Nurturing creativity with art, animals, and science fiction

Tag: dystopian fiction

BFFs Lynette M. Burrows and Jan S. Gephardt.

A Pair of BFFs Talk about Writing

By Jan S. Gephardt and Lynette M. Burrows

A note from Jan to her readers: My longtime friend Lynette M. Burrows and I belong to some of the same writers’ groups, and first met through the Kansas City Science Fiction & Fantasy Society (KaCSFFS). We bonded over (among other things) our interest in writing, and we’ve been friends literally for decades. We regularly check in with each other to “talk shop” or be each others’ cheerleaders. Earlier this summer, I suggested we co-write a post in which we talk about writing, our personal writing journeys, and our books. This post is the result of that conversation.

Before we Talk about Writing, Who is Lynette M. Burrows?

Covers for “My Soul to Keep” and “Fellowship,” the two books so far published in the Fellowship Dystopia.”
From Rocket Dog Publishing. Cover artwork for My Soul to Keep is © 2018 by Elizabeth Leggett. Cover artwork for Fellowship is © 2019 by Nicole Hutton at Cover Shot Creations

Lynette M. Burrows loves hot coffee, reading physical books, and the crack of a 9mm pistol—not all at the same time, though that might be fun! She writes thrilling science fiction for readers who love compelling characters with heroic hearts.

The White Box Stories, which she co-wrote with Rob Chilson, appeared in Analog Science Fiction/Science Fact Magazine.

Her series, The Fellowship Dystopia, presents a frightening familiar American tyranny that never was but could be. In Book One, My Soul to Keep, Miranda discovers dark family secrets, the brutality of the Fellowship way of life, and the deadly reality of rebellion. My Soul to Keep and the series companion novel, Fellowship, are available at most online bookstores. Book two, If I Should Die, will be published in 2022.

Owned by two Yorkshire Terriers, Lynette lives in the land of Oz. You can find her online at her website, on Facebook, or on Twitter @LynetteMBurrows.

Who is Jan S. Gephardt?

Covers for “The Other Side of Fear,” “What’s Bred in the Bone,” and “A Bone to Pick,” by Jan S. Gephardt.
Covers courtesy of Weird Sisters Publishing. Cover artwork, L-R © 2020 by Lucy A. Synk, © 2019 and 2020, respectively, by Jody A. Lee.

Jan S. Gephardt commutes daily between her Kansas City metro home in the USA and Rana Station, a habitat space station that’s a very long way from Earth and several hundred years in the future.

She and her sister G. S. Norwood are the founders and co-owners of Weird Sisters Publishing LLC. Her XK9 “Bones” Trilogy and its prequel novella, The Other Side of Fear, feature a pack of super-smart, bio-engineered police dogs called XK9s. They struggle to establish themselves as full citizens of the space station where they live, while solving crimes and sniffing out bad guys.

The Other Side of Fear tells how the XK9s and their humans found each other. What’s Bred in the Bone begins the tale of XK9 Rex, a dog who thinks too much and then acts on his thoughts. Even after his human partner Charlie is injured and out of the picture. A Bone to Pick was just released last month. In it, Rex and the Pack have new and different problems, even before Rex’s enemy from the past comes gunning for him. Jan’s now working hard on Bone of Contention, in which the dogs must prove to a critical panel of judges that they are truly sapient, before the Transmondians manage to exterminate their kind completely.

Now, let’s Talk about Writing!

Lynette and I developed a list of questions, then each of us answered them. The rest of this post continues in a Q&A format. We hope you’ll enjoy this “conversation,” in which a pair of BFFs talk about writing!

What’s your most recently- or imminently-to-be-published title? What’s it about, and when/how/where can readers find it?

LYNETTE

This banner for “Fellowship” has a photo of a person in a snowy forest and the words, “The AZRAEL are real. The Cleaners are coming. Run, Ian, run!”
Banner and cover for Fellowship courtesy of Lynette M. Burrows on Twitter.

Fellowship, a companion novel to the Fellowship Dystopia, series, is my most recently published title.

Two years before Miranda begins her journey, tragedy shatters a high school senior’s dreams of being a journalist when his parents are Taken by the Angels of Death. Hunted by government agents, Ian and his younger siblings run for their lives. He leads them to the Appalachian Mountains. He knows how to survive, but resources are scarce. The mountains are unforgiving. And winter is in the air. If they are to survive, Ian and his siblings need help. But who can he trust?

I had intended to write a short story in the same world as My Soul to Keep, Book One in the Fellowship Dystopia, series. When Ian came alive on the page, Fellowship, a longer story about trust, was born. Read how, while writing this novel, My Story Went to the Dogs.

Fellowship is available at most online bookstores.

JAN

“A Bone to Pick” by Jan S. Gephardt, envisioned as an ebook on the left and as a trade paperback on the right.
Jan’s new book A Bone to Pick is widely available in a variety of formats. Cover artwork © 2020 by Jody A. Lee.

My most recently-published novel is A Bone to Pick, Book Two of the XK9 “Bones” Trilogy. It should now be widely available in a variety of formats.

The protagonist of the whole Trilogy is XK9 Rex, who becomes recognized on Rana Station as the Leader of the Pack for the Orangeboro XK9s. But an enemy from his past is still gunning for him.

Before Rex came to Rana Station, he ran afoul of Transmondian spymaster Col. Jackson Wisniewski. He deliberately flunked out of the espionage program and threatened Wisniewski’s life. Now Wisniewski wants Rex dead. Transmondian agents watch and wait for any opportunity to strike.

Meanwhile, his human partner, Charlie, faces a different struggle. Injured and out of the action for most of Book One, Charlie now works to recover from  his catastrophic injuries – and comes face-to-face with a once-in-a-lifetime love he thought he’d lost forever.

What is your current work-in-progress, and how does it fit into the rest of your oeuvre?

LYNETTE

I’m finishing up edits of the second book in the Fellowship Dystopia, series titled If I Should Die. It takes place in the same world as My Soul to Keep and picks up Miranda’s story.

Two years ago, former rebel soldier, Miranda Clarke, vowed she would never pick up her gun again. Vowed to help instead of kill. She created the Freedom Waterways and rescued fugitives from the Fellowship’s tyranny. With every rescue, she heard about nightmarish suffering and loss, and her dream of peace grew more and more desperate.

Until the day she received two simultaneous requests: a loved one on the Fellowship side wanted her help to bring peace to the nation, while a loved one on the rebel side would surely die without her help. No matter which choice she made, it would cost her. Dearly.

In a deadly battle between her dreams and loved ones, will she stick to her peaceful principles, or risk everything to settle the score?

JAN

I’ve recently started two projects. One is a short story tentatively titled Beautiful New Year, It’s set on Rana Station and features Rex’s partner Charlie, before he and Rex teamed up.

I’m also at work on the third novel in the Trilogy, Bone of Contention. Rex and the Pack have begun to enjoy the freedom Ranans believe they deserve. But they also have work to do. They’re hot on the trail of a murderous gang that blows up spaceships in the Black Void.

But in the far-flung systems of the Alliance of the Peoples, trafficking in sapient beings is the most-reviled crime of all. The leaders of the XK9 Project that created Rex and his Pack deny any wrongdoing. And the system-dominating Transmondian Government that sponsored the XK9 Project will do anything they must to protect themselves. Even if it means destroying every XK9 in the universe.

How did this series start? What themes did you know from the beginning that you wanted to address, and why? Have you been startled by other themes or ideas that developed in the course of writing?

LYNETTE

This has been one of those stories that cooked for a very long time. I knew I wanted to create a heroine who had survived abuse and ultimately makes the choice to thrive. Exploring abuse of politics, power, and people was a logical offshoot of my original idea.

The thing that startled me the most was that I would think I’d written a brilliant scene about abuse and violence until a first reader started questioning me about the scene. The way I’d written it, the abuse and violence were always off stage.

It took a long time for me to write more active and direct scenes.

JAN

This series started with a “what if?” I’ve been a dog-lover for a long time, and I’d been wanting to write a mystery set in a science fictional milieu. Reading about police K-9s used for scent tracking, I found a quote from an investigator: “It’s not like we can put the dog on the witness stand and ask him what he smelled.”

“Oho!” I thought. “But what if we could?” Science fiction is full of uplifted animals. It was a pretty short intuitive leap from there to Rex and the Pack.

This meme image shows a German Shepherd with its paw on a Bible held by a police officer, in what looks like a courtroom. It says, “ his look of determination: ‘I saw, heard, and smelled what you did. You’re going down, David!’”
Meme image courtesy of ImgFlip.

And when we talk about writing themes, my stories always seem to have an internal “compass.” One way or another, they end up being about interactions between people of different cultures, as seen through a lens of equity and social justice.

How did your book change from the first day of writing to your last day of the final draft?

LYNETTE

I started writing My Soul to Keep as a fantasy with dragons and a Cinderella story arc, which stalled out pretty quickly.

Then I tried setting the story in the future, but it smacked too much of The Handmaid’s Tale. And the writing stalled out again.

What I needed was a world that allowed me to explore the theme of thriving despite abuse. My husband suggested I write in the style of a 1950s Noir Mystery. So I explored that option, knowing this was a character growth story, not a murder mystery.

From there, it morphed into an alternate history. Once I had the alternate history idea, it was a small step to using the Isolationist movement of the 1920s and ’30s to turn America into an isolated religious tyranny.

JAN

It took me a while to research, think, write through, and develop the science fictional elements. I wasn’t sure at first how smart to make the dogs, or how they’d communicate with their humans.

A member of my writer’s group pointed out that my first concept for Rana Station wouldn’t actually work, for a lot of valid reasons. So I surveyed space habitat designs that have been proposed by sf writers and actual space scientists. Then I mixed, matched, and came up with my own (pardon the pun) spin on their ideas. After that, I had fun extrapolating how the inhabitants would design and use the interior.

What is your writing practice? Do you have a ritual to start your day? What time of day? How many hours, and how many days a week? How do you write (machine, dictate, hand write)?

LYNETTE

When I first started writing, I had a ritual. I’d light a candle or incense and start music and then do writing exercises in a journal. Those, I usually hand wrote. Then I’d re-read the manuscript pages I had written the day before. Finally, I’d put a blank sheet of paper in my IBM Selectric typewriter and re-type those pages, revising as I went. Then I wrote the next scene.

I had an infant when I started writing, so I wrote during his naps. Later, I wrote while he was in preschool (about two hours twice a week), and while he was in school.

Now, my dogs and I go to my office after breakfast. I might turn on some instrumental music or I might write in silence. I might review the latest pages. Just as often, I start where I left off. I write for at least two hours, but if the words are flowing, I will write for ten hours or more. I write six days a week with rare exceptions.

An adorable photo of Lynette’s Yorkies, Neo and Gizmo.
Yorkshire Terriers Neo and Gizmo in Lynette’s office, courtesy of Lynette’s Facebook Author Page.

JAN

I’ve never particularly made a ritual of creating a setting in which to write, but I do need to self-isolate. Attempts to write in a coffee shop or library result in people-watching instead. I write best between 11 p.m. and 3 a.m. when there are no interruptions, and I write every day, if possible.

Let’s talk about writing tools. I started with crayons on cheap paper when I was four, but I’ve “traded up” a few times since then. I wrote my first complete, novel-length manuscript in 1976-78 on an Underwood manual typewriter. Later I went through two electric typewriters, a Kaypro computer (using WordStar) in the late 1980s, a succession of other PCs, and several Macs. I currently use a 15” MacBook Pro.

For early drafts I use Scrivener. It creates a separate file for each section. That makes it easy to switch their order and keep an eye on word-count. Closer-to-final drafts get copied over into MS Word. It creates a .docx file that’s easy to share for critique, print, or import into Vellum when it’s time to publish.

More specific to this book—do you write with music, tv or radio or silence? Is there a specific soundtrack you used for your book?

LYNETTE

When I started writing My Soul to Keep, I developed a specific soundtrack that I played on repeat. These days, about half the time I write in silence and the other half I’ll write with that soundtrack running or instrumental music that provides the perfect mood for the scene I’m writing. Music from epic movie battle scenes works well for me.

JAN

Sometimes I can write to instrumental music, or to songs with lyrics in a language I don’t speak. I love Two Steps From Hell and movie or show soundtracks. Current favorites include selections from The Mandalorian, as well as Raya and the Last Dragon and Captain Marvel. I grew up listening to Classical music and still enjoy it, particularly when it’s played by my sister’s band, The Dallas Winds.

However, when I’m trying to compose finished work I go silent. I need to listen to the internal cadence of the words I’m polishing, and music drowns that out.

What did you research the most? Did any of your research surprise you?

LYNETTE

What I researched the most is hard to say. It might be a three-way tie between the location and the history of the American Isolationist and the Eugenics movements.

My research constantly surprises me. I start off researching some small piece of history I recall and, in the process of that research, find a snippet that leads somewhere interesting. One of those surprises that became a large piece of My Soul to Keep was the eugenics programs that existed in the U.S.A. prior to World War II. You can read about the Better Baby Contests and the Eugenics movements on my blog.

JAN

I’ve done deep dives into both dog cognition and space habitat design. Like Lynette, I turned both of those inquiries into blog posts. My “Dog Cognition” series explored how much normal dogs understand, surprising canine word comprehension, and canine emotions. The “DIY Space Station” series offered an overview, then specifically looked at Dyson Spheres, Bernal Spheres, O’Neill Cylinders, and the Stanford Torus.

Not surprisingly, I needed to do lots of research into police standards, culture, practices and procedure—and wow, did that ever put me on the cutting edge of current events last year! You’ll find echoes of that research in the way police operate on Rana Station.

I think some of my most surprising research started when I was searching for sources of protein that one could sustainably produce in a space-based habitat. That led me to cultured milk, eggs, and meat and branched over into some of the ideas that underpin the speculative medical technology my characters call “re-gen therapy.”

When you started fleshing out your ideas for the book, did you start with plot, character, location, or something else?

LYNETTE

I almost always start with one or more characters. For me, character starts with a voice or an attitude that I find interesting. Plot and theme arise out of the characters’ needs and wants. And I choose locations because of real-life history, the mood I want to evoke, or an event that needs to happen. I also created locations that are totally fictional, but they provide an element that strengthens the theme or plot.

JAN

My whole series started with the idea of a dog who could testify in court. Stories can start literally anywhere. But it’s not really a story until there’s a character with a problem.

A character wants something, but they’re blocked from getting what they want. The character, their desire, and their obstacle(s) are the initial setup. Without those essential elements you can’t build a plot, although you can (and probably will) imagine snippets of action that may eventually become part of the plot.

Would You Like to Ask Us Other Questions?

The plan is for both of us to publish this as a post on our blog. We thought some of you might become interested in a new writer, or encounter a new idea. We hope you’ve enjoyed our talk about writing our stories.

If you thought of questions we didn’t ask, please ask them below in the comments! We’ll happily continue the conversation, because both of us love to talk about writing.

IMAGE CREDITS:

The banner with the covers from My Soul to Keep and Fellowship and the banner for Fellowship are from Rocket Dog Publishing. Cover artwork for My Soul to Keep is © 2018 by Elizabeth Leggett. Cover artwork for Fellowship is © 2019 by Nicole Hutton at Cover Shot Creations. And the adorable photo of her Yorkies, Neo and Gizmo, is © 2019 by Lynette M. Burrows

The banner with the three XK9 covers and the one for A Bone to Pick are both from Weird Sisters Publishing LLC. Cover artwork for The Other Side of Fear is © 2020 by Lucy A. Synk. Cover artwork for What’s Bred in the Bone and A Bone to Pick is © 2019 and 2020 respectively, both by Jody A. Lee. The meme with the K-9 on the witness stand is courtesy of ImgFlip.

In the header image, the photo of Lynette M. Burrows is courtesy of her website. The photo of Jan S. Gephardt is © 2017 by Colette Waters Photography. Gosh. We look nothing alike, do we? Many thanks to all!

4-book Aces High, Jokers Wild pubishing.

For the characters

I’ve heard it said that people pick up the first book of a series for the plot, but they stay with the series for the characters. This is true in spades (sorry: pun intended), when it comes to the “Aces High, Jokers Wild” series by O. E. Tearmann.

Book Four is Aces and
Eights. Available now.
(Photo courtesy of Amazon.)

If you’re already a fan of this series, I have excellent news! The fourth book, Aces and Eightsis now available in e-book format (here’s hoping a paperback and audio version are released soon!).

If you’re not already a fan of this series, I have even MORE excellent news! There is a wonderful series awaiting your discovery–and it’s now four books long! (plus a Christmas-themed novelette, After Hours Game, that ideally should be read between Books 2 and 3).

If you’re not reading the XK9 books, why not these?

Dystopian warm fuzzies?

Personally, I tend to steer clear of fictional dystopias, although I have a dear friend, Lynette M. Burrows, who writes a great dystopian series. (Scroll down her homepage for a list of great dystopian novels, if you love to read them).

The Hands We're Given  (Book One) was a tour de force introduction to this world. (Image courtesy of Goodreads.)
The Hands We’re Given  (Book One) was 
a tour de force introduction to this world.
(Image courtesy of Goodreads.)

But I made an exception for the “Aces High, Jokers Wild” books–and I’m very glad I did. The people in these books are all their own kind of special. Talented, broken. Abused by the brutality of the world in which they live. But they rise above. They pull together. And, bit by bit, the oddballs and misfits of Base 1407, AKA The Wildcards, triumph. They use their unique talents and diverse strengths to succeed where more conventional approaches fail.

I love these people so much, I will gladly read anything Tearmann writes about them. Strictly for the characters, this series has become an “insta-buy” for me. 

I love them because they’re smart. They’re perceptive–about their situation, and about each other. They love first, and while they may quarrel about details, their love is unconditional. Put to the most severe tests, they stay true to themselves and their team.

If you haven’t discovered this series, you’re in for a treat (Image courtesy of the Aces High Jokers Wild website).

The world they inhabit

Raise the Stakes leads the Wildcards
into newrealms of possibility, and sees a promising new turn in the fight against the Corps. (Photo courtesyof Goodreads).
Call the Bluff, Book Two,
is a bit shorter, but every
bit as riveting. New dangers threaten,
and cherished lives are endangered.
(Photo courtesy of Amazon.)

Tearmann has done some interesting world-building in these books. The Unites States of America that we know has been overrun and subsumed. In this world, seven corporations rule much of North America, each with its own territory, its own rules, and its own moral code. Codes which are imposed on the subject-citizens, although the “Corps” themselves follow an amoral code of self-interest and absolute control to the greatest extent possible.

Climate change has wreaked its havoc on the world, and most of the formerly-verdant plains states are now desolate near-deserts. Only the areas farmed by AgCo, with its patented, genetically engineered food crops that can’t reproduce on their own (no seeds but those controlled by AgCorp will grow) feeds the nation.

The Co-Wy Grid (contemporary Colorado and Wyoming, where the Wildcards of Base 1407 stay on the run) is a patchwork of danger and sanctuary, respite and conflict. For the past 60-some years, the Democratic State Force (on the Co-Wy Grid they’re informally known as the “Dusters”) has sought to restore democracy.

The LGBTQ angle

Raise the Stakes leads the Wildcards
into newrealms of possibility, and sees a promising new turn in the fight against the Corps. (Photo courtesy of Goodreads).
Raise the Stakes leads the
Wildcards into new
realms of possibility, and
sees a promising new turn
in the fight against
the Corps. (Photo courtesy
of Goodreads).

If you’re not normally a reader of LGBTQ fiction, this series may take you by surprise. As with everything they do, the Wildcards don’t particularly adhere to conventional gender norms.

That starts with the protagonist of the very first book, Commander Aidan Headly (born Andrea), who gradually transitions into his true self over the course of several volumes.

The books include a fair number of rather graphic sexual interactions. They may or may not be your “cup of tea,” but as I noted in my review of the first book, I’ve never read a book in which such scenes were more essential to the plot, or more appropriately used to express character growth.

If you’re willing to roll with it and let your hair down, these scenes are pleasantly steamy no matter what your orientation. After all, love is love. And it’s masterfully handled here.

For the characters

But there’s also a lot of plot between the steamy sex scenes

Do you like suspense? Join Kevin and his team when they go on the Grid. Do you enjoy sticking it to “the man” and triumphing over the machine-like inhumanity of large corporate entities? Then Tweak and her unique talents are your sweet spot. She’ll have you cackling with glee.

Do you love the drama of bringing a traumatized human being into an accepting space, then helping him or her understand they are finally, finally safe? (Or as safe as it’s possible to be, in this world.) Then you will love these books.

Buy them. Read them. Do it for the characters. You will not regret it.

IMAGE CREDITS:

Many thanks to Amazon for the cover images for Call the Bluff and Aces and EightsThanks to Goodreads for the cover images for The Hands We’re Given and Raise the Stakes. And many thanks to O. E. Tearmann’s website for the four-book series image. I appreciate all of you!

Representation Matters

Representation and social transformation

The Artdog Quotes of the Week

How does representation play a role in social transformation? Last week’s Monday post explored stereotypes and the power of portrayal. Now let’s tackle social transformation.

Make no mistake. Society is always transforming. Social change happens, whether we want it to or not. And individually we can’t control how it changes. 

This quote from Ellen DeGeneres says, "Whenever people act like gay image in the media will influence kids to be gay, I want to remind them that gay children grew up with only straight people on television."
No, the creators of content can’t change basic facts of human existence. But we can affect how people think about those facts, for well or ill. (This quote-image featuring Ellen DeGeneres is courtesy of FCKH8 on Twitter).

One person’s efforts rarely provide a huge pivot point, unless that one person speaks for thousands, and society was ripe for the change. Case in point: #MeTooThat one was way overdue!

What kind of future do you want?

We can’t control the changes. But we can affect how things change. 

What kind of future do you want? As creative people, we make art that comments on how things are and how things could be. If you think a more broadly representative world would be more fair and interesting, reflect that in your art.

Subverting the stereotypes

If you think harmful stereotypes should be questioned, treat them like the clichés they are. Turn them inside out. Subvert them. Transform them into something fresh and unexpected and better

This quote from Rosie Perez reads, "I started calling people on their stuff. I'd say, 'listen, things have to change. How come I keep getting 50 million offers to play the crack ho?' And I challenged them on it, and initially, oh my God, the negative response was horrific."
It can take guts to “call people on their stuff” and challenge stereotypes. But artistic integrity demands it. (This quote-image from Rosie Perez is courtesy of The Huffington Post).

That’s just basic sound practice–but you’re also making a statement by the way you make the transformation. 

Please note that this approach requires awareness. Creative people fall into tropesclichés and stereotyped thinking when they don’t recognize them for what they are. We all have unconscious biases. But we owe it to ourselves, our work, and our fans to learn about them and challenge them.

Representation and social transformation

Wider and more diverse representation is essential to the social transformations that I would love to see come about. I have my own ways to portray that, particularly in the stories I write. 

This quote from Gina Rodriguez says, "I became an actor to change the way I grew up. The way I grew up, I never saw myself on the screen. I have two older sisters. One's an investment banker. The other one is a doctor, and I never saw us being played as investment bankers. And I realized how limiting that was for me. I would look at the screen and think, 'Well, there's no way I can do it, because I'm not there.'"
Artists need to seize the power of portrayal. (This quote-image from Gina Rodriguez is courtesy of The Huffington Post).

There are as many possible approaches as there are artists. Some, such as those in the Solarpunk movement, seek to portray the benefits of positive future change. 

Writers, artists, filmmakers and others with a more dystopic bent often dramatize how badly things can go wrong. Perhaps as a cautionary tale. Or because they’re pessimists. Or because conflict is inherent in a dystopic plotline.

Everyone takes an individual path, because each of us has our own unique voice. We must let the world hear our visions, presented from our own perspectives, in our own voices.

What values do you seek to embrace? What negative outcomes do you hope we avoid? 

IMAGE CREDITS:

Many thanks to  FCKH8 on Twitter and The Huffington Post for the quote-images in this post.

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