Nurturing creativity with art, animals, and science fiction

Tag: J.R. Boles

“Moving the needle” and author readings

I just wrapped up a delightful weekend at ConQuesT 49 in Kansas City, MO. Yes, it’s my “home convention,” but it was a particularly good one, this year–and I’m not the only one I heard say that.

The presentations by the amazing Elizabeth Leggett were worth the price of admission, all by themselves–Especially the big reveal of my friend Lynette M. Burrows’cover for her soon-to-be-available new book, My Soul to KeepIt was part of Leggett’s presentation on the making of book covers.

This is only a tiny glimpse of the “Book Cover” presentation by Elizabeth Leggett, featuring development of the cover for My Soul to Keep by Lynette M. Burrows, a spine-tingling alternate-history thriller soon to be released by Rocket Dog Publications.

Unfortunately, I was so busy I barely got to see half of the wonderful Dealers’ Room, and never made it all the way around the entire Art Show, though I helped hang the mail-in art. Did manage to get a photo of my own display.

Here is my before-sales display at the ConQuesT 49 Art Show. I sold several of my larger pieces!

I spent a lot of time at author readings, during the convention. I had my own reading on Saturday–and was overjoyed when I got a good audience! Thanks, everyone! 

I make a point of going to other authors’ readings, too–for several reasons. I like to know what their current projects are, and because it’s fun to find new things to read. I also like to support my fellow writers–and it’s a lot more fun to read your work aloud when there’s someone eager to listen!

Just a few of the books from which their authors selected scenes to read at ConQuesT 49: L-R, Blood Songsby Julia S. MandalaSinger’s Callby J. R. Bolesand The Alchemist’s Stone, by Kevin WohlerI either own, or will soon buy, copies of all of them.

I had panels opposite some of the authors I wanted to hear, but I did get a chance to listen to Kevin WohlerJ.R. BolesJim YeltonJulia S. Mandala, and Van Allen Plexico. I also really wanted to hear Sean DemoryLynette M. Burrows, R. L. Naquinand Rob Howell, but unfortunately I had duties elsewhere when they were reading.

One thing I did notice was that all readers are not equally audible, or intelligible. I was half-planning to create a post about “Reading Best Practices,” but Lynette beat me to it–and I don’t think I can improve on her excellent post! If you are an author who does readings–or if you know an author who does readings–give her post a close look! If you look at readings as a marketing vehicle, or if you plan to record your own audio-version, pay close attention to her advice!

It also pays to advertise, so come prepared with pre-printed information about where to find your work, and what it’s about. I’m always amazed how many authors forget to tell what the book is about, in their promotional material. Authors (especially Indie authors) sometimes think that making appearances at sf conventions isn’t worth the effort because it doesn’t normally result in an immediate jump in sales.

J. R. Boles and Sean Demory, who teamed up this winter as part of the Palookaville team, both did readings at ConQuesT 49. They came to meet fans, talk about their work, and share thoughts. That’s sold brand-building.

It also pays to advertise, so come prepared with pre-printed information about where to find your work, and what it’s about. I’m always amazed how many authors forget to tell what the book is about, in their promotional material. Authors (especially Indie authors) sometimes think that making appearances at sf conventions isn’t worth the effort because it doesn’t normally result in an immediate jump in sales.

But I am convinced that appearances at conventions are not so much about lead generation as they are about brand-buildingWhy do you think so many traditionally-published writers with established reputations still bother with going to conventions? It’s a chance to interface directly with a larger number of one’s fans, and to impress more, through your knowledge on panels, your attention, which is flattering, and your demonstrated grace. Of course–if you don’t demonstrate much grace (skip panels or readings, hide out in your room, or shy away from fans), you won’t develop a whole lot of brand loyalty!

IMAGES: Many thanks to Elizabeth Leggett’s public Facebook page, for the image of developmental stages for the cover of My Soul to Keep by Lynette M. Burrows! I took the photo of my Art Show panels; you may re-post the photo with my blessings if you don’t alter it, give an attribution to me, and link back to this post. The cover image for Blood Songs is from Amazon; the cover image for Singer’s Call is from J. R. Boles; and the cover for The Alchemist’s Stone is from Kevin Wohler. The photo of J. R. Boles and Sean Demory is from Sean Demory’s Facebook page

Tales of ConQuesT (48)–The Writing Part

I love  participating in panel discussions at science fiction conventions–and I was part of several at ConQuesT 48 held this and every year in Kansas City on Memorial Day by my home science fiction group, the Kansas City Science Fiction and Fantasy Society


I participated in several panel discussions at ConQuesT. In addition to sharing an hour of reading with Sean Demory of Pine Float Press, my other scheduled panels all could be potential subjects for future blog posts. Please comment below, if you’d like to see more on any of these topics!

What Gives Characters Depth?

This panel focused on writing techniques, plus a review of “3-D characters we love” and why we chose them. It was ably moderated by Rob Howell. I was joined on the panel by P. R. AdamsLynette M. Burrows, and Marguerite Reed.

L-R: P. R. Adams, Lynette M. Burrows, Marguerite Reed, and moderator Rob Howell

Our discussion ranged through such questions as what makes a character come to life, our assorted techniques for “getting to know” our characters, and what happens when the scene you thought you were going to write takes a right-angle turn because “the character had something else in mind”/you realized it wouldn’t be in character for the person to do/say/think what you’d originally intended. It was a fun and lively discussion.

Intellectual Property and Literary Estates

I got to moderate this panel (former teacher: I like to make sure the discussions are fueled by lots of good, well-researched, leading questions, that everyone gets a chance to talk, and that the audience is actively engaged in shaping the conversation). I’d signed up to be on the panel because of my connection with the administration of my late brother-in-law’s literary estate.

My fellow panelists were Dora Furlong, who’d been involved in establishing a foundation to administer the literary estate of a writer and game-creator; Susan R. Matthews, who’d gone through the process of writing a will and discovered that there were all sorts of decisions to be made about who would administer her literary estate; and Craig R. Smith, whose focus was more on contracts and protecting intellectual property.

L-R: Susan R. Matthews‘ icon; Dora Furlong; Craig R. Smith‘s book cover.

We discussed the nature of intellectual property, the relative importance of registering ISBNs and copyrights, what is included in a literary estate, the kinds of decisions the executor or trustees of such an estate may have to make, leaving specific instructions (for instance, about what to do with emails and unfinished manuscripts), and many other issues that most writers, artists, or other creative people rarely consider–but which have everything to do with their legacy.

Writing Fight and Combat Scenes

I moderated this panel, too–but I did little talking about my own work on this one. Both of my fellow panelists, Rob Howell and Selina Rosen, are well-spoken, engaging, and knowledgeable, with a depth of background I could admire, but not match (SCA battle-experience, military history studies, martial arts training, and many more varied writing projects than I’ve racked up so far).

L-R: Rob Howell, a photo of an SCA battle by Ron Lutz; and Selina Rosen. Yes, it was a lively panel discussion.

It was a privilege to manage time and audience input, while offering them questions about varieties of research, frequent plot objectives of most fight or combat scenes, tips for keeping the action vivid and interesting, and pet peeves about other authors’ bad practices. Rob, Selina, and the knowledgeable audience kept the panel fast-paced, interesting, and wide-ranging.

Horror Fiction and Xenophobia

Yes, I did moderate this panel also–but as with the “Fight and Combat” panel, I ended up mainly facilitating the experts, namely Sean Demory, Karen Bovenmeyer, and Donna Wagenblast Munro.

Not much of a horror writer or reader myself, I approached this panel from the viewpoint of a multiculturalist who generally looks upon xenophobia (fear of foreigners or, more basically, fear of “the other”) as a negative thing.

L-R: Sean Demory, Karen Bovenmyer, and the Facebook Profile Picture of Donna Wagenblast Munro.

Not to worry. While earlier traditions of horror have embraced the “fear of otherness” via unfamiliar cultural practices, deformity, and/or disease to create the objects of fear, my three fellow panelists are contemporary horror writers who have embraced the “feared other” as their protagonists.

This brought new poignancy to their responses to my questions about “who are the monsters of today?” and which is the most potent bogeyman of today, the terrorist (domestic or foreign), the corporate overlord, the hacker, or the community dedicated to conformity? Reactions were mixed, but ultimately conformity won as the most stifling on the individual level.

I See No Way That Could Possibly Go Wrong

This panel focused on new technologies just beginning to emerge today, and our thoughts about their ramifications in the future. The panelists were, L-R in the photo below, Christine Taylor-Butler, Bryn Donovan, me, and Robin Wayne Bailey. The photographer (and knowledgeable contributor from the audience) is the writer J.R. Boles.

I was not originally scheduled to be on this one, but the designated moderator (who shall go nameless) did not show up for the panel. Bryn and Robin invited me to join them and moderate. Since I actually knew a bit about the topic (thanks largely to researching and writing this blog), I was delighted to leap in.

We had a great discussion, with a lot of intelligent input from the panelists and our knowledgeable audience. We spent most of our time on the question, “What technology that’s now in its infancy would you most like to see developed, and how do you think it would change things as we know them?”

Answers touched on flying cars, 3-D printed kidneys, earpieces or brain implants to transmit data, lunar colonies, asteroid mining, and much more.

IMAGES: I’m the one who put together the ConQuesT 48 banner. It features a logo design by Keri O’Brien and a photo of the lobby of our convention hotel, the Sheraton Kansas City Hotel at Crown Center, which provided the photo. 

The photos of assorted authors with whom I did panels come from the following, gratefully acknowledged sources:

The photo of Rob Howell is from his Amazon Author Page. That of P. R. Adams is from his Amazon author page. That of Lynette M. Burrows is from her Twitter Profile @LynetteMBurrows, and that of Marguerite Reed is from her Twitter Profile, @MargueriteReed9

Dora Furlong’s photo is from her Amazon Author Page. Susan R. Matthews’ image-icon is from her website; I was unable to find a photo of Craig R. Smith, so I finally settled for a cover image of his book, Into the Dark Realm

I’d like to offer special thanks to the Society for Creative Anachronism, and photographer Ron Lutz, for use of the photo Clash of Battle.

The photo of Selina Rosen is a detail from a photo by the indispensable Keith Stokes, taken at Room Con 10 in 2014 (a party hosted by James Holloman at ConQuesT each year) and posted in the MidAmericon Fan Photo Archive

Many thanks to the Johnson County (KS) Library for the photo of Sean Demory (there’s also a great interview with him on that page). The photo of Karen Bovenmyer is from her Twitter profile @karenbovenmyer; unfortunately, I couldn’t find a photo of Donna Wagenblast Munro or a book cover for her anywhere, so finally I substituted an image from her Facebook page.

Last but far from least, many, many thanks to J. R. Boles for the photo of the “I See No Way” panel, from her Twitter account, @writingjen

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