Nurturing creativity with art, animals, and science fiction

Tag: revisions

Re-Re-Revised

Jan S. Gephardt at the keyboard. Photo by Colette Waters.

Did you ever have one of those projects you thought was just about done . . . except you needed to adjust this one thing.

And then that one thing led logically to another. And after that you discovered an excellent new technique and it would apply to this current project, so now if you just revamp these bits . . . .

Eventually it HAS to end. In this case I’m talking about the novel I am THIS CLOSE to having completely ready to start productionON or before September 3, 2018, it shall be done (or else).

For reals. mean it. Friends who know me will point, laugh, and say, “Got THAT right!” when I tell you I am not a fast writer. For all my ongoing efforts to be a well-organized, methodical “plotter,” the “pantser” in my soul frequently takes me walkabout, as a way to open up whole new projects through the “discovery method.”

Here’s the color comp for the cover of What’s Bred in the Bone, created by one of my favorite artists, Jody A. Lee, based on a scene from the book.

may not live long enough to finish all of the projects I already have in my files (partially developed through said “discovery method” and mostly set in the same fictional universe), but by God I’ll have fun writing them. I also hope people will have fun reading them–which necessitates finishing them, and publishing them.

That’s my current task: sternly striving not to let the perfect be the enemy of the good, and working on finishing a final, publishable version of What’s Bred in the Bone.

The world I currently inhabit for as many of my waking hours as possible these days is the one I’ve been writing about (and in which I’m making the aforementioned revisions).

Set in an indeterminate future era which I call the Twenty-Fourth-and-a-Half Century, most of the action takes place on Torus Two of Rana Habitat Space Station, through the eyes of an XK9: an enormous, genetically-engineered, cybernetically-enhanced police dog named Rex, as well as his mate Shady and his human partner Charlie.

Readings from What’s Bred in the Bone that I’ve done at science fiction conventions, such as DemiCon 29 and SoonerCon 27, have been met with enthusiasm, which is encouraging. Most of my beta-readers have been enthusiastic, too. If you’ll be at Worldcon 76, I have a 30-minute reading scheduled there on Monday, Aug. 20, 11:00 a.m. in Room 211A. I hope to see you there!

IMAGES: Many thanks to the talented Colette Waters for the enhanced reality represented by her photo of me, and to the amazing Jody A. Lee, for the color comp of the cover-art-that-will-be for What’s Bred in the Bone.

So, I wrote this book . . . the saga continues.

Anyone who’s been reading this blog periodically may have stumbled onto a mention or three about the science fiction novel I’ve been working on.

To be fair, it’s a science fiction universe I’ve been creating, the physical setting and milieu for a whole series of novels. Any blog posts I’ve written about future trends, such as last year’s series on automation, the DIY Space Station seriesfirst responders, and/or police K-9sMWDs, or service animals, all have been directly inspired by research aimed at making my fictional world seem more real.

The book’s still not published, so, no: this is not a sales pitch. It’s more like an update. After the 2016 post that marked the end of an early draft, it went through a series of editorial reviews by professionals I trust, as well as a lot of beta-readers’ reviews (note: beta-readers are kind of like beta testers, only for books).

And it underwent lots and lots (and lots and lots) of revisions. As far as the comments from my various critique resources have been going, it apparently continues to improve. I recently sent it off for what I hope is a final round of critiques. Considering the sequel’s now almost finished, I’m hopeful I can offer more substantive updates here soon.

IMAGES: Many thanks to the ever-witty Tom Gauld, via Pinterest, for the “Jealous of my Jetpack” picture, to Roxanne Smolen’s Instagram Page for the illustrated Phyllis Whitney quote, and to Kathy R. Jeffords for the “2nd Draft Won’t Kill You” design and thought.

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