Nurturing creativity with art, animals, and science fiction

Tag: books

On this multicolored square design the artist has grouped all eight of the covers for the books in the two posts covered in the “Artdog Adventures” Blog’s digest post that summarizes two posts filled with book reviews from The Weird Blog of Weird Sisters Publishing. In the left part of the design she grouped the five covers for the “Old Code” series by Anthony W. Eichenlaub. They are “Grandfather Anonymous,” “Grandfather Ghost,” “Grandfather Guardian,” “Grandfather Zero,” and “Grandfather Crypto.” In the right-hand part of the design are the three graphic books’ covers. They are The Hidden History of Women-Led Slave Revolts,” “The Book Tour,” “Fangs,” and “The Book Tour.” Below the grouped covers, the words say, “Covers Courtesy of Amazon.com.

More Book Reviews

I promised to return with more book reviews in March. With my time as crunched as it has been lately, I’ve started creating a monthly review of the posts I ran on The Weird Blog of Weird Sisters Publishing. Yes, it’s an aggregation and not completely original, but I hope you’ll enjoy my “digest” posts in lieu of no posts at all.

On a square black cover with a pale peach center, the book covers for “Wake: The Hidden History of Women-Led Slave Revolts,” “The Book Tour,” and “Fangs” span the center, slightly offset from each other.
Book covers courtesy of Amazon. See Credits below.

I Hope You Give Graphic Books a Closer Look

I began the month’s posts by highlighting Three Graphic Books Worth a Look. The category name might make someone unfamiliar with it to worry about explicit sexual content or extreme violence, but don’t worry. They’re not that kind of “graphic.”

The three graphic books I reviewed in that post cover a wide range of subjects and approaches. I hope they demonstrate how very much graphic books do not inevitably have to be “just comic books” – and they are definitely not intellectually simple.

But wait! There are more book reviews to come!

The five covers of the books in the “Old Code” series, by Anthony W. Eichenlaub, are arrayed across this square image in two rows. On the upper row, L-R. are the covers of “Grandfather Anonymous,” “Grandfather Ghost,” and “Grandfather Guardian.” On the lower row, L-R, are the covers of “Grandfather Zero” and “Grandfather Crypto.” The covers are monochromatic blue, turquoise, or purple. A single slender man with a hat and cane anchors the first three covers. He is joined by a young woman in the latter two. All covers are courtesy of Amazon.com.
Book covers courtesy of Amazon. See Credits below.

The Old Code Series Makes for Excellent Reading

I discovered the first book in this series, Grandfather Anonymous, through a BookBub newsletterlisting. It sounded interesting and they were practically giving it away, so I thought, “why not?” I don’t normally find “hacker” stories all that intrinsically interesting. But I’m an old gal who hopes she still has her skills, so the idea of an old guy who still has his skills was personally appealing.

Within the first page I was engaged, and the quality of the reading experience in these techno-thrillers remained consistent throughout. I’m glad I found this series for many reasons – but the most fundamental of them is that the Old Code series delivers the goods from start to finish.

I hope you’ve enjoyed this series of reviews, and I hope maybe you’ll even look around for a copy of one or more of them.

On this multicolored square design the artist has grouped all eight of the covers for the books in the two posts covered in the “Artdog Adventures” Blog’s digest post that summarizes two posts filled with book reviews from The Weird Blog of Weird Sisters Publishing. In the left part of the design she grouped the five covers for the “Old Code” series by Anthony W. Eichenlaub. They are “Grandfather Anonymous,” “Grandfather Ghost,” “Grandfather Guardian,” “Grandfather Zero,” and “Grandfather Crypto.” In the right-hand part of the design are the three graphic books’ covers. They are The Hidden History of Women-Led Slave Revolts,” “The Book Tour,” “Fangs,” and “The Book Tour.” Below the grouped covers, the words say, “Covers Courtesy of Amazon.com.
Book covers courtesy of Amazon. See Credits below.

I hope you enjoy the reviews in the linked posts, and that you’ll buy (or borrow from your local library) any that you think look interesting. Please feel free to comment below if you’ve read any previously (and agree or disagree). And please let me know if you’d like to see more book reviews!

About the Author

Author Jan S. Gephardt is an artist whose first love is line art, and a longtime science fiction reader. Thus, the books highlighted in this post and the two linked posts were all right up her alley. She’s also a science fiction novelist, the author of the XK9 Series, including the XK9 “Bones” Trilogy. The third book in the trilogy, Bone of Contention, is set for release September 24, 2024. A fourth book, Bones for the Children will extend the series past the trilogy and is now in the works.

IMAGE CREDITS

Many thanks to Amazon for the book covers used in all the graphics for this post. The specific links for the first collection of three graphic books are: Fangs, The Book Tour, and Wake: The Hidden History of Women-Led Slave Revolts.

I also want to thank Amazon for the “Old Code” cover images, which represent the ebook covers for this series. See Grandfather Anonymous, Grandfather Ghost, Grandfather Guardian, Grandfather Zero, and Grandfather Crypto.

the logo for Archon science fiction convention

Because Archon’s Doing it Right

By Jan S. Gephardt

I am happy to report that I’m going to Archon 44 after all. Why? Because—and only because—Archon’s doing it right.

The Email That Changed Everything

At left, a vaccination map of the US, shows Missouri’s vaccination rate is less than 55%, and Illinois is less than 70%. At right, the most current chart available at publication time shows that on Sept. 20, 2021, there were 207,974 new COVID-19 cases in the USA.
The vaccination map at left is by Josh Renaud, courtesy of the St. Louis Post-Dispatch. The chart at right is from The New York Times, via Google.

You may recall that a few weeks ago, I very reluctantly decided to withdraw from this year’s FenCon, a Texas science fiction convention that my son and I have come to love. I had been watching the COVID-19 trends in the St. Louis area and growing more and more convinced I’d have to do the same with Archon. But then I got the Email That Changed Everything.

“The Archon Chairs have decided to require vaccination OR a negative COVID test within the previous 72 hours,” the email said. “Documentation is required for both. . . There are no exceptions to this policy.” This is such an unusual and—sadly—BRAVE position to take in this part of the country that I actually gasped.

Archon 44 Co-chairs Alan DeVaughn and Scott Corwin are boldly going where many regional convention chairs have feared to go. And while they’re at it, they’re going “all the way.”

The state of Illinois has mandated masks for indoor public spaces for anyone older than 2 years old,” they wrote. “The mask must cover your nose and mouth, unless you are eating or drinking. If you are asked to put your mask on by an Archon staff / committee member and choose not to comply, you will be asked to leave. There are no exceptions to this policy.”

At left, protesters hold up signs with slogans opposing vaccine requirements. At right, protesters from a different group hold up signs with anti-mask slogans.
At left, protesters demonstrate against vaccine mandates (photo by John Lamparski, via The Atlantic). At right, anti-mask protesters in Kalispell, MT (courtesy of the Flathead Beacon).

Archon’s doing it right.

Yes, Archon’s doing it right, and I couldn’t be more pleased. I plan to honor their commitment to follow both science and good sense in the best way I know how: by coming with my books, my artwork, and my work ethic. I’m scheduled for nine events and panels—and I plan to show up for all of them as well-prepared as I can possibly be.

I’m also going to do everything in my power to promote their event—for example, on this and my other blogs, and on every social media platform where I have a presence. Because Archon’s doing it right, they have earned my heartfelt gratitude and loyalty.

If anyone reading this was on the fence and wavering about coming to Archon, please make this policy your deciding vote for going!

Oh, and a word to the wise: book your hotel reservations (use the link on their homepage to get the convention rate) as soon as possible. Historically, they fill up fast!

This montage shows views from Archon 42 and 42, held in 2018 and 2019. Above are two art panels. Below, two views of the Gateway Center, one in sunshine and the other in rain.
Top L, artists Brent Chumley, Rachael Mayo, and Allison Stein discuss creating fantasy creatures in 2019. Top R, Rachael Mayo and several attendees discuss art materials at a 2018 panel. Below, R-L, we had much sunnier weather at the Gateway Center in 2019 than 2018. (All photos by Jan S. Gephardt).

I Have History with Archon

As I noted in the article on my Events Calendar, Archon has been around for a while.

The “44” in Archon 44 means this annual convention has been around for a while. G., Warren, Pascal and I all went to earlier Archons when we were just starting in fandom. And a few years ago, Ty and I started going to them again. If you follow my blog, you might remember posts I’ve written about hall costumes at Archon 42 and 43, and the Art Show.

It’s a well-established convention, run by people who generally know what they’re doing and find excellent ways to make it a good weekend for attendees.

After years in the funky, rambling, since-demolished Henry VIII Hotel in St. Louis proper, the convention has found an excellent new home in the Gateway Convention Center and DoubleTree Hotel in Collinsville, IL.

Throughout my career, I’ve had some great moments, and met some wonderful people at Archon.

Photos from the “writing side” of Archons 42 and 43, held in 2018 and 2019. These photos show a variety of people engaged in panel discussions, readings, and demonstrations.
At left, EMT Kevin Hammel conducts a highly informative 2019 presentation on gunshot wounds, for writers who want to get it right. Top center, a 2018 panel on Diversity in SF, which included, L-R, Jennifer Stolzer, Kathleen Kayembe, Camille Faye, and Debbie Manber Kupfer (M). Top far right: I prepare for my reading in 2019. Below center L-R: Donna J. W. Munro, Marella Sands, and Christine Nobbe chat with the audience before their readings in 2018. Below R, Jennifer Lynn discusses Shamans, Druids, and Wise Women in a 2019 presentation. Photos by Jan S. Gephardt, with the exception of one (guess which) by Tyrell Gephardt.

But that was then. What about Now?

ecause Archon’s doing it right, I’ll have an opportunity to show off my new book (readers who’ve followed this blog in recent weeks probably noticed I have one) sooner than next February (looking at you, Capricon 42). And I’ll get to display my artwork in an in-person display for the first time in almost 2 years.

“A Bone to Pick” by Jan S. Gephardt, envisioned as an ebook on the left and as a trade paperback on the right.
Jan’s new book A Bone to Pick became widely available in a variety of formats after Release Day, September 15, 2021. Cover artwork © 2020 by Jody A. Lee.

I’m scheduled for an autograph session on Friday, a reading on Sunday, and seven panels (several of which I’m moderating). I love doing those things, because they give me opportunities to have great conversations with other panelists and audience members. I get to meet creative, interesting new people (and so can you, if you’ll join us at Archon). And I also get to re-acquaint myself with people I haven’t seen for a while.

I’ll come equipped with an expanded collection of S.W.A.G., badge ribbons and bookmarks for all (or—if that last order doesn’t arrive in time, at least most) of the books and stories Weird Sisters Publishing has produced so far. If you’re a subscriber to my monthly newsletter, and you tell me so at Archon, I’ll even have an exclusive-offer “I’m a Member of the Pack” badge ribbon for you.

Here’s Jan at her Autograph table, surrounded by S.W.A.G.
Jan at her Capricon 40 autograph table (photo by Tyrell Gephardt).

Introducing “Stripped ‘Scripts”

Also because Archon’s doing it right, my son Tyrell will have a first opportunity to present his new service to authors, called “Stripped ‘Scripts.” Through it, he’ll bring his skills as a developmental editor to a new audience.

What’s a developmental editor, and why would a writer need one? In the movie industry they’re sometimes called “script doctors.” While that name gets applied to services from high level plot-revision to hands-on rewriting, the idea is basically that when a plot or a manuscript has gone off the rails, dead-ended somewhere, or developed another kind of structural dysfunction, all hope may not be lost.

A good developmental editor can look it over and offer an analysis. They’ll often have a better idea of what’s wrong and how to turn it into a structurally sound story than an author who’s “written themself into a corner” and run out of ideas. I’ll freely admit that my stories have benefitted from Ty’s “big picture” view. I also appreciate his fresh takes on cultural adjustments to varied technical innovations, and his martial-arts expertise.

Here’s a photo of Ty, along with his business card for Stripped ‘Scripts
Photo and developmental editing business card design are both courtesy of Tyrell Gephardt.

Because Archon’s Doing it Right, We can Relax and Have a Great Con

I know I’m not the only science fiction fan who has missed going to conventions. I’ve blogged elsewhere about why I love science fiction conventions. Not rubbing shoulders with other writers and the fans who keep us afloat has been disappointing, but necessary during the pandemic.

But although it seems as if it’s taking forever, it’s now in our power to make this fourth wave the last one. It’ll be a bit longer, no thanks to the purveyors of an unprecedented flood of misinformation. But we can do it. Spread the word. Speak up in support of those who are doing it right. Kindly (if possible) help to educate those who are sincerely confused.

Science, technology, and government services (sometimes government really isn’t the problem!) have given us the tools we need. They’ve placed research, growing understanding of this virus, and three phenomenally effective vaccines within our grasp. We’re the taxpayers who’ve underwritten much of this historic work. We now have the right and privilege to avail ourselves of these new tools and understandings.

And because Archon’s doing it right, we now can do it at a science fiction convention!

IMAGE CREDITS:

Many thanks to Archon’s Facebook Page, for the logo header image. The map showing vaccination rates in the United States was created by Josh Renaud for the St. Louis Post-Dispatch. The chart of COVID-19 cases in the United States is regularly updated by The New York Times, accessed 9/21/2021 via Google.

The montage images from Archon 42 and 43 are all by Jan S. Gephardt except for one, taken by Tyrell E. Gephardt (of Jan’s reading). Ty also took the one of Jan at her Capricon 40 autograph table. Moreover, he provided the photo of himself, along with the image of his “Stripped ‘Scripts” business card.

Many thanks to all!

A part of all

The Artdog Week of Book Quotes

This is National Library Week. Instead of a Quote of the Week, I decided to dedicate this as the Week of Book Quotes, with help from the marvelous New York illustrator, Simini Blocker.

This painting shows a young woman walking through a magical-looking swirl of colors and shapes, with an open book in her hands. In the swirl above her head is the quote from Theodore Roosevelt: "I am a part of everything that I have read."

Even if you’ve seen Simini’s wonderful illustrated quotes before, I hope you’ll enjoy them again. And if you’re not yet familiar with her work, I offer you the joy of discovery.

IMAGE: Many, many thanks to Simini Blocker’s Tumblr for today’s marvelous Quote-Image, featuring the words of  (thanks also to Uppercase).

Something magical

The Artdog Week of Book Quotes

This is National Library Week. Instead of a Quote of the Week, I decided to dedicate this as the Week of Book Quotes, with help from the marvelous New York illustrator, Simini Blocker.

The painting shows a young man holding onto a book and flying high into the air, above a fantasy castle. The quote that surrounds him is from J. K. Rowling: "I do believe that something magical can happen when you read a book."

Even if you’ve seen Simini’s wonderful illustrated quotes before, I hope you’ll enjoy them again. And if you’re not yet familiar with her work, I offer you the joy of discovery.

IMAGE: Many, many thanks to Simini Blocker’s Tumblr for today’s marvelous Quote-Image, featuring the words of J.K. Rowling (thanks also to Uppercase).

Never big enough

The Artdog Week of Book Quotes

This is National Library Week. Instead of a Quote of the Week, I decided to dedicate this as the Week of Book Quotes, with help from the marvelous New York illustrator, Simini Blocker.

This painting shows a woman curled up in an upholstered chair with a book and a steaming cup of tea. above her, in the steam from the cup, is the quote from C. S. Lewis, "You can never get a cup of tea large enough or a book long enough to suit me."

Even if you’ve seen Simini’s wonderful illustrated quotes before, I hope you’ll enjoy them again. And if you’re not yet familiar with her work, I offer you the joy of discovery.

IMAGE: Many, many thanks to Simini Blocker’s Tumblr for today’s marvelous Quote-Image, featuring the words of C. S. Lewis (thanks also to Uppercase).

A lovely place

The Artdog Week of Book Quotes

This is National Library Week. Instead of a Quote of the Week, I decided to dedicate this as the Week of Book Quotes, with help from the marvelous New York illustrator, Simini Blocker.

This image features a view from above, of a young woman on a sandy beach between flowers and palm trees, on her back, reading a book. The quote, from an anonymous author, reads "Between the pages of a book is a lovely place to be."

Even if you’ve seen Simini’s wonderful illustrated quotes before, I hope you’ll enjoy them again. And if you’re not yet familiar with her work, I offer you the joy of discovery.

IMAGE: Many, many thanks to Simini Blocker’s Tumblr for today’s marvelous Quote-Image, featuring the words of an anonymous author.

Is your book a high-value item, or a low-value item?

Last week I attended MidAmericon II, the 74th Worldcon, which was held  in my home metro area of Kansas City.

A very small segment of the MidAmericon II Dealers' Room, including a small press booth.

A very small segment of the MidAmericon II Dealers’ Room, including a small press booth.

As the author of a recently-finished (but not yet published) novel, I was a bit more finely attuned to the crosscurrents (perhaps “riptides” would be a better description) of opinion about publishing that could be observed in action at this convention than I have been in some time.

Between the panels, the readings, the parties (such as they were) and the Dealers’ Room, I encountered a wide cross-section of opinion about the “best practices” in publishing today.

More booksellers--or are they author collectives, or are they small presses?--in the MidAmericon II Dealers' Room.

More booksellers–or are they author collectives, or are they small presses?–in the MidAmericon II Dealers’ Room.

One practice I found particularly curious was the free book giveaways. Many of the smaller operations seemed to think that a good way to attract new readers was to give away books.

Samples, you know? So people can see how “good” we can write, and love us, even though we haven’t had a copyeditor look at our work, much less a competent beta reader–or even (God forbid!) a professional editor.

Yeah, no.

If on the first few pages I encounter characters using each others’ names in dialogue (“Fred, as you know, I always write good,” Ellen cried. / “Why of course, Ellen, your writing is always just dandy,” Fred gushed), and alleged words such as “alright,” then SURE, I’m absolutely going to love it (NOT). In such cases, the free sample is worth every penny I paid for it, and it is going to make me take every effort NOT to bother with that person’s work ever again (even if they later take a writing class and get a clue).

This is the kind of “indie” publishing that gives indie-publishing a bad name, because no gatekeeper–no qualified second opinion–was ever allowed in. This is usually because the author is afraid to do so.

"No! Please! Don't make me edit my book! I might have to murder some darlings!"

“No! Please! Don’t make me edit my book! I might have to murder some darlings!”

“They won’t understand” or “I swear, it gets better by Chapter Five” just doesn’t cut it. For God’s sake, people, study the craft! And beyond that, study best practices in marketing! Yes, I know, you are a Creator, and Heaven forefend that you should have to trammel your muse with such mundane things.

You have a choice: go on giving horrible warnings away for free, and dragging down the value of the product for all the rest of us. Or you can take a different view.

Two kinds of products: High-value and low-value

Okay, I’m taking a deep breath now, centering myself, and thinking calm thoughts. The main purpose of this post is to call attention to a basic marketing guideline I learned years ago when I was a direct marketer.

The rule of thumb goes:

If you are marketing a LOW-VALUE ITEM, you give away free samples and offer discounts. 

If you are marketing a HIGH-VALUE ITEM, you offer premiums, up-sell enhancements, and offer tie-ins. 

How does this work in practice? 

If you are marketing a LOW-VALUE ITEM, you give away free samples and offer discounts. A low-value item is a cheap throw-away. It isn’t worth much, but if you sell a whole honkin’ lot of them, you can make a profit on the cost-markup margin, because of the volume. Such an item doesn’t cost you much to give away a free sample, so it makes sense to give away a few, in the hope that people will like it, tell their friends, and buy more.

This is a standard in the marketing world. Experienced consumers (i.e., most of us) know how to interpret a free giveaway. If you give your book away, it places your book in a category I doubt many indie-pubbers want to be placed into.

If your book is a cheap, throwaway, piece of crap, then perhaps the free-giveaway marketing ploy is your thing. Do you write dozens of them a year, and fail to do any research? Okay, then! You’ve found your strategy! In my humble opinion, if you give your book away, you are as good as labeling it dreck.

Is this what you're selling? Then freebies are probably your best avenue.

Is this what you’re selling? Then freebies are probably your best avenue.

 

 

If you are marketing a HIGH-VALUE ITEM, you offer premiums, up-sell enhancements, and offer tie-ins. In this case, the item itself is far too costly to give away, and has a high intrinsic value. It takes a lot of time, effort and (dare I say) skill to create the item, and it can add lasting value to the owner’s life.

I would like to argue that a well-written book is a high-value item. The author has invested a tremendous amount of time, energy, and effort into it.

A book is a high-value item. It should be marketed that way!

A book is a high-value item.
It should be marketed that way!

First, there have been years of learning the craft and creating the best possible story. Then this author has engaged well-read beta readers, possibly a copyeditor, and ideally an outside, professional editor to vet and perfect the product.

In the marketing phase, discernment and effort have led to the production of a high-quality, well-edited edition, with an attractive, appropriate cover, and high production values.

Appropriate premiums might be a first chapter as a teaser (a time-tested approach used by big-name publishers), an author autograph, or perhaps background, “insider” information. Up-sell might include an illustrated, limited edition, a signed and numbered slipcovered collector’s edition, etc. Tie-ins could include an author’s newsletter, pins, prints of the cover or illustrations, short fiction related to the major work, etc.

Your marketing strategy is up to you, of course. But I’d say it pays to think carefully about your approach.

IMAGES: The photos from MidAmericon II were taken by yours truly. The “Wow! Free Stuff” image is from a UK coupon company page called Wow Free Stuff. The photo of  the distressed writer contemplating editorial scrutiny is from Margaret Snow’s blog post on the Damsel in Distress archetype. The “Horrible Negative Example” quote image is from The Quotery. The ironic sign-failure CRAPBOOKS photo is from the Stuck on Stupid Pinterest Board, via Curiousread.com and Thisisbroken.com. The wonderful image of the girl hugging the book is by ToucanPecan, and may be found on ToucanPecan’s deviantART page. Check out the whole gallery, while you’re there!

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