When I first wrote this post, I was dealing with Weird Blog Woes. The Weird Sisters Website (including The Weird Blog) had been knocked offline by a persistent software glitch and increasingly-long “repropagation” issues. Cutting to the chase: It was broken. We were (trying to) fix it.
UPDATE! It’s now FIXED!
But while it was still broken, it was blog day. So, while reserving time to work on fixing the Weird Blog Woes, we thought perhaps you’d enjoy reading three great “fan favorite” posts of the past by G. S. Norwood—plus a BONUS!—via a website you actually might be able to access!
We hope to be back in the next two weeks with a new post on The Weird Blog! But in the meantime, please check these out—and don’t forget there’s a BONUS at the end!
Design by Jan S. Gephardt.
Three Great Posts By G. S. Norwood–Plus a Bonus!
Let’s start our quest to fight off the Weird Blog woes with this wonderful post by G. S. Norwood, author of the “Deep Ellum Stories.” They’re normally available through our website. G. has a full-time job with The Dallas Winds, but she’s also an entertaining blogger.
At left, Photo by Marcy Weiske Jordan. At right, G. with Gift on her lap. Both from G. S. Norwood’s private collection.
I write urban fantasy, so I’m fairly open to the idea of magical energies at play in our mundane world. Still, I had no intention of adopting a cat in October of 2019. When my oldest cat, Scrap, died that July, I was comfortable with the idea of being reduced to a two-cat household. “If the Universe gives me a cat, I’ll have another cat. But I’m not going to go out looking,” I told myself. It became my mantra. Read more here.
Those Weird Blog woes are fading, right? Who doesn’t love a great cat story? Now let’s move on to another mood-lifter: Wildflowers!
The buildings and plantings of the Lady Bird Johnson Wildflower Center reflect and honor the local native Texas climate. (See credits below).
It’s March in Texas, and that means wildflowers—specifically bluebonnets. For the next two weeks, roadsides and fields will be covered with our beloved state flower, a hardy lupine that loves rocky soil and early spring sunshine.
Fields of bluebonnets cover the hills of the Texas Hill Country, often peppered with clumps of Indian Paintbrush. People take pictures of themselves, their sweethearts, their babies, and their pets in bluebonnet pastures. Senior citizens who take up painting as a post-retirement hobby love to paint bluebonnet-filled landscapes.
Why are there so many bluebonnets along Texas roadsides? Read more here.
Have you shaken off the Weird Blog woes by now? Perhaps you’d like some reading ideas “for the road (or the Wildflower Trail?). After all, this is posting in the summer, and summer is the quintessential season for “beach reads” and literary vacations. With that in mind, we hope you enjoy the following.
Dallas has air pollution problems (Dallas Magazine/Getty Images).
Well. I finally did it. I made it safely through months of writing major grant proposals. Organized three far-from run-of-the-mill concerts. Took on some new job responsibilities, on top of the two full-time jobs I’m doing already. And I survived. Now, my friends and readers, it’s time for my summer getaway.
I’m looking for a place that will allow me to relax. Spend some quality time looking at outstanding scenery. And be much, much cooler than Dallas, both in temperature and in vibe. Read more here.
You’ve made it to the BONUS! One of the very best ways we know to escape Weird Blog woes—or any others—is a trip to Deep Ellum, Texas. Specifically, the magical and amazing Deep Ellum Texas of G. S. Norwood’s Ms. Eddy Weekes, as featured in her Deep Ellum Stories. Here’s your introduction: a free read! Enjoy Chapter One of the first “Deep Ellum Story,” Deep Ellum Pawn.
The guy on the other side of the counter was antsy, shifting from foot to foot, sniffing, taking quick swipes at his streaming nose with the cuff of his faded beige flannel shirt. His eyes, half-hidden by greasy blond bangs, darted from side to side, as if he was afraid Hell Hounds would appear at any moment, hot on his trail.
He probably was. And God knows, the Hounds wouldn’t have any trouble following his scent. He reeked of sweat, adrenaline, and old urine.
I looked from him to the battered violin case he’d dropped on the counter and shoved toward me. I was pretty sure what I’d find inside . . .
Many thanks to G. S. Norwood herself, for the photos of her and Gift, her cat. For the Lady Bird Johnson Wildflower Center photos, The Lady Bird Johnson Wildflower Center provided their logo, as well as the photo of their stone entry building, which Jan found via Tour Texas, and the picture of the predominantly yellow plantings, which came via CBS Austin. Texas Highways provided the photo of the Center’s “Garden of Yes” designed for full-bodied fun by families with small children.
Artdog Adventures Blog is moving! This blog will now merge with The Weird Blog on the Weird Sisters Publishing website. Please mosey on over there, to read my (and my sister’s) latest thoughts on books, art, publishing, and more!
Thank you for being a devoted follower. I hope this change doesn’t cause you too much inconvenience, and I look forward to seeing you in the future on The Weird Blog!
This move allows us to optimize our blogs for better, more seamless content delivery without sacrificing so much of my writing time! Artdog Adventures has been a project of my heart since I started it in 2009. Moving away from the name–and from my own author website is difficult.
I’m also still making fine art fantasy paper sculpture–although I must admit I’m not making as much of it as I used to! But believe it or not, I’m working on a couple of new series that I hope will see the light of day pretty soon.
So please follow the Artdog’s ongoing Adventures over to The Weird Blog! There’s plenty more to come!
I’ve been going to ConQuesT or about as long as I’ve been going to science fiction conventions. I think of it as my “home con.” It’s sponsored by KaCSFFS (we pronounce it “KAX-fuss”), the Kansas City Science Fiction and Fantasy Society. I was “discovered” by Robin Wayne Bailey and his wife Diana J. Bailey, when I showed my artwork at a relatively short-lived convention at a local community college. That was back in 1982.
KaCSFFS friends introduced me to fandom, provided transportation and shared rooms at other conventions, and opened a new world of wonder and delight to me. I’ve always been grateful for their tutelage and their friendship. I’ve served several times as an officer of the club, most recently a stint from 2010-2017 as Communications Director. I also was the ConQuesT Art Show Director for three inglorious years (2011-2013), until the far more capable Mikah McCullough took over.
So going to ConQuesT is like coming home for me. These days, I’m much more of a program participant than I am concom, but the love hasn’t changed.
Here’s a walk through the decades that I’ve been going to sf cons – and it’s telling that two of the three are from past ConQuesTs. (See credits and panelist identifications below).
Things I’m Looking Forward To
One thing I always look forward to is being on panels. I’m writing this post too early to know exactly what panels I’ll be on. I filled out the Panelist Questionnaire a while back, so I feel a fair amount of certainty that they’ll come up with something for me to do this year!
I’ve asked for an opportunity to do a reading, and expressed my openness to a number of other options. So I guess we’ll see.
Going to ConQuesT as a panelist in recent years has become even more pleasant for me than ever, because we have half-hour breaks between panels. This allows for follow-up conversations, getting from place to place, impromptu autograph-signings, and bathroom breaks. I wish more conventions would add this lovely feature.
I also look forward to seeing old friends at ConQuesT: some from Kansas City, and others “regulars” from other parts of the region. Many times con-runners will work the whole weekend at their own convention, then go to the next one nearby to relax and just be fans hanging out with fans.
And of course I’m looking forward to the Dealers Room and the Art Show!
For the first time that I can remember, ConQuesT will not be on Memorial Day Weekend. The convention also has moved to a new hotel. (Image courtesy of ConQuesT 54 website).
Our Dealers Table
Last year, some of my Kansas City friends invited me to join them at their ConQuesT dealer’s table. I’d been contemplating the possibility, but daunted by my persistent night-owl tendencies. No way was I likely to prosper running my own dealer’s table all alone if it meant being alert before 9 a.m. and attempting to make money selling only three titles! But they invited me to Try Something Newand join them.
If you’ve followed this blog recently, you probably know that was a fateful first step. I subsequently shared tables at SoonerConand Archon. This year, my son Tyrell E. Gephardt and I have roped our Household Morning Person, my husband Pascal, into joining us for this convention season. He’ll be the person who primarily runs the Weird Sisters Publishing dealers table.
We also are coming to ConQuesT with considerably more books than just the three “XK9 Book” titles I had with me last year. This year, we not only have the Weird Sisters book Deep Ellum Duetby my sister and co-publisher, G. S. Norwood.
We also have a wonderful range of other excellent books by some of our Kansas City Author Friends. They include books by the two friends who invited me to share their table last year, M. C. Chambers and Karin Rita Gastreich. They also include fellow “Mad Authors Party” friends Lynette M. Burrowsand Dora Furlong. And how could we not bring books by our longtime friend Randal Spangler? All in all, it’s a great lineup!
This is the announcement I created about the table, primarily for social media.
The Art Show
For most of my history at science fiction conventions, I’ve primarily been known for my artwork. No one knew me as an author – even though I’ve always been both a writer and an artist. But it takes a LOT longer to finish a book than a piece of artwork. I actually had something to show, as an artist, that would back up my claims that I was one!
And it’s not as if art was ever a minor part of my life. I majored in visual art (printmaking and graphic design) as an undergrad. During both of my teaching careers, I was hired as an art teacher who also could teach publications. After a decade of commercial graphic design work and my “second art-teaching career,” my paper sculpture eventually opened doors to national juried fine art shows around the country.
I’m still doing paper sculpture, although the projects are fewer and farther between now than they have been in a long time. Most of my artwork these days is (once again) graphic design. And as an added bonus, I get to be the Art Director for Weird Sisters Publishing! But the art show still means a lot to me – as I discovered recently at DemiCon. Last year’s ConQuesT Art Show was another marvelous one, under Mikah’s skilled direction. I anticipate this year’s will be, too.
All in all, I’m looking forward to going to ConQuesT this year. I’ve had decades of fun history there. The new Dealers Table project and Pascal’s attendance add adventure to the prospect. And I hope to see a lot of old friends, plus maybe meet some new ones. All of those things add to my anticipation.
Will you be there, too? If you are, I hope you’ll watch for my panels, check out the Art Show, and stop by my Dealer’s Table. Mention that you read this post, and I’ll make sure you get your choice of our badge ribbons!
And if you’re not going to ConQuesT – I know some readers live far away from Kansas City and it’s not practical – I hope you’ll enjoy my next post. I plan to share photos and write about the convention.
IMAGE CREDITS
I don’t think I was ever sure who took the “historical documents” that show me at ConQuesT in 1985 and 2012, but I can identify my fellow panelists. In the 1985 photo they are L-R: Dell Harris, Ken Keller, me, and the late Roland Schmidt, my former co-teacher and a fantasy watercolorist. BTW, that’s my calligraphy on the name cards, back before desktop printing made them easy to print.
And in the 2012 photo that’s me on the left. Tracy S. Morris sits in the middle with her book Bride of Tranquility. At the right is fellow Kansas City writer, artist, and longtime sf fan Sherri Dean. I owe Tyrell Gephardt thanks for photo of me, masked up behind my then-current collection of signs, books, and S.W.A.G. at Archon 43 (2019).
DemiCon 34 may have been my last DemiCon. I have a lot of great history with DemiCon as an institution, and as an eagerly-anticipated annual event. I’ve blogged about it in this space for the last several years, as veteran readers of this blog may recall.
It was the convention that primarily inspired my 2019 post “Why I go to SF Conventions.” For a profile of DemiCon at its recent best, take a look at my 2018 post, “My DemiCon 29 Experience.” I had a wonderful time there.
Even the Pandemic didn’t kill my love for DemiCon. Their patient, helpful Joe Struss helped me create “My First Original Video” for Virtual DemiConin 2020. And they looked as if they were coming back strong in 2022, as reflected in my post “The Best and Worst Time.”
But DemiCon 34 may have been my last DemiCon. At least for a while.
I figured we were off to another great start last fall, when I received an invitation to attend with a guest as a professional guest (this means the membership fee is waived because I’ll be “paying for it” by appearing on panels. It’s a normal-enough procedure, and I’m always happy to agree). I responded quickly to say quite truthfully that I was looking forward to it.
After that, however, crickets. (Okay, it was winter. But still). Finally in March I figured I’d better find out if they’d forgotten me. As it turned out, they kind of had. There’d been a reshuffling of the con committee in some way. My invitation and acceptance had gotten lost in that shuffle. But Amanda in Programming said of course I’d be welcome, and she’d find ways to fit me onto panels. No author reading, though.
Um, okay. Well, things could still work out. It didn’t have to be my last DemiCon. But unfortunate events and disappointments gradually accumulated.
I couldn’t find Art Show information online. Turns out it was on their website and they did (let the record show) have an Art Show. It was listed under “Venue” in dim type at the bottom of their index page. I found “Dealers Room” on that drop-down menu, but somehow my eyes kept skipping over “Art Show” (second down after “Anime Room”).
I guess I was always in too much of a hurry to search the fine print. And, perhaps because of the concom shakeup, I also never received a contact from the Art Show Director. Usually I get a cheery email a few months out, asking if I’ll be showing art again this year. That really would have saved me, this year.
So, I didn’t bring any art (thought, “what’s the point?” and we were tight on space). Then, to my dismay, I discovered there was an Art Show after all. I tried not to be too upset, but I never could quite bring myself to go inside and see what was there. I suppose it should be no big deal in the grand scheme. But I was crushed.
Granted, a mistake I made shouldn’t be used as a justification to make this my last DemiCon. But it was one more, particularly searing disappointment on the growing pile of them.
The Big Convention Experiment for this year is a quest to answer the question: Can Weird Sisters Publishing present a profitable Dealers Table at sf conventions? Didn’t have to be super-lucrative, but at least breaking even would be nice. We tried to vary our offerings (and increase the odds of selling things) by including the work of selected Kansas City Author Friends Dora Furlong, Lynette M. Burrows, Randal Spangler, Karin Rita Gastreich, and M. C. Chambers, as well as my books and my sister G. S. Norwood’sDeep Ellum Duet. Happily, we did sell something from almost everyone. But did we break even? No.
Our first challenge was squeezing ourselves into the space. To say the Dealers Room was “cozy” . . . well, check out the photo above. There wasn’t room for our banner. In fact, it’s a good thing I’ve lost about 30 lbs. over the course of the past year (thank you, NOOM!), or I wouldn’t have been able to squeeze through to work the table.
Unfortunately, the aisle space was almost as constricted as the space behind the table. ADA compliance? Ouch! Not so much. The aisles were consistently congested each time I came in, but that doesn’t mean there was room for a lot of traffic. Yes, it was a small con. But as a semi-frequent visitor to the dealers rooms of many conventions, I can tell you I personally would have looked at the congestion and thought, “Nope.” Was that the experience that made me question whether this would be my last DemiCon? Well, no. Not by itself.
Taken before the “A.I. Meets SF” Panel on 5/5/23. L-R: Steven Southard, Jan S. Gephardt, and David J. Pedersen. Jan teamed up with one or the other of these men for all but one of her subsequent panels. Photo by Helpful Audience Member Number One, who remained anonymous.
The Best Bright Spot: My Panels
For me, the highlight of this convention was the panels. This is often true. For one, I love to talk about our genre(s), writing, art, and related topics. For another, I generally love working with the other panelists. Most are interesting, knowledgeable, and intelligent people, and would be so in any setting. A well-moderated, intelligent discussion with such people is a delight I relish.
Most of my panels teamed me up with either Steven Southard or David J. Pedersen. The “A.I. Meets SF” panel on Friday 5/5/23 included all three of us. I had a lovely time working with both of them. They’re bright, thoughtful men. I’d met and been on panels with David before, but a major high point of DemiCon 34 was meeting Steven. Our panel discussions were lots of fun, and we had large, intelligent, well-informed audiences. It was a mix of elements practically guaranteed to be both stimulating and fun.
I was on five panels. By the time we got to the final one on Sunday afternoon (where I joined Author Guest Rachel Aukesto discuss “Who Will We Meet in Space?”), I think everyone was exhausted. The audience barely outnumbered Rachel and me, and they seemed little disposed to talk much. But that somewhat “flat note” certainly wouldn’t have been enough, on its own, to make me ask, “Is this my last DemiCon?”
Two queen beds and big, sunny windows provided a deceptively-inviting view. Photo by Jan S. Gephardt.
My Last DemiCon?
In my first book, What’s Bred in the Bone, there’s a chapter titled, “A Combined Weight of Awfulness.” I wouldn’t ascribe “awfulness” to my DemiCon 34 experience (with one exception). But disappointment after disappointment built up through the weekend. The convention committee seemed disorganized. There weren’t many panels that looked interesting to me, outside of the ones I was on. Readings by friends were mostly scheduled against my own panels, so I couldn’t attend them. I didn’t get many other networking opportunities.
But our discovery in one of our rooms would’ve sent us home immediately if we’d been there strictly as fans. A rash of distinctive red bumps rose on several sensitive square inches of my son’s skin. Then he found a rather distinctive little brown bug in his bed. And when you find one, you know there must be more. De-con efforts have continued since we got home, to make sure none infiltrated our luggage.
We had a dealer’s table. I’d made promises to be on panels. We’d bought a program book ad. So we accepted a change of rooms and stayed. But combined with all the other issues and disappointments, this was definitely the nadir of all my convention-going experiences in the more than three decades I’ve been going to conventions all over the country. So DemiCon 34 is likely to have been my last DemiCon. At least for a good long while.
It’s that time of year again: getting ready for “con” season, and specifically for DemiCon 34. Repeated blizzard events over several recent years have discouraged us from attending Capricon in February. This means DemiCon, an annual, early-May convention in Des Moines, Iowa, has become our “new normal” first science fiction convention of the summer season.
But for DemiCon 34, things will be a bit different from our usual. Some of the changes were planned, others not. Here’s hoping I’m in much better health and voicethan I was last year! I’m also hoping that we have our typically pleasant DemiCon experienceon the whole.
Let’s get these out of the way, so I can go on to the much-more-fun stuff. Due to a snafu in communications, I won’t be doing a reading at DemiCon 34. Readings are one of my favorite forms of “giving out free samples,” so I’ll miss it! To partially compensate for that, you might enjoy My First Original Video, which was filmed for 2020’s Virtual DemiCon (DemiCon 31, “Contaminated”).
In that video my son Tyrell Gephardt filmed me reading the first chapter of The Other Side of Fear aloud. That’s the prequel novella to my XK9 “Bones” Trilogy, which was released that year. It was as close as we could get to a live reading during the early months of the Covid-19 Pandemic. Perhaps you’d also like to read the “free sample” first chapter from one of my novels, What’s Bred in the Bone (XK9 “Bones” Trilogy Book One) orA Bone to Pick (Book Two). Just follow the links to their Weird Sisters pages, where you’ll find them offered.
My other DemiCon 34 disappointment? There doesn’t seem to be an Art Show. I have a long history of bringing my paper sculpture to sf cons, and I’ve enjoyed showing (and selling) my artwork at DemiCon for many years. I also love hanging out with the artists who gather in greater numbers at conventions where they can show and sell their work!
But another one of the things I love to do at sf cons will definitely be happening at DemiCon 34: panels! I have started pulling together notes for the five panels on which I’m scheduled! The first, AI Meets SF, is scheduled for Friday, May 5 at 6:00 p.m. I’ve been on a number of panels that discussed science fictional stories about artificial intelligence. But this will be my first discussion primarily about the potential for AI to write science fiction.
On Saturday I’m set for two more, a back-to-back pair. Thank goodness, they’re in the same room! Starting at 2 p.m., the first addresses a topic very near to my heart, The Role of Science Fiction and Fantasy in Predicting and Shaping the Future. That one’s pretty self-explanatory, I think. The other also promises to be a meaty topic: Pandemics Through History and Their Effects on Literature.
Sunday wraps up with two more. And again, they’re scheduled back-to-back. The first starts at noon, which will be a stretch for me, especially on Sunday of the convention! The rooms are next door to each other, so that should help me make it to the second one on time. At noon we’ll discuss Gadgets in SF. This is where we’ll talk about ways writers can incorporate speculative tech into their stories without grinding the story to a halt while they deliver a data-dump to explain how it works. Then, at 1:00 p.m., we’ll discuss life forms we might encounter on the Final Frontier in Who Will We Meet in Space? Should be fun!
Here’s a walk through the decades that Jan’s been going to sf cons. (See credits and panelist identifications below).
Our Biggest News for DemiCon 34
For the Gephardt household, the most important change at DemiCon 34will be our official presence in the Dealers Room. Not only will we have a Weird Sisters Publishing dealers table with all four of our books. We’ll also have a new member of the Gephardt clan at the con: my husband Pascal. My son Ty and I have traveled to sf cons for many years, while Pascal has always had obligations elsewhere.
But here’s the thing. Pascal is the lark among us night owls – the family’s Designated Morning Person. A lot of the Dealers Room schedule happens before 1:00 p.m., which means that someone has to be awake then to run it! Add to that the fact that he’s got years of experience traveling to art shows and Renaissance festivals with our friend Randal Spangler, and he was doomed to be drafted for this role!
Of course we’ll bring our own books: Mine are, as noted above, The Other Side of Fear, What’s Bred in the Bone, and A Bone to Pick. We’ll also have copies of my sister G. S. Norwood’sbook Deep Ellum Duet, which includes both of her “Deep Ellum” novelettes, Deep Ellum Pawnand Deep Ellum Blues. But wait! There’s more! Speaking of Randy, he’s among the “Kansas City Writer Friends” whose books we’ll be offering at our table. It’s a way to expand our range of offerings and give our friends access to a new market (not to mention we earn a commission while we’re at it).
All cover images are courtesy of the authors, their publishers, or Amazon.
All in all, things definitely will be different at DemiCon 34. But then, change is the most constant thing about our lives. I’d love to see you at the convention. If you can’t make it, I plan to publish a follow-up after we get back so you’ll know how it went. And here’s hoping one thing that doesn’t change is having a fun and creative weekend at another year’s DemiCon!
As for the photos of me at conventions through the decades: I don’t think I was ever sure who took the “historical documents” that show me at ConQuesT in 1985 and 2012, but I can identify my fellow panelists. In the 1985 photo they are L-R: Dell Harris, Ken Keller, me, and the late Roland Schmidt, my former co-teacher and a fantasy watercolorist. Might note that’s my calligraphy on the name cards, in an era before desktop printing made them easy to print.
In the 2012 photo that’s me on the left. Tracy S. Morris sits in the middle with her book Bride of Tranquility. At the right is fellow Kansas City writer, artist, and longtime sf fan Sherri Dean. I owe Tyrell Gephardt thanks for photo of me, masked up behind my then-current collection of signs, books, and S.W.A.G. at Archon 43 (2019).
For the fourth illustration, I am indebted to the authors, their publishers, or Amazon, for the cover images of our Kansas City Writer Friends’s books (see their embedded links in the text of this post). The design is mine.
I’ve been reading some very enjoyable books recently. They really are due a review. I’m an Indie author myself. Co-publishing out of a micro-press I run with my sister counts as “indie,” trust me. Thus, I know how vitally important reviews are. But frankly, reviews are important to all writers, whether indie or traditionally published.
Every single review posted by an individual reader tells the world that this author wrote a book someone felt moved to write about. It’s “social proof” that YES! Somebody out there not only read this book, but wanted to tell the world something about it. It’s the absolute, A-Number-One, hands-down, best gift you can give an author whose work you enjoy.
Reviews have the power to move algorithms, those arcane formulations that dictate which books turn up first in the recommendations a reader searching for new books sees. They also can provide an author with authentic voices to quote in their marketing efforts. Do you write reviews? Do you give star-ratings when you finish a book? If you do, God bless you!
A Lengthening List of Books that are Due a Review!
I “preach the gospel” of review-writing, but all too often I vow, “I’ve got to write a review for this! . . . Um, just as soon as I can.” And then “as soon as” stretches on for way too long. Perhaps you’ve heard the saying “Justice delayed is justice denied”? Well, that goes for book reviews, too.
I realized recently that I’ve accumulated a rather long list of books I deeply enjoyed, that are still due a review. In the interest of making good on some of those mental promises – and also amplifying their reach a bit more by sharing them here, I thought I’d collect four in this blog post.
When I do finally get around to writing reviews, I customarily write them using the online forms provided by Amazon or Goodreads, and make sure I post to both. If one is writing a review anyway, why not extend the book’s visibility as much as you can? Another good thing to do, while we’re on Goodreads, is add a book to one of their Listopia lists. Not sure how to do that? They publish aguide.
Sheila Lowe’s “Forensic Handwriting” Mystery Series
Let’s start with the “Forensic Handwriting” (also called the “Claudia Rose Novels”) mystery series by Sheila Lowe. I saw this author mentioned in the acknowledgements of a recent Margaret Mizushima novel, Standing Dead (Timber Creek # 8), and I was intrigued with a forensic handwriting angle for a mystery novel. That’s what led me to look it up. I’m glad I did.
Longer-term readers of this blog might remember I have featured work by Margaret Mizushima before. Back in 2021 I included her Timber Creek K9 series in my post on K9 Mysteries. I recommended the series back then, and I still do. It just keeps getting better! Speaking of which, Margaret also is due a review (actually, several) from me! But first let’s turn to Claudia Rose.
Twists, Turns, Smoke, and Mirrors With a Heart-Pounding Finish
Poison Pen, Book One of the “Forensic Handwriting” mystery series, opens with an interesting situation and kept me engaged all the way through till the end. It’s extremely well-written, and paced to keep readers turning pages. Claudia Rose has a unique approach to the world and makes an engaging protagonist. Her friends and frenemies also come across as three-dimensional, sympathetic, and distinctly quirky people.
Author Shelia Lowe deftly balances character strengths and weaknesses and offers us a lively array of suspects and questionable motives. Set in LA and focused mostly on the high-stakes, high-glamour, highly competitive world of the almost-famous who orbit the Hollywood scene, this book evokes a richly textured world as colorful and quirky as the cast of characters.
Lowe has us double-and triple guessing about “What is real?” and “Who can we trust?” But make no mistake, the twists, turns, smoke, and mirrors lead us into a heart-pounding final sequence that’s hard to put down–and delivers a deeply satisfying finish.
The Action Never Lets up and the Pages Demand to be Turned
Once I find a series I enjoy, I tend to follow it for a while. There’s a special delight in returning to a world and a group of characters I liked, to see what they’re up to now. In Written in Blood, Claudia Rose faces new challenges and a new set of enemies, while trying to navigate a relationship we saw begin in the first book. In this one, we spend less time navigating the desperate glamour of second-tier Hollywood than we did in the previous novel. Instead, we tighten our focus to an exclusive Los Angeles school for troubled rich girls. But if anything, the stakes are even higher.
One note: This book was published in 2008, and I kept noticing little time-warps: teenagers went to malls, back then. Marijuana laws in California have radically changed. Technology back then was different, too. As with many long-running series, little “period” things crop up. That said, it didn’t spoil my fun one bit.
Once again, Claudia’s skill with forensic handwriting helps her navigate the treacherous rip-tides of “Who is lying?” and “What is this person’s potential to harm others?” But even she isn’t infallible. The action never lets up and the pages demand to be turned–all the way to the breathtaking finish.
My sister G. S. Norwoodrecommended the first book in this series. She knew I’d enjoy the focus and analysis of dog behavior, which is quite important in my own XK9 science fiction mystery novels.
About a third of the way into the first book, The Dog Thief, I felt certain my daughter would enjoy it, too – so I bought her a copy for her birthday. And clearly, this is another that’s due a review! If you like unusual perspectives, love dogs, and appreciate a good mystery, you might enjoy this series, too.
A Unique Protagonist Keeps Us Engaged All the Way
Dog rehabilitator Maddie Whitney appealed to me from moment she told a woman to take off her scarf because it scared the animals. It’s clear from the very first page that Maddie has a markedly different perspective on life. I enjoyed simply inhabiting the world as she sees it. But Marta Acosta’s fast-paced mystery The Dog Thief also is peopled by many other interesting characters and challenges.
Maddie’s neurodivergent quirks and issues plunge us into a fascinating way of interfacing with the world. As we inhabit Maddie’s point of view via the brilliant evocation Acosta sustains throughout, we grow in understanding. We get why she likes dogs better than people, and how some of her behaviors make perfect sense to her – even as we understand why others react as they do.
She’s facing a lot of stress, even before she finds the dead woman in her neighbor’s field. Money issues threaten the Whitney Canine Rehabilitation Center, and she’s heartbroken over a recent breakup. Even more misunderstood in her Northern California hometown of Coyote Run than some of the hard-luck dogs she champions, she hangs in there. She’s true to herself. And in her own unique way she bridges divides, finds new love in an unlikely place, and outsmarts a desperate killer who’s hiding in plain sight.
Maddie’s back, along with the other colorful range of human and canine denizens in Coyote Run for Mad Dog Down the Road. This time it’s summer, and our favorite “Mad Girl” is struggling to make her way without younger sister Kenzie around to provide her accustomed guardrails. As ever, her neurodivergent quirks give her a one-of-a-kind viewpoint on priorities.
But once she’s locked on to the sad case of the torn-up “bait dog” tossed out like roadside trash by a dog-fighting operation, she’s found a new obsession for her whiteboards and indignation. She’ll also decry a new local guru’s adult, pajama-clad “summer campers” who set off fireworks in mid-July despite prime conditions for a bad fire season. And don’t even get her started on the new deputy.
Then a local fisherman dies in a suspicious boat explosion, and her new dog Vixen finds a grisly, inexplicable “clue” that doesn’t seem to fit. Soon she’s hip-deep in all the mysteries, and unwittingly setting herself up for the most dangerous night of her life. This is typically superb Acosta magic. I didn’t want to put it down.
As with all works of art, when we listen, view, and react to it, only then is the creative circle complete. And I would argue that part of reacting to it is writing a review, if possible. The ones I’ve written and shared in this blog post are around 180 to 250 words long, but if you can boil it down to one sentence, it still counts – as long as you share it.
I can think of a bunch more great books that are due a review from me. I hope to share some of them in future blog posts. I’d prefer to collect them in groups for which I can establish a theme, just as I’d say “unusual angles on contemporary mysteries” is how I’d group those in today’s post.
I hope today’s blog post has given you a lead on a couple of interesting series, and maybe also pricked your conscience (as it did mine!). Because if you’ve read this far, I bet you’re the kind of person who loves to read interesting books. And perhaps some of them are also due a review.
IMAGE CREDITS
Many thanks toKatie Rose Guest PryalandErin Phillips, viaRebecca’s Write Inspirations for the visual thoughts on the value of a book review. I’m grateful to Goodreads for providing a prime forum for posting those all-important reviews, and also for providing the cover images for Sheila Lowe’s books. Many thanks to Quotefancy for the illustrated quotes by Cassandra Clare and David Mitchell. Thank you, Marta Acosta, for the cover images for your two books. And it wouldn’t do to ignore AZ Quotes, with gratitude for the excellent words from Fran Lebowitz. Thank you all! It would be a far less visually interesting post without those images!
“Not in my neighborhood!” I’m sure you’ve heard this characteristic cry of property owners almost everywhere. It’s a near-universal protective reflex when anything new or even potentially threatening appears on the horizon.
And there are times when it’s thoroughly justifiable. After all, the vast majority of us are persons of limited means. If we don’t protect and steward the value of things we own, who will? If our property value goes down too much, our home or other property can turn into more of a liability than an asset.
So, for example, if we don’t raise a stink a rumor that someone wants to install alandfill near our local school, we could be in trouble. Pretty soon there’ll be a stink on our kids and on our spring breezes. If we don’t make some noise about a “party house” where they blare loud music all night, we might lose our sleep and our hearing in the resulting din. And in either case, our neighborhood will suffer.
But “not in my neighborhood” isn’t always possible. That’s because what it actually means is “somewhere else.” So, for all too many of us, it’s okay if someone else’s neighborhood is trashed, just as long as ours isn’t? My country – indeed, my own home city – offers many cases in point, both from history and in the present.
That’s because the power to say “not in my neighborhood” doesn’t belong to everyone. No matter how “equal” we try to convince ourselves we are. It never has. In the United States, as I write this, dramatic economic inequality colors every aspect of our lives and the way we live. “Not in my neighborhood” currently finds some of its expression in gated communities. Some of it comes with gentrification. And it often finds expression that results in environmental injustices.
Historically, “not in my neighborhood” is the very heart and soul of redlining. That’s a now-illegal lending and real estate practiced that very successfully segregated our cities. Its legacy lingers today. But it’s a concept our kids are unlikely to learn if we live in certain states that have restricted academic freedom and the First Amendment right to freedom of speech.
How “Not in My Neighborhood” can Cause Enduring Harm
Redlining by real estate developers such as J. C. Nichols in Kansas City created cascading results we still see today. By figuratively but quantifiably “walling off” parts of the metro area from each other, these practices guaranteed division. You can still see stark differences from one block to the next in my home town.
When they systematically invested money in some, while actively barring investment in others, they guaranteed harsh divisions between rich and poor areas. They chose to bless some with fertile ground to prosper, while they monetarily “salted the earth” in others to make sure they stayed poor. This not only impacted personal wealth – we also see it in schools, health outcomes, and many other compounding effects.
Income and racial disparities from redlining and similar practices left a mark. They made it possible for developers of the US interstate highway system to target Black and brown neighborhoods. Those “lower value” zones became the ones literally plowed under and paved over. The social chaos from that simple, cruel solution still haunts many cities today.
The statutes that enabled redlining have since been declared illegal and unconstitutional, but the disparities persist. Johnson County, KS was the “favored land” in the Nichols vision – read that white and Christian only. No Jews need apply, and certainly no Black people back then. Our local officials and state legislators are still trying to eradicate all of the old, racist language from housing covenants. Legally, that’s been a lot harder than it should be.
Rectifying historic wrongs will take a lot more than erasing old language, however. The harder work is fighting persistent biases and historic patterns. In my town there’s a common understanding about which are the “good” or “safe” neighborhoods, and which are the “bad parts of town.” Cultural memory persists. To this day, some of my neighbors actively fear going into “the wrong parts of town.”
Unfortunately, avoidance doesn’t usually breed either an appetite to do something about it, or the individual means to do so. And heaven forbid we should suggest anything as radical as reparations! Most of those selfsame neighbors are still stuck in the “that was then, this is now” mindset of people afraid of losing their historic advantages.
Those disadvantaged, redlined communities also have borne the brunt of environmental injustice. Because they are poor (as well as often poorly-educated, hungry, over-scheduled by juggling multiple low-wage jobs, and ill), they don’t wield a lot of clout in municipal decisions. The working poor are almost never at the table when zoning changes that impact them are made.
Where does it stop? How do we change and improve? Environmental destruction impacts poor neighborhoods first, but as the residents of East Palestine, OH have discovered, pollution can happen anywhere, anytime, with no warning. You also can ask people in Washington County, KS about that. Those folks all can attest that “not in my neighborhood” only goes so far.
This post has been long on problems and short on practical solutions. That’s partly because few of the difficulties I’ve highlighted are easy-to-fix issues. Hidden danger lurks in only focusing on the “low-hanging fruit” – the easy fixes. Simple-minded solutions to complex issues aren’t solutions at all. They just defer the inevitable (and possibly attempt to shift blame).
If we habitually look at life as a zero-sum game where someone must by definition be a “loser,” we’ve not only taken a morally bankrupt approach. We’ve also set ourselves up for later grief. I write science fiction about an imaginary place far from earth. But through it I often try to re-imagine how solutions to clear and present problems might be solved – and what those solutions might look like.
Here in the present, our neighborhood is increasingly connected to everyone else’s neighborhood. All-or-nothing “solutions” are not helpful at all. It takes creativity to look at complex problems in new ways. It takes ingenuity and determination to craft new, better answers to the problems born of inequity, pollution, and systemic injustice.
In the final analysis, “Not in My Neighborhood” doesn’t truly fix anything. Not unless it transforms into “Not in Anybody’s Neighborhood.”
IMAGE CREDITS
As noted in the cutlines under the illustrations, for this post I’m grateful to AZ Quotes, QuoteFancy, and the wonderful post full of “Quotes about Justice to Inspire Positive Change” from GoodGoodGood.
We rarely think to ask a fundamental question: what should police do? What part should they play in a multicultural, representational democracy? The ubiquity of police forces around the world argues that many societies believe police do have a role in civilized life. But what – exactly – should it be?
As a novelist whose primary characters are science fictional detectives, I am in an unusual position, both to ask and to answer this question. But I believe it’s also a question everyone should ask. Especially every citizen in a representational, multicultural democracy.
Why should we ask? Isn’t the answer to that question obvious? Well, no. We’ve all grown up “pre-loaded” with conscious and unconscious attitudes and understandings of what police officers and police forces do, and why they exist. But clearly, those seldom-examined attitudes and understandings aren’t leading to very good outcomes. Not in much of the world. And certainly not here in the United States.
One of the best things science fiction does is hold up a mirror to society. If you think about it, all fiction does that in a certain way, because all fiction is a reflection of our experiences of life. I’ve written elsewhere about the role of the novelist in society. And yes, a fundamental aspect of our work is purely to produce entertainment.
But it’s not the only aspect. I would (and frequently do) argue that it may not even be the most important aspect, particularly in the realm of science fiction. That’s because science fiction is all about thought experiments.
When we start asking “what if?” a whole multiverse of possibilities opens up. What if a recent scientific discovery led to a new technological breakthrough? How would that change the world we live in? What if our society continues on its current course in this aspect, what might the future look like? How would our world change? How would we react?
So, as a novelist who writes about police in a future society, I must ask “What Should Police Do?”
But I’m also a citizen: of the world, and also specifically of my country and community. I’m a taxpayer, a voter, a member of “the public.” I can be sliced and diced out and defined demographically, culturally, and any other way you choose. Mother. Wife. Daughter. Woman. Educated. Teacher (retired). Middle class. United Methodist. White. Senior citizen. Democrat. Science fiction fangirl. Creative person. Animal lover. Multiculturalist. I am all of those things and more.
And as that complex, multi-aspect creature, I bring all of my experiences, understandings, and biases into my role as a responsible adult in contemporary society. For me, that involves an active interest in news and politics. I have formed some rather strong opinions over the course of my life. Each day I refine them or adjust them or reinforce them as I receive and process information.
I see it as my right – indeed, my responsibility – as a citizen to ask if my government and community leaders are representing me and governing in a way I think is appropriate. Are they respecting and honoring values I share? If they’re not, then I have a right to question them, and to seek better representation. As do we all.
This means, as a citizen in contemporary society, I must ask “What Should Police Do?”
We currently ask police to fill a wide range of roles. “We’re asking cops to do too much in this country,” Dallas Police Chief David Brown said in a 2016 interview by the Washington Post. “We are. Every societal failure, we put it off on the cops to solve. Not enough mental health funding, let the cops handle it. … Here in Dallas we got a loose dog problem; let’s have the cops chase loose dogs. Schools fail, let’s give it to the cops. … That’s too much to ask. Policing was never meant to solve all those problems.”
I tend to agree with Chief Brown. As a teacher, I learned all too much about the many things our communities want to dump in the laps of their public servants. Usually while also underpaying them, restricting their operating budgets, and asking them to do work they never trained or signed up for. I get it, and I agree.
But what problems are the police meant to solve? Unlike some observers on the leftward end of the spectrum, I do believe there is a role for police in society. Unlike some observers on the rightward end of the spectrum, I don’t believe we will ever be well served by our current system. Certainly not when it’s focused on criminalizing poverty and mental illness. Not when it majors on crackdowns on minority populations and small offenders. And certainly not when it perpetuates the school-to-prison pipeline.
If you were to ask the average “person on the street” this question, they’d probably say “Solve crimes,” or maybe “keep public order,” or perhaps “enforce the law.” Fair enough. So, how well are they doing?
Let’s take that first one, “solve crimes.” A look at the crime clearance rates (percentages of crimes that are cleared in a given year) is downright discouraging. “Clearance rate,” by the way, does not mean the full Law & Order-style litany of captured, charged, tried, and convicted. No, “clearance” means at least one person has been arrested and charged, or it means the probable perpetrator(s) are identified, but outside circumstances make arresting and charging them impossible. For two examples, circumstances could include that they died. Or maybe they’re in another country from which we can’t extradite them. Stuff does happen sometimes.
Clearance rates vary by the type of crime. But according to Statistia.com the only type that gets solved more than half the time in the USA is “murder and non-negligent homicide.” The clearance rate for that is 54.4%.
So, basically, police in the United States flunk at crime-solving. Why? Well, there are a lot of reasons, and many of them are tied up in the other answers to the question “What should police do?”
What does “keep public order,” “enforce the law,” or “protect people” look like, when it’s happening? Does “keeping public order” mean bulldozing camps of unhoused persons? Or imposing a curfew on a small population’s free movement during a specific part of the day or in a specific place? Does it mean beating or injuring protesters? The words “keeping public order” have been used to justify all of those actions.
On the other hand, it also could mean directing traffic away from an accident. Maybe it means repelling a violent insurrection from the Capitol. And it could mean shielding a person who has not been convicted of any crime from a lynch mob that wants to kill them. It’s an umbrella phrase, broad and nonspecific enough to be both used and abused.
Standards Without Clarification
And in the end, it’s not a very helpful standard without further clarification. The seemingly obvious “protect people” brings the same host of issues when we try to apply it to specific cases. Which people are the police to protect? From whom or what? In a racist, sexist society (don’t kid yourself: that’s this one), how many ways could that go wrong?
“Enforce the law” is only deceptively “more specific.” Does that mean “enforce all the laws, all the time?” By that standard, most of us should be, or should have been, arrested at many points in our lives.
People are fallible. There are times when we’re sick and can’t cut the noxious weeds in our front yard. Or we’re forgetful and only notice later that our driver’s license has expired. Perhaps we’re tired or in a hurry, so we jaywalked when we saw an opening, instead of walking down to the corner and waiting for the lights to change. Minor traffic violations, legally carrying a gun, or simply walking down the street have resulted in citizens being killed by police in the name of “enforcing the law.”
As we’ve seen, that’s a really problematic question! But, both as a citizen and as a novelist, I want to find better answers to it. I cannot endorse a blanket approach such as “abolish the police.” I’m not a fan of “defund,” either. Neither of those represent where I think this conversation should go.
On the other hand, a thoroughgoing interrogation of that “what should police do?” question isn’t going to deal kindly with old-school “cop culture.” Not with many contemporary police training techniques and approaches, either. Nor even with a fair number of contemporary laws and standards.
Yes, dear reader, you’ve probably figured out by now that I’m cueing up a series of blog posts on this topic. I’m not sure how long it’ll be. Considering our upcoming publication schedule, it most definitely won’t be every single post for the next umpty-dozen times without a break!
But over the next few months, I propose to take up one aspect of “what should police do?” at a time. I’ll examine how it’s currently being handled in the USA, survey the critiques, and then explain “how we handle it on Rana Station” and why I think that might work better. I hope you’ll find the series interesting.
IMAGE CREDITS
Many thanks to BrainyQuote (what would I have done without you for this post?) and Statistia.
For me, this past month has been one long (exhausting) experiment in pushing the envelope. You may know this phrase, which originated in the aeronautics field. It passed into more common usage after Tom Wolfe’s 1979 book The Right Stuff (about supersonic aeronautics and the early US space program) was made into a movie by the same name in 1983.
In aeronautics “the envelope” means the limits of an aircraft’s performance capability. Pushing past it is risky. But people (being humans) quickly generalized it to meanings beyond the aerodynamics field. So, no. I haven’t been out there test flying high-performance aircraft. The performance capability I’ve been testing is my own.
In my newsletter last month, I listed the major things I do for Weird Sisters Publishing, to help keep it moving forward and growing. “My job as Chief Cat-Herder and Manager of Weirdness for Weird Sisters Publishing boils down to Art Director, Copywriter, Production Manager, and Marketing Director,” I wrote. And as you might guess, when I try to embody all those roles I work a lot of long hours. Pushing the envelope becomes a way of life if I’m not careful!
In telling the story of Chuck Yeager (Pictured with his aircraft in 1947), Tom Wolfe popularized the expression, “pushing the envelope.” Photo from Bettmann/Getty Images, via WIRED Magazine.
Pushing the Envelope is Not a Good Lifestyle
Some of you will read that subhead and think “well, duh! Of course it isn’t!” Others may frown and think, “But I do that all the time!” Sad to say, “I do that all the time,” even though “Of course it isn’t!”
I suspect that working long hours and testing our performance capabilities – pushing our personal envelopes – is endemic to running a small business. I know I’m not alone when I end the day thinking, “I could have done more!” or “darn it, I didn’t finish it all!” Part of the reason I’m a “night owl” is that ever since I was a kid resisting bedtime, I’ve never wanted to stop when prudence demanded it. There’s always so much interesting stuff yet to do!
But recently I’ve rediscovered that when I’m so stressed out that my fingertips tingle, it is a very bad sign. It’s hard to see this fact in the moment, when I’m yawning my head off but still “in the flow.” But it’s actually more efficient – and I’m more effective – if I’ll stop, put it down, and go TF to bed! Or take a break. Or stop and refresh/reframe.
I didn’t only read under the covers after lights-out. More often my sister and I stayed up long after bedtime whispering to each other as we made up a collaborative story. Photo by “ocusfocus,” via 123rf.
In this Case I’m a Slow Learner
Every few years I have to re-learn this lesson. That isn’t just my guess or impression. I have hard evidence! Exhibit A? A blog postI wrote in 2020. Back then, I was juggling weekly posts on three different blogs (with different content) and trying to finish production on a publishing project.
Fast-forward to now. I’m trying to pre-schedule social media posts on four different outlets each week. Produce a bi-weekly blog. Consistently publish a monthly author newsletter. And also finish production on FIVE publishing projects. Oh, yes – and simultaneously write a new novel. On a deadline. Well, actually, they’re all on deadlines, aren’t they?
Sure. No pressure. Piece of cake, right?
Many thanks to More Famous Quotes for this observation from Gail Sheehy. It’s just as true now as it was when I first used it in 2020.
Continuous Improvement vs. Pushing the Envelope
I’ve gotten more efficient over time. I’ve developed much slicker systems for drafting and organizing each of those aforementioned functions. Each is a far smoother process than when I first started doing them. That’s because I frequently take time to reflect on what I’m doing, how I’m doing it, and why I’m doing it. Basically, it’s my take on the business concept of continuous improvement. And it works pretty well for me.
But nothing can be improved forever. Eventually we hit the ceiling, the apex of what’s possible, working with the given limitations. We can expand our envelope, our capacity, our limit, only so far. Pushing the envelope beyond that carries guaranteed problems, plus ever-greater risks of disaster.
But unlike with Chuck Yeager’s “Glamorous Glennis,” the risks to a person running a small creative business don’t include physically exploding, breaking up, or falling out of the sky. Our risks from pushing the envelope of stress lie more in the realms of disaster to our health and relationships.
None of the stress-cycle graphics I could find online exactly mirrors what’s going on in my case, but I liked this one for the way it included “less time/inclination for ‘new’ relational activities.” I’ve needed to force myself to stop and relax for family Movie Nights and conversations with friends. Many thanks to Visible Dynamics for the chart.
What’s the Answer? Or is that “What are the Answers”?
I certainly don’t want to bring on disaster to my health and relationships. And thank God I’m not forced to make a toxic choice. If I can just pull my head up out of the cycle and get a broader perspective, I can find a better way forward.
The first step is realizing, “oops, I did it again.” What’s needed after that is (1) getting perspective and (2) yet more “continuous improvement” – but of a different sort. Instead of optimizing my systems for doing specific tasks, I need to re-center on my ultimate goals. Are all of the things I’m doing still central to my primary objectives?
I often find that some of them don’t yield the same benefits they once did. I can stop doing them, or maybe adjust their requirements and do them less often. Is filling out a checklist that I’ve consistently neglected for a while still helpful? Or was it once a learning scaffold that I no longer need? Maybe it’s now busywork. Have I found that a certain measurement gives no helpful information, so I can stop measuring that thing/aspect?
Business needs – like life itself – are always changing. Pushing the envelope can create a powerful momentum if it’s well-targeted. But every once in a while all of us have to stop, back up, and review what we’re doing.
It’s not pushing the envelope alone that yields success. It’s (briefly, and only when needed) pushing the right ones.
I’ve spent the last several days preparing a new book for its presale launch. Deep Ellum Duetis the answer to a lot of requests we’ve had since we published my sister G. S. Norwood’s first novelette in 2019. People want to buy them from a variety of booksellers, and many would prefer to buy a paperback. But until now, Deep Ellum Pawnand Deep Ellum Blueswere only available individually on Kindle.
There were several reasons for this. They made sense at the time we first published Deep Ellum Pawn. We at Weird Sisters Publishing were newer to the publishing game then (it was only our second title). And one novelette alone was not big enough to be practical in a print edition unless we wanted to make a slender booklet that wouldn’t be cost-effective.
We also were under the illusion that Kindle Unlimited would make a piece of short fiction easily available and that there was a tremendous demand. As it turned out, KU has no “magic formula,” especially since the novelette had a profit margin too small to justify paid advertising.
I’m excited to produce Deep Ellum Duet because it’s a new milestone for G: her first fiction publication in literal print. You see, one of my greater pleasures in recent years was bringing my sister’s first independently-written fiction, Deep Ellum Pawn, into publication. An odd combination of obstacles held up her fiction writing career for a long, frustrating time.
It’s certainly not because she can’t write! She’s earned her livelihood through one writing job after the next, from broadcast writing to several forms of journalism and newsletter or ad copy writing, through highly effective grant writing. No, G. always had the writing chops. Indeed, I’ve always thought she’s a better writer than I am.
But officially-acknowledged fiction publication has maddeningly eluded her until now. She co-wrote the Time Police #1novel and collaborated with her late husband Warren C. Norwood on the outline for a 6-book series after Warren became seriously ill. Mel Odom wrote books 2-5 based on that outline (then the publisher went bankrupt and the series was never finished). But for contractual reasons, she wasn’t credited.
During the 1990s, both she and Warren tried to break into the romance genre. She attracted a lot of editorial interest but never found a publisher. Her books made it into editorial meetings more than once. She almost sold one – but then the publisher decided to discontinue the line. Another got a lot of interest, but . . . no. It’s the story of many writers’ lives when they try to mesh their vision with that of a traditional publishing house.
Here at Weird Sisters, we’re determined that it’s only a matter of time before several of those “failed romances,” too, will become available. Because they’re wonderful. Especially if you read them as women’s fiction, rather than romance novels (see more below).
But Deep Ellum Pawn at last put G. in the “published fiction” column. It came after an adult lifetime of hanging out with top published writers, honing her skills, and writing book after book. While still holding down her day job as Director of Concert Operations for The Dallas Winds, she polished off a second novelette set in the series, which came out in 2020 as Deep Ellum Blues.
A third short “Deep Ellum” work may be shaping into a novella but it’s not finished yet. This one is titled Death in Deep Ellum. It has been in the works since right after we published Deep Ellum Blues but unfortunately a range of issues beyond G.’s control have delayed it.
Meanwhile, we’ve collected several pages of rave reviews for the two already-published novelettes. These opinions come from both from “known” writers and discerning fans. If you follow Weird Sisters Publishing on Facebook, you know that even now, in recent months, Deep Ellum Pawnconsistently pulls in Top 1K rankings on Amazon in the Occult Suspense category (and some others, too).
But we want to bring these stories to a much broader audience, in more formats. We have pulled out of Kindle Unlimited, although both novelettes are still available as standalone titles on Amazon (See our book pages for more details).
One novelette might be too short to make a bound, printed book. But two – especially including the extra “Set List” feature at the end of Deep Ellum Blues – definitely make a good small trade paperback. It’ll be about the size of my book The Other Side of Fear. This will be a new first for G: her first original fiction published in a print edition.
We’ve come to believe that restricting these novelettes to a single distributor (Amazon) and only one format (ebook) was holding them back. Enter Deep Ellum Duet. It’s a double-story edition that contains both of the Deep Ellum stories she’s finished so far. This title will officially go into wide release in ebook and trade paperback formats on March 14, 2023.
Today we’re proud to announce the start of pre-orders for the ebook version (unfortunately, Amazon is our only current outlet that enables pre-orders, and those only for ebooks). As soon as we can manage e-commerce from the Weird Sisters website, we’ll take pre-orders for the trade paperback version, fulfilled to addresses in the USA, UK, Canada, and Mexico.
Keep checking the links on the Weird SistersDeep Ellum Duet page. We’ll update them as soon as more outlets open up. And The book will be available as close to worldwide as we can manage by March 14. You can also bet it’ll be prominently displayed on our dealers tables at conventions we attend throughout this year!
G.’s not done, however. She’s contemplating retirement in 2023, although it’ll be hard to part with her beloved Dallas Winds. But she’s got Death in Deep Ellum to finish! Not only that, but we’re in final edits for the first of her women’s fiction titles, Wrong Way Riley. It features plenty of good Texas music, as well as an engaging young woman who struggles to define herself as a person and an artist.
G. also has a wonderful mystery novel in progress, titled Ray and Sunshine. It stars a widowed, retired Texas police chief, a precocious little girl, and a delightful dog in the dynamite opener for a promising mystery series.
Yup, my awesome sister is just getting warmed up! Stay tuned.
