By G. S. Norwood, abetted by Jan S. Gephardt
To that, we’re happy to answer an emphatic yes. Ms. Eddy’s adventures aren’t nearly over yet. But when’s the next story coming? Well, that’s a little harder to say. Death in Deep Ellum, the working title for the third story, is a murder mystery. It’s required some theological thinking and some careful interweaving of the plot elements, while G. also works on several other exciting fiction projects.
The Deep Ellum Stories Continue
But yes. Rest assured. The Deep Ellum stories continue! To prove it, this post includes a first look at Death in Deep Ellum’s opening. But before that, a quick look at how we got here.
In the first story, Deep Ellum Pawn, we met Ms. Eddy Weekes, proprietor of Deep Ellum Pawn. Her shop is always there when you need it, and she rocks the most epic storage room and garden-with-water feature that you may ever have encountered.
Deep Ellum Pawn Description
The Golden Fiddle is back. Can Ms. Eddy break its curse this time?
What’s a pawnshop owner to do? The cursed Golden Fiddle keeps coming back to Deep Ellum Pawn, the shop where Ms. Eddy Weekes stands guard over the historic Dallas, Texas, neighborhood of Deep Ellum. Each time the fiddle shows up, it leaves a swath of broken dreams and shattered lives, with a pack of fearsome Hell Hounds hot on its trail.
Music, magic, and legends intertwine in Deep Ellum, and things long buried have a way of coming back ‘round again. Only Ms. Eddy can end the fiddle’s curse, but first she must learn its secrets.
Will she have the tools she needs to fend off the Hell Hounds and get to the heart of the Golden Fiddle, before an ancient evil brings the darkness back to Deep Ellum forever?
The Deep Ellum Stories Continue with Deep Ellum Blues
We published Deep Ellum Pawn in November 2019, preceded by three successive blog posts with excerpts and a release-day announcement. People enjoyed it, so G. got to work on a second. You might also enjoy another post with some of the story’s background, and another one on the making of the cover.
We rolled out Deep Ellum Blues not quite a year later, again with a series of blog posts. They included an excerpt, an interview of G. by internationally-bestselling mystery novelist Deborah Crombie, and a look at the making of the cover. We also posted a Setlist with YouTube videos of Mudcat’s songs (scroll down), and a release notice. And we followed its release with a post by G. about the famous song Deep Ellum Blues.
Deep Ellum Blues Description
Free will is a rule she doesn’t break.
As the genius loci of Deep Ellum, Ms. Eddy Weekes is a hands-off goddess who won’t micro-manage human affairs. She’d rather sit on the sidelines and enjoy the show. Her motto? “People have the right to make their own hideous, life-altering mistakes.”
But there’s something different about the young blues musician Mudcat Randall.
Maybe if her old friend Waylon hadn’t called him to her attention, she’d have let things be. Maybe if she hadn’t glimpsed something special in his music . . . But Mudcat is flirting with disaster. Eddy’s old adversary wants him to sign a tempting management contract, and there are deadly strings attached.
When a third force enters the fray, everything Mudcat has ever prayed for is suddenly on the line, and Eddy knows the game is rigged against him. Can Eddy break through to the headstrong musician? Or will an old and tragic story make Deep Ellum sing a new kind of blues?
Coming Next: Death in Deep Ellum
We promised you an excerpt. Here’s a glimpse of the current draft’s opening.
Chapter One: Prayer of the Dying
There is no prayer like the prayer of the dying.
As the genius loci of Deep Ellum, the historically Black, funky, happenin’ heart of Dallas, Texas, I hear those prayers, whether the people praying live here or just come to hang out for a while. Think of me as the neighborhood’s resident goddess. You can call me Ms. Eddy Weekes.
I heard Perkins’ prayer just after dark on a scorching summer evening. Perkins was an alcoholic, and a member in good standing of the homeless population that still drifts through Deep Ellum despite all the developers’ efforts to gentrify. I’d kept my eye on him for the past couple of years, but I hadn’t anticipated any sudden downturn in his condition.
When he called, I was with him in an instant. I found him curled on his side by a back-alley dumpster off Elm Street. He’d been shot three times in the gut, and blood was everywhere.
“I’m here, Perkins. I heard you. I can fix this,” I said. The day’s heat radiated up from the crumbling asphalt as I dropped to the ground, but Perkins’ skin was already going cold, his dark skin going gray.
He rolled onto his back, his head on my knees, and I put my arms around his shoulders, trying with all my will to knit his shattered intestines back together.
“It’s my time, Miz Eddy. Don’t worry ‘bout me. It’s my time.”
His voice was a thin thread, only sustained by the force of my will. He had called out to me in need. I had to know what he wanted me to do.
“I’ze jus’ here, and he come up out of nowhere. Shot me. Didn’t say a thing. Then he’s gone.” Perkins bucked a little against my legs, racked by a cough, a shiver, or some spasm of pain.
“What can I do, Perkins? How can I help?”
“I don. Wanna go. To the bad place. I bin. A drunk. But I ain’t. Bin bad.” His breath was coming in short gasps now.
“You won’t go to the bad place,” I promised. I could see his soul starting to spin out and away from his body, so I reeled it in, holding it close. “What else?”
Perkins made a supreme effort. He used his very last breath to ask one more thing of me.
“Get that son of a bitch.”
He sagged in my arms as I drew together the last tattered fragments of his soul, winding it into a tight ball. Holding it in my heart, as well as my hands, I said aloud, “Nathan Allen Perkins, I see you. I see you in your entirety. I see your heart. I see your mind. I see your soul. You are worthy. You will be missed. You will be remembered. You are safe in my hands, and free to move forward without fear.”
Then I tucked his soul into a pocket of time and space not even my old foe, Nick, could hack into. I sent the little pocket to the store room of my pawn shop, where Perkins’ soul could rest until I delivered it on up to the next level.
That done, I paused a moment to absorb the loss of a man I had liked. I’d given Perkins sandwiches from the shop down the street. He’d kept an eye out for Morsel, my wandering cat. We had shared gossip, and the news of the neighborhood. Perkins’ belief in me had fed my being just as surely as my sandwiches had fed his. I am far too old to trade in human relationships but, as far as it was possible, Perkins had been my friend. I would miss him.
So I took the moment to mourn. Something vital was now gone from Deep Ellum, and I felt the loss.
Then I pulled my phone out of my back pocket and called 9-1-1.
It would only take the cops a few minutes to get here.
In those few minutes, I took a look around the alley. I wasn’t interested in the three brass shell casings I spotted at the corner where Crowdus Street intersected with the alley that ran behind a rag-tag assortment of take-out restaurants. I didn’t much care about the view from the youth hostel that loomed above me, or the rusty, reeking dumpster that must have all but hidden Perkins unless someone was looking for him. I saw the bottle he’d been nursing, smelled the rotgut that had spilled from it.
And, faintly, under the garbage, the booze and the blood, I smelled something else entirely. As I rose from the pavement to stand guard over my friend’s body, I caught just the barest trace of brimstone. Somehow, in some way I could not yet see, Nick had had a hand in this.
I would help the police, if I could, to find the man who pulled the trigger, but Perkins had asked me for more than mere human justice. He’d asked me to “get that son of a bitch.” That meant I was going to have to track down the Devil himself.
The Deep Ellum Stories Continue
We hope you’re looking forward to Death in Deep Ellum as much as we are. And we’ll keep you posted on progress!
The covers for Deep Ellum Pawn and Deep Ellum Blues are ©2019 and 2020, respectively, by Chaz Kemp. The character developments for Ms. Eddy are also ©2019 and 2020, respectively, by Chaz Kemp. Many thanks!