to speculate in an oh, so Victorian way that the upper and lower classes would evolve separately over the millennia into separate sub-species of humans.
But the sf writers of the past have nothing on today’s works. Nnedi Okorafor, for one example, frequently tackles such topics as racial and gender inequality, environmental destruction, corruption, and genocide through the lens of her fantasy and science fiction.
Ann Leckie’sAncillary Justicetakes a unique approach to gender (for one thing, the “default pronoun” is she, which leads us interesting places). Her long, hard look at what Genevieve Valentine calls “the disconnects of culture” opens more parallels to consider.
Arkady Martine‘s acclaimed debut novel A Memory Called Empire tackles political intrigue (she’s a Byzantine Empire historian), and the multiple facets of colonialism.
Politics in the world of the XK9s
My own science fiction isn’t overtly political. My focus in the XK9 books is trying to tell a good story. But I built Rana Station, the environment where most of the action takes place, on ideas garnered from decades of teaching, studying history, and observing our contemporary society.
What kind of environment would enable all of my students to reach their full potential? If a political and social structure made that its guiding question, how would the resulting society look?
I built the world of Rana Station on ideas I started gathering during my coursework. But I don’t believe in “perfect” worlds. In my next post I’ll go into more depth on how and why I created the system where my fictional characters live.
This year, I’m no less grateful and delighted that we have libraries in our lives. I have a lot less time for blogging. But I owe it to libraries and their impact on my life to do something in celebration of Library Week!
Libraries function as repositories of information, accumulated wisdom and insight. Sometimes poppycock mixes in there, too. But that’s often hard to discern till much later. In every age, they’re centers of knowledge. And you know what they say about knowledge.
Years ago, a wise person told me that reading material in the home often tells us who’ll be a greater success. A good-sized collection of books (in their field or more general) signals a more agile mind.
More than books alone
From the very beginning, libraries have always been more than just collections of books. Books are useless unless someone reads, thinks about and discusses them. For this reason, the ancient Library of Pergamum had four rooms: three for storing books (scrolls at that time), and one for meetings, conferences, and banquets.
In celebration of Library Week, I could have gone in many directions with this blog post. But I hope you’ve enjoyed this glimpse of public library history. What would we do without our libraries? If you’re so inclined, please share your favorite aspects or experiences with libraries in the comments below.
My first panel at Capricon 40 was one of the three I’m scheduled to moderate, “Detectives in the Wild.” In it we explored the many ways that mystery stories show up in speculative fiction.
The panel’s description made it seem as if mysteries in the speculative genres that range outside of urban fantasy are hard to find. But between us and the audience, we came up with a bunch. We quickly found ourselves sub-categorizing them, too.
Alternate History
“Detectives in the Wild” aren’t hard to find in the alternate history genre. It’s so flexible, it can encompass any number of co-genres. Our panel’s alternate history point-person Mark Huston gave us an excellent overview.
Mark writes in Eric Flint’s 1632 Universe. Here are just a few of the recommended alternative history mystery novels we came up with.
These often extend into speculative fiction categories in distinctive ways. We included stories with the feel and general optics of traditional Noir, but which the authors have played for laughs or to make a different point. Here are some of the Noir-style novels we touched on.
Yes, we know we weren’t supposed to get into urban fantasy. But the line between it and paranormal stories is blurry. We kept coming up with so many good ones! With our active, engaged audience, we shared ideas about books that are well worth reading. Many in this line-up are the first books in enduring and well-loved series.
Speculative fiction’s detectives aren’t always human. The unusual capabilities of extrapolated and imagined artificial intelligences–whether they’re in the form of androids, robots, or other things–have made these creations a favorite for speculative fiction writers, especially since Isaac Asimov’s classic team of R. Daneel Olivaw and Elijah Baley. Panelists and audience came up with several highly-recommended titles and series.
But not all science fiction mysteries fall into easy categories. That’s the nature of the genre–it’s grounded in the unexpected. We couldn’t complete our survey of “Detectives in the Wild” without talking about some that defy confinement in traditional mystery categories.
These covers represent some of the unique places science fiction can go with a mystery. Lee Killough‘s The Doppelgänger Gambit explores the nature of a “perfect alibi” in a world where one’s digital privacy has reached a new dimension. Kristine Kathryn Rusch explores questions of justice in a world where the presence of aliens changes the rules, in The Disappeared(first in the Retrieval Artist Series). Mur Lafferty‘s Six Wakesis the ultimate closed-room mystery in which seven crew members of a starship awaken to discover their previous bodies were murdered–by one of them. But they don’t remember who is the murderer. And in Arkady Martine‘s “interstellar mystery” A Memory Called Empire, an ambassador must discover who killed her predecessor (everyone swears it was an accident) before she meets a similar fate.
I’m sorry I couldn’t transport all of my readers into the panel room itself. This little overview has only scratched the surface of our discussion. I have to give a lot of credit to the breadth and depth of our panelists’ knowledge–and also to our stellar audience. It took all of us to create what was for me a fun and informative panel. I hope they enjoyed “Detectives in the Wild” as much as I did.
IMAGE CREDITS:
First of all, many, many thanks to the kind gentleman from the audience who volunteered to take our picture for me. He didn’t identify himself, but he has my deep gratitude!
Recently I’ve wandered into stranger-than-usual territory in three urban fantasy books.
Actually the third one may fall more into the speculative fiction category, but it mostly takes place in a city, and some elements come across to me much more as fantasy than as fiction that’s based in any science I’m aware of.
A paramedic’s life is never dull, but that goes exponential for rookie paramedic Dean Flynn when he’s assigned to Elk City’s Station U. That place is definitely is located in stranger-than-usual territory.
Station U isn’t your standard paramedic station. And the population it serves doesn’t exactly fit into any standard class of human patients. That’s because Station U serves the “Unusuals” in town.
The local vampires, were-folk, sirens, faeries, dryads, and many other people who quietly (and carefully) live among the rest of the humans, but are medically “different.” As Brynne, Dean’s supervising partner, puts it, “They’re mostly humans, but not.”
Both together and individually, they create a challenging medical specialty. And they offer some moments of delightful humor.
This is a take on myths and legends unlike anything I’ve previously encountered. Davis poses a series of logical problems most of us have probably never imagined. What complications arise when the diabetic CPA also happens to be a werewolf? Or when a vampire has an allergic reaction? Or when a naiad (water sprite) gets severely dehydrated?
Notes on the Series
These problems and more confront Dean and his colleagues from Station U. Better yet, each patient also is a well-rounded character with a distinctive personality. Davis is a natural-born storyteller with a strong sense of the ironic.
Unfortunately, he’s not a trained storyteller. That means the dialogue is often clunky, the pace is ragged, and the plot is more instinctive than possessing a well-thought-out structure.
The frequent use of medical jargon may be off-putting to readers who were expecting more standard fantasy tropes, but the science fiction nerd in me got a kick out of the juxtaposition.
You’ll feel as if you’re riding along in the ambulance with Dean and the gang from Station U (Photo courtesy of Parkway East Hospital in Singapore)
Extreme Medical Servicesis the first in an 8-book (if you count the prequel) series of short novels about Dean, his patients, colleagues, and others. Of course there’s trouble brewing in Elk City, and Dean is uniquely suited to help deal with it.
Whenever the series sticks close to its core identity it shines. Humorous and ironic medical-fantasy situations with a strong subtext of standing up for the rights of a misunderstood minority population provide some marvelous moments.
But the clunky writer-craft annoyed me throughout the series. And when the stories ventures too far into epic fantasy and cosmic cataclysm, they fall flat for me. In my opinion, the first 2-3 books were the most entertaining.
Yes, I know this is technically two books, but in a number of ways it’s not. I normally would never have seen or heard of these books if I hadn’t gone to Westercon 71, in July 2018 in Denver. That’s where I met Veronica and became intrigued with her unique personality and sense of humor.
That wry sense of humor and askance view of the world comes across forcefully in her writing, too. This woman has a voice and a style all her own, and it’s a pleasure to read her work.
When I want to give a full-throated endorsement, however, I’ve normally directed people to her Diary of a Mad Black Witch.That one’s a stand-alone novel that I could have sworn I’d already reviewed in this space–but I can’t find it, soI’ll have to remedy the oversight soon.
Meanwhile, what’s up with “SparkleTits”?
For a while the title itself held me back. I half-feared it would turn out to be some kind of exploitation ploy. But I couldn’t imagine that the author of Diary of a Mad Black Witchwould really go there. So I gave them a try.
And I’ve got to tell you, they definitely take you into stranger-than-usual territory!
Greer Ianto is struggling to deal with the death of her beloved mentor Gabe when we meet her on what turns out to be the Nearly-Worst Possible Day Ever.
Then she gets semi-literally star struck (as in struck by something that looks to others like a star), and lives to ask what the heck just happened. At this point we have well and truly ventured into far-stranger-than-usual territory.
From there we plunge through nearly-nonstop (mis)adventures in a reality where superheroes are real (but, officially, they’re all men).
As a six-foot-tall black woman with an attitude, suddenly possessed of her own superpowers (that even work on the superhero men), Greer is guaranteed to rock their foundations. And I for one had a blast watching her do it.
Sins and Barbecue
Greer has a new and troublesome relationship going on in the second novel. She encounters a number of new bad guys. And she finds more clues about her mysterious origins and her late mentor Gabe, who wasn’t exactly what he seemed to be.
This particular cycle-within-a-larger-story finishes, but it’s clear the larger story continues. I very much doubt that the SparkleTits Chronicles are meant to end here.
The “SparkleTits” Chronicles are set in Denver, CO–but they definitely also take you into stranger-than-normal territory! (Photo By Hogs555 – Own work, CC BY-SA 3.0)
You knew there’d be a “however”
These books are a lot of fun. Except for the moments when they fall apart.
Calisto’s writing is much better-crafted than Davis’s, but there still are places where she needed a line editor and/or a proofreader (different functions!). They could have saved her from confusing constructions, infelicitous turns of phrase, typos, editing artifacts, and more.
They also would probably have reminded her that not everyone who reads Book Two, Sins and Barbecue, will read it immediately after Starfish and Coffee, so the reader needs a reorientation about who everybody is and what happened in Book One.
The other big problem with these books is the interior artwork. The covers are workmanlike enough to convey the idea (no artist is credited for any of the artwork). But the interior artwork is just plain embarrassing. Incomprehensible and horrendously-timed, it appears that it’s supposed to convey some of the climactic action. It doesn’t. Instead it stops the story dead in its tracks at arguably the worst possible moment.
So, no. I can’t offer anything like a full-throated endorsement. But I can tell you it’s an interesting-enough experiment that I bought and read the second book. Make of that what you will.
If we suddenly had a Zombie Apocalypse, what would happento all the companion animals? That’s the question underlying this much-talked-about top-seller.
Is it a better book? Well, the craft is clearly better.Kira Jane Buxton writes well, and she’s been well-served by her editors at Grand Central Publishing. There are no amateurish issues to battle here. The publisher supported this book’s roll-out with strong advertising and review coverage.
You definitely should give it a look. The animal viewpoints deliver spot-on caricatures we all recognize. In addition to the protagonist, S.T. the genius-crow, we hear occasionally from other characters such as Genghis Cat and Winnie the Poodle. Their brief cameos illuminate and provide humor–even as they also are poignant.
The animal-welfare angle
Readers not used to reading speculative fiction or thinking in animal viewpoints may find it mind-expanding. And anytime we can get people to think more fully about animals and their welfare, that’s a good thing. Butpersonally, I found it more depressing than many reviewers.
I’ve been associated with animal rescue organizations for long enough to cherish no illusions about what happens to domesticated animals when their caregivers cease to care for them.
All fantasy aside, domesticated animals without human care, like these feral cats, lead short, cruel lives. (Photo courtesy of Pretty Litter)
Even cats, which many people think probably would thrive without people around, would inevitably suffer problems (note the dangerous lives of contemporary feral cats). Far more horrifying, animals trapped inside buildings, aquaria, zoo cages, barns and pastures without food and water would die agonized, lingering deaths.
Hollow Kingdom is a fantasy, firmly planted in stranger-than-usual territory. It provides poignant moments, funny moments, and a great many improbable situations. Maybe it’s better not to talk about the rest of the grimness, but I read this more as a slow-rolling horror story than as “hopeful.”
IMAGE CREDITS:
Many thanks to Goodreads, for the Extreme Medical Services cover art, and to Amazon for the series-covers image. The photo of the inside of an ambulance is from Parkway East Hospital in Singapore.
We’re closing in on the end of November, and also the end of NaNoWriMo (National Novel-Writing Month). All month I’ve posted things to encourage writers, whether or not they’re specifically participating. But for all who are participating, this week you go into the homestretch.
No, the most important thing is developing the habit of persistence. And here in the homestretch is where it comes most fully into play.
More important than talent. More essential than a genius idea. More crucial than the classiest style. The secret to writing success is persistence. Keep trying. You’ve come into the homestretch for NaNoWriMo. Last-minute brain glitch, and can’t think what to write? Write anyway.
Create and sustain those habits. Eventually, you’ll succeed. Going into the homestretch and beyond, you’ll have developed the most essential requirement for any successful writer. Simply don’t let anything stop you.
Science doesn’t stand still, so there’s updated information to add. That (and the chance to share links to sources) is why I decided to expand on my August post with this series.
If only dogs could talk!
I am certainly not the only person who’s ever wished her dog could talk. They usually manage to express themselves clearly enough to tell us when they’re hungry or want to go out, but I sometimes would swear they’re just as frustrated as we are.
We need a for-real “Dr. Dolittleinterface” of some sort! And it’s possible we may be getting closer to one, but more on that in a bit.
Chaser understood more than 1,000 nouns and could correctly follow verbal commands using different verbs and objects, but I haven’t found any evidence online that she could respond to written symbols. That doesn’t mean, however that a dog can’t do that.
Just this month, a new canine verbal virtuoso came onto my radar. Stella, aCatahoula / Blue Heeler mix, is the dog of speech pathologist Christina Hunger.
We’re still not quite ready to swear in a K9 officer to testify . . . or are we?
The decision to give my fictional XK9s a vocalizer has its roots in both wish-fulfillment and the potential I see in contemporary adaptive and communication technology. But another inspiration was an overheard comment from a police commander that for well or ill a K9 can’t testify in court. No, we haven’t quite come that far.
No, K9 Azor didn’t have much to say, after all. But we can’t really know what he’d have said, if he’d been trained on a sound board like Stella’s. Imagine a K9 trained on one that said things such as “suspect,” “drugs,” or “explosives.”
Stay tuned. At the rate things are going, real-live XK9s may come sooner than we think!
Yes, I know this makes me “sercon” (oldstyle fan-speak for “too serious to be any fun”). But I’ve decided I’m just gonna have to “own it.” Diss me if you must, but I like going to panels and readings where I can get new ideas and listen to interesting stories more than I like going to parties where I can’t hear what anyone is saying and most of the people are drunk.
This is the “Editing vs. Beta Reading” panel at SpikeCon. Yes, there is a massive difference, and it was well explored by the panelists. They are, L-R: Multimedia authorDan Wells, Headliner Editor Susan Chang, freelance editorMelissa Meibos, author C.H. Hung, and author/freelance editor Joe Monson.
I’m happy to report that there were some excellent panels and readings at SpikeCon this year. As I sometimes do, I discovered that I kept bumping into some of the same interesting people over and over at this convention. Of course, that’s partially because many of us have similar interests, and partially because, although some 1,100 memberships were sold to SpikeCon, for a variety of reasons only about 850 people showed up.
The “Privilege and Passing in Genre Fiction” panel at SpikeCon provided a lively and informative discussion of the ways in which characters in our genres reflect (or sometimes misrepresent) issues faced by many people in real life. The knowledgeable and wise panelists are, L-R: Inez Aguilar R., Aften Brook Szymanski, Jayrod P. Garrett,C.H. Hung, and B. Daniel Blatt.
This explains why several of the people in some these pictures are the same people as the ones in other pictures! In fact, the identical same group was scheduled together for two different panels I attended. Lucky for their growing group of devoted followers, they had a range of different things to say each time.
Here’s the “Write What You Don’t Know” panel at SpikeCon, and no, your eyes do not deceive you. This is the exact same group of panelists from the picture above. Some of them traded seats just to mess with us. But they were every bit as wise and interesting when they talked about doing your research and seeking new understandings as they were on the previous panel. For the record, they are, L-R: Aften Brook Szymanski, C.H. Hung, Jayrod P. Garrett, Inez Aguilar R., and B. Daniel Blatt.This was possibly the most valuable panel I attended at SpikeCon.”After the Action” discussed the trauma writers inflict on their characters in terms of realism in fiction and the effects of trauma on real people. The discussion also quickly ranged into the effect of our fiction on real people–our readers, who may themselves be trauma survivors or have loved ones or associates who are. The uniquely qualified panelists are: L-R: Amy White, an author, librarian, and puppeteer with a trauma survivor in her family; Retired Marine Col. Jonathan P. Brazee, prolific author of military sf; psychologists and social workers Cerin Takeuchi and Anna Marasco; and author and sworn law enforcement officer Griffin Barber.
I was on several panels, myself, but you’ll notice they aren’t featured here. I don’t have pictures of panels I was on, or of my reading at SpikeCon (though it was gratifyingly well-attended! Thank you!!).
I may not have a picture from my own reading at SpikeCon, but I did get photos of the authors who read before and after me. Mike Substelny, L, read his as-yet-unpublished but wildly funny and satisfying time travel story, “Plan Madison.” At R, Erika Kuta Marler read a story from an anthology in the Eden’s Outcast universe.
This is largely because it’s hard to photograph oneself in such situations. Tyrell Gephardt, my son and regular convention partner who usually photographs my events when possible, was almost invariably scheduled on his own panels at the same times.
But trust me. They were brilliant. And there’s always a chance the topics of some of those panels and readings will turn up someday as the subjects of blog posts in the future.
IMAGE CREDITS: Many thanks to SpikeCon’s homepage for the graphic gestalt of when, where, and who were headliner guests. All other photos in this post were taken by me, Jan S. Gephardt, with the permission of their subjects. If you wish to re-post or use them, please include an attribution to me as the photographer, and if possible include a link back to this page. Thanks!
In the last two weeks I’ve published photos and information about readings I attended at SoonerCon 28.
Part One profiled science fiction, alternate history, and fantasy readings.
Part Two spotlighted two fantasy and two alternate history writers.
Today’s authors include one each who write fantasy, science fiction, and middle-grade whimsical “creepy stories.” Since each brought a physical copy of their book and was kind enough to hold it up for me, I did composites of each person.
Fantasy author and Fantasy Writers Asylum imprint editor Julia S. Mandala shows the cover of her epic fantasy Blood Songs at right. At left, she reads an excerpt from it. Author Laura J. Underwood listens in the background.At left science fiction author Lou Antonelli reads an excerpt from his novel Another Girl, Another Planet, while David Carrico listens in the background. At right, Lou holds up his book to show the cover.Middle-grade “creepy stories” writer Kim Ventrella shows off her latest book, Bone Hollow. At left she reads an excerpt from the beginning. At right she shows us the cover. Her earlier middle-grades book, Skeleton Tree, dealt with similar themes.
I hope you’ve enjoyed this three-part “book tour” of Soonercon 28, via photos of some of the authors who did readings there.
Going to readings is a great way to learn about interesting new books you may never have heard of. It’s also a fantastic way to meet authors and interact with them in a small-group setting.
Next time you go to a science fiction convention, I strongly recommend that you try going to some of the readings!
IMAGE CREDITS: Many thanks to SoonerCon 28, and artist Matt Frank, for the header image. All other photos were taken by me at SoonerCon 28, June 7-9, 2019, with the express permission of the persons being photographed.If you wish to reblog or use them, please include an attribution to Jan S. Gephardt as the photographer, and if possible provide a link back to this post. Thank you!
I’m apparently weird, but I enjoy going to readings. I attended a lot of them at SoonerCon 28, and thought you might enjoy seeing the photos I took of the authors. You may have heard of some or all of them.
SoonerCon 28tried to group their readings thematically–but sometimes the authors didn’t get the memo, so we had kind of a nice smorgasbord. I hope you enjoy this series of posts. Wherever I could, I’ve linked the authors’ names to their websites and/or books, so you can learn more about any who interest you.
These weren’t the only readings I attended at SoonerCon 28. I’ll profile more authors in future posts.
IMAGE CREDITS: Many thanks to SoonerCon 28, and artist Matt Frank, for the header image. All other photos were taken by me at SoonerCon 28, June 7-9, 2019, with the express permission of the persons being photographed.If you wish to reblog or use them, please include an attribution to Jan S. Gephardt as the photographer, and if possible provide a link back to this post. Thank you!
This is National Library Week. Instead of a Quote of the Week, I decided to dedicate this as the Week of Book Quotes, with help from the marvelous New York illustrator, Simini Blocker.
Even if you’ve seen Simini’swonderful illustrated quotes before, I hope you’ll enjoy them again. And if you’re not yet familiar with her work, I offer you the joy of discovery.
IMAGE: Many, many thanks to Simini Blocker’s Tumblr for today’s marvelous Quote-Image, featuring the words of(thanks also to Uppercase).
Politics in Science Fiction
By jansgephardt
On November 18, 2020
In Cultural Diversity, Equity and Equality Issues, Literacy, Science Fiction, Social Justice
Do you read science fiction as an escape? If you hoped the politics would die down after the election, and now you just want to get away from it all in a sci-fi world, I’ll try to break this gently. Politics in science fiction is pretty much baked-in.
No romance, no adventure story, no mystery, and no historical drama can completely evade society or politics, even when it’s not the focus. But most of these are based on actual events or places. If your romance is set in Tuscany, or if your historical novel takes place in Kublai Khan’s court, certain rules are already set.
But sf was kinda built for political or social comment. Science fiction can range from a simple town hall to a matrilineal nest-colony. But every sf story resides in a world that the author chose to create that way. For a reason.
Sometimes it’s just the wallpaper
Would-be escapists take heart! Politics in science fiction novels isn’t always center-stage. Some sf authors choose the “background political system” more for plot-utility.
Martha Wells’ “Murderbot” stories take place in a system quite different from our own. What kind of place would allow such a cyborg to be made and exploited? We can believe this world would. It’s not obviously presented as a dystopia, but a writer with a different story purpose could actively portray it as one.
But maybe you’d rather take out your political frustrations in another way.
Dystopia
Maybe you’d like to see characters triumph over their politically- or socially-caused adversity. In that case, the politics in science fiction of certain kinds may be right up your alley. Perhaps counter-intuitively, some of the most inspirational science fiction unfolds in a dystopian world.
Writers use dystopian novels to critique some aspect of their current world. Suzanne Collins drew inspiration from both classical and contemporary sources for her “Hunger Games” books. Her critique focuses on social and economic inequalities, extreme versions of contemporary trends.
Margaret Atwood’s dystopian The Handmaid’s Tale also makes an extremely relevant point about patriarchy taken to extremes. Women still struggle for the right to control their own bodies. Handmaid remains as relevant now as when it was published in 1985. Buzzfeed offers a list of 24 excellent dystopian novels you’d like to explore this subgenre.
Utopia
Ernest Callenbach’s novel Ecotopia gets pointed to a lot, as an example of a utopian novel—one set in a supposedly “perfect” society. Published in 1975, it influenced the dawn of the Green movement (so did fact-based books such as Rachel Carson’s Silent Spring, published in 1962). See my 2016 post “How Science Fiction Impacts Environmental Awareness.”
Utopias are harder to find in fiction—especially influential utopias. How do you present an interesting story set in a perfect world? Conflict and problems are the soul of plot. This may be the primary reason the Solarpunk movement has been able to produce inspiring and beautiful visual art, but no “breakout” novel to date.
The background society of the Federation in the Star Trek universe has a utopian nature. But few stories in the franchise take place there. Most are set in a less-utopian corner of the Final Frontier.
When one person’s utopia becomes another’s dystopia in some way, we tend to find more stories. Aldous Huxley took that approach in Brave New World (that society’sinhabitants believed it to be a utopia).
Political and social commentary
Politics in science fiction and speculative fiction is alive and well. And has been, all the way back to the genre’s roots.
Many people consider Mary Shelley’s Frankenstein, or, The Modern Prometheus (1818) to be the “first science fiction novel.” It’s a cautionary tale against technological hubris ( see Victor Frankenstein’s dying admonition to “avoid ambition”).
H. G. Wells’ The Time Machine commented on his contemporary social class system. He employed Darwinian concepts to speculate in an oh, so Victorian way that the upper and lower classes would evolve separately over the millennia into separate sub-species of humans.
More recent examples
But the sf writers of the past have nothing on today’s works. Nnedi Okorafor, for one example, frequently tackles such topics as racial and gender inequality, environmental destruction, corruption, and genocide through the lens of her fantasy and science fiction.
Ann Leckie’s Ancillary Justice takes a unique approach to gender (for one thing, the “default pronoun” is she, which leads us interesting places). Her long, hard look at what Genevieve Valentine calls “the disconnects of culture” opens more parallels to consider.
Arkady Martine‘s acclaimed debut novel A Memory Called Empire tackles political intrigue (she’s a Byzantine Empire historian), and the multiple facets of colonialism.
Politics in the world of the XK9s
My own science fiction isn’t overtly political. My focus in the XK9 books is trying to tell a good story. But I built Rana Station, the environment where most of the action takes place, on ideas garnered from decades of teaching, studying history, and observing our contemporary society.
What kind of environment would enable all of my students to reach their full potential? If a political and social structure made that its guiding question, how would the resulting society look?
I built the world of Rana Station on ideas I started gathering during my coursework. But I don’t believe in “perfect” worlds. In my next post I’ll go into more depth on how and why I created the system where my fictional characters live.
IMAGE CREDITS:
Many thanks to all of the following: Jaime Jones, who illustrates the “Murderbot Stories” of Martha Wells, from Tor.com Publishing. Cover images courtesy of Martha Wells. Atwood book cover courtesy of Thriftbooks. Hunger Games boxed set photo courtesy of Goodreads. Ecotopia and Brave New World book covers courtesy of Bookshop. Star Trek United Federation of Planets flag by Shisma-Own work, CC BY-SA 4.0. Book covers for Frankenstein, The Time Machine, Ancillary Justice, and A Memory Called Empire came from Bookshop. Covers for the “XK9” novels courtesy of Weird Sisters Publishing LLC. XK9 cover art is © 2020 by Lucy A. Synk and © 2019 by Jody A. Lee.